atonal

简明释义

英[eɪˈtəʊn(ə)l]美[eɪˈtoʊnl]

adj. （音乐）无调的

英英释义

单词用法

同义词

反义词

例句

1.An enormous literature exists on the relationship between abstract painting and atonal music, and the extensive Kandinsky-Schoenberg correspondence can be found on the Internet.

关于抽象绘画与无调性音乐之关系的文献汗牛充栋，康、勋二人之书信往来也能在互联网上找到。

2.Michelangelo Antonioni's only American film, an atonal fantasia on the late 1960s.

安东尼奥尼拍摄的唯一一部美国电影，一部关于1960年代晚期的无调性幻想曲。

3.Good for you, A. J ", she said. You're experimenting in atonal compositions."

“这对你有好处，A .J，”她说，“你是在尝试创作无调性的曲子吧。”

4.This is done mainly by elaborating the connections between Debussy's piano works and the Chinese culture in various aspects such as atonal mode, melody and rhythm, genre subjects and so on.

此部分从调式调性、旋律与节奏、题材与体裁、演奏等各方面阐述德彪西钢琴作品与中国文化之间的联系。

5.We are trying to follow some general intern atonal practice.

我们在尝试按国际惯例办事。

6.But, you know, in disguise, but the music is atonal, screeching and forgettable.

但是，你知道，变相，但音乐是无调，戛然和。

7.Many modern art pieces reflect an atonal approach, challenging viewers' perceptions.

许多现代艺术作品体现了无调性的方式，挑战观众的认知。

8.His latest album features atonal compositions that push musical boundaries.

他最新的专辑包含了推动音乐边界的无调性作品。

9.The composer experimented with atonal music to break away from traditional harmony.

这位作曲家尝试使用无调性音乐，以摆脱传统和声的束缚。

10.She found the atonal piece difficult to follow at first.

她发现这首无调性的作品一开始很难理解。

11.The film's score included several atonal segments to create a sense of unease.

电影的配乐中包含了几个无调性的片段，以营造不安的氛围。

作文

The concept of music has evolved significantly over the centuries. From the structured harmonies of classical compositions to the improvisational nature of jazz, the journey of music is a reflection of cultural changes and artistic exploration. One of the most intriguing developments in the realm of music is the emergence of atonal music. This form of music, which lacks a tonal center or key, challenges traditional notions of melody and harmony, leading to a unique listening experience that can be both exhilarating and perplexing.To understand atonal music, it is essential to consider its historical context. The late 19th and early 20th centuries marked a period of experimentation in the arts, as composers sought to break free from the constraints of established forms. Pioneering figures such as Arnold Schoenberg, Alban Berg, and Anton Webern played pivotal roles in the development of this new musical language. Schoenberg, in particular, is often credited with the invention of the twelve-tone technique, which serves as a foundation for many atonal works. This method involves arranging all twelve notes of the chromatic scale in a specific sequence, ensuring that no single note dominates the composition.Listening to atonal music can evoke a range of emotions. For some, it may initially feel disorienting or chaotic due to the absence of familiar melodies and harmonies. However, upon closer examination, one can discover intricate patterns and structures within the seemingly random notes. Composers of atonal music often employ various techniques, such as counterpoint and rhythm, to create a sense of tension and release that captivates the listener's attention.Moreover, atonal music encourages active engagement from its audience. Unlike traditional music, where listeners can easily hum along to a catchy tune, atonal pieces require a more attentive approach. This demands a deeper level of concentration and appreciation for the nuances of sound. As a result, many who embrace atonal music find themselves on a rewarding journey of discovery, learning to appreciate the subtleties that lie within each composition.The impact of atonal music extends beyond the concert hall. It has influenced various genres and styles, including contemporary classical music, film scores, and even popular music. Artists like John Cage and Philip Glass have incorporated atonal elements into their works, demonstrating the versatility and relevance of this musical approach.In conclusion, atonal music represents a radical departure from traditional musical forms. It challenges listeners to expand their understanding of what music can be and how it can affect our emotions. While it may not appeal to everyone, those who take the time to explore its depths often find a rich tapestry of sound waiting to be uncovered. As we continue to navigate the ever-evolving landscape of music, the contributions of atonal composers remind us of the power of innovation and the importance of embracing new ideas in art. Whether one loves it or loathes it, atonal music undeniably plays a significant role in the ongoing dialogue about the nature of sound and creativity.

音乐的概念在几个世纪中经历了显著的演变。从古典作品的结构和谐到爵士乐的即兴创作，音乐的旅程反映了文化变化和艺术探索。音乐领域中一个最有趣的发展是无调性（atonal）音乐的出现。这种缺乏音调中心或调性的音乐形式挑战了传统的旋律和和声观念，导致了一种独特的听觉体验，既令人振奋又令人困惑。要理解atonal音乐，首先必须考虑其历史背景。19世纪末和20世纪初是艺术实验的时期，作曲家们试图打破既定形式的束缚。阿诺德·勋伯格、阿尔班·贝尔格和安东·韦伯恩等开创性人物在这种新音乐语言的发展中发挥了关键作用。尤其是勋伯格，常被认为是十二音技术的发明者，这一技术为许多atonal作品奠定了基础。这种方法涉及将全音阶中的十二个音符以特定顺序排列，确保没有单个音符主导整个作品。聆听atonal音乐可以唤起一系列情感。对一些人来说，由于缺乏熟悉的旋律和和声，它最初可能会感到迷失或混乱。然而，经过更仔细的审视，人们可以在看似随机的音符中发现复杂的模式和结构。atonal音乐的作曲家常常采用各种技巧，如对位法和节奏，来创造一种紧张与释放的感觉，吸引听众的注意。此外，atonal音乐鼓励观众积极参与。与传统音乐不同，听众无法轻易跟着悦耳的旋律哼唱，atonal作品要求更加专注的方式。这需要更深层次的集中和对声音细微差别的欣赏。因此，许多接受atonal音乐的人发现自己踏上了一段丰富的发现之旅，学习欣赏每个作品中潜藏的细微之处。atonal音乐的影响超越了音乐厅。它影响了各种流派和风格，包括当代古典音乐、电影配乐甚至流行音乐。约翰·凯奇和菲利普·格拉斯等艺术家将atonal元素融入他们的作品中，展示了这种音乐方法的多样性和相关性。总之，atonal音乐代表了对传统音乐形式的激进背离。它挑战听众扩展对音乐本质及其如何影响我们情感的理解。尽管它可能并不适合每个人，但那些花时间探索其深度的人往往会发现一幅等待揭开的丰富音响画卷。当我们继续在不断发展的音乐领域中航行时，无调性作曲家的贡献提醒我们创新的力量以及在艺术中拥抱新思想的重要性。无论是喜爱还是厌恶，atonal音乐无疑在关于声音和创造力本质的持续对话中扮演着重要角色。