underglaze

简明释义

[ˈʌndəˌɡleɪz][ˈʌndərˌɡleɪz]

adj. (陶器装饰)釉底的;用于上釉之前的;上釉下彩的

n. 釉下彩

英英释义

A type of decorative technique in ceramics where a design is applied to the surface of a piece before it is glazed.

一种陶瓷装饰技术,在施加釉料之前,将图案应用于作品表面。

The decoration is typically done with colored slips or underglaze paints, which are then covered with a clear glaze.

装饰通常使用有色泥浆或底釉颜料,然后覆盖一层透明釉。

单词用法

underglaze decoration

底釉装饰

underglaze painting

底釉绘画

underglaze transfer

底釉转印

apply underglaze

施加底釉

underglaze technique

底釉技术

underglaze color

底釉颜色

underglaze firing

底釉烧制

同义词

slip

陶泥

The artist applied a colored slip to the pottery before firing.

艺术家在陶器上涂抹了彩色陶泥,然后再烧制。

engobe

涂层

Engobe can be used to create different textures and finishes on ceramics.

涂层可以用于在陶瓷上创造不同的质感和表面效果。

反义词

overglaze

覆盖釉

The pottery was finished with an overglaze to give it a shiny finish.

这个陶器用覆盖釉完成,以使其表面光亮。

glaze

After applying the glaze, the artist fired the piece in the kiln.

在施加釉后,艺术家将作品放入窑中烧制。

例句

1.A large 16th Century Ming Dynasty deep dish painted in underglaze blue with grape and vine decoration to the centre and with alternating flowers and buddhist emblems around the rim.

一件16世纪明代的青花大盘。盘中央所描绘的葡萄枝叶茂盛、果实累累,靠近口沿的一圈有交错的花卉和佛教法器纹饰。

2.Underglaze Blue and White decoration was begun in China due to a shift in taste, during the Yuan dynasty (1279-1368).

釉下青花装饰开始在中国由于口味的转变,在元朝(1279 - 1368)。

3.Exportporcelain made in Jingdezhen in mid 18th Century. A pair of shaped trays in blue and white underglaze decoration.

18世纪中期的外销瓷产于景德镇。釉下彩蓝白釉托盘一对。

4.Art of Modern blue and white porcelain products, colorful underglaze, glaze, sculpture and other works.

艺术瓷产品有现代青花、釉下多彩、釉彩、雕刻等作品。

5.A "Chinese Imari" deep dish painted with underglaze blue and with overglaze gilding and iron red decoration.

一件中国版伊万里深口盘,釉下蓝彩配以釉上镏金和红彩。

6.Yongle, Xuande and Yongzhen Whitewares decorated with three-red-fish, three-red-fruit or lotus designs have usually been called underglaze red.

永乐、夏德及雍正朝所制的带有红三鱼、红三果或红莲织装饰的白瓷通常都称为釉里红。

7.Methods of making ceramic tableware are overglaze color, underglaze color and glazed. The harmful metals like cadmium and lead are mainly from the enamel paint.

陶瓷餐具的制作方法分为釉上彩、釉下彩、釉中彩三种,其中的有害金属铅、镉等主要来源于釉上颜料。

8.Yunnan ceramic color underglaze, glaze is used directly in the dried green body has been formed on artistic creation, and then into a firing kiln at high temperature type.

云南釉下彩陶艺,是用色釉直接在已成型晾干的素坯上进行艺术创作,然后入窑经高温一次烧成型。

9.She used underglaze to paint intricate designs on her pottery.

她用底釉在陶器上绘制复杂的图案。

10.The underglaze technique allows for more detailed artwork on ceramics.

使用底釉技术可以在陶瓷上实现更精细的艺术作品。

11.The artist applied a layer of underglaze to create a smooth base for the decoration.

艺术家涂了一层底釉,以为装饰创造一个光滑的基础。

12.He experimented with different colors of underglaze to achieve unique effects.

他尝试了不同颜色的底釉,以达到独特的效果。

13.After firing, the underglaze colors remained vibrant and intact.

烧制后,底釉的颜色依然鲜艳且完好无损。

作文

In the world of ceramics, the term underglaze refers to a technique used to apply color and design to pottery before it is glazed. This method has been employed by artisans for centuries, allowing them to create intricate patterns and vibrant hues that can withstand the test of time. The process involves painting or printing designs onto the clay body with slips or underglaze colors, which are then fired in a kiln. After the initial firing, a clear glaze is applied over the top, enhancing the colors and providing a glossy finish. The beauty of underglaze lies in its versatility; it can be used on various types of clay bodies and works well with both earthenware and stoneware. Artists often choose underglaze because it allows for more detailed work compared to traditional glazing techniques, making it possible to achieve fine lines and delicate patterns that would otherwise be difficult to replicate.One of the most fascinating aspects of underglaze is how it interacts with the glaze during the firing process. The heat causes the colors to mature and change, often leading to unexpected results that add character to each piece. This element of surprise is what many ceramic artists cherish about working with underglaze. It encourages experimentation and creativity, pushing artists to explore new techniques and color combinations.Moreover, the application of underglaze can be done using various methods, such as brushing, spraying, or even stenciling. Each method yields different effects, allowing artists to express their individuality through their work. For instance, a brush application may result in softer edges and blended colors, while spraying can create a more uniform and smooth appearance. Stenciling, on the other hand, can provide sharp lines and defined shapes, perfect for geometric designs.The historical significance of underglaze cannot be overlooked. Many cultures have utilized this technique, from the ancient Chinese porcelain makers to the iconic blue and white Delftware of the Netherlands. Each culture has contributed to the evolution of underglaze techniques, enriching the craft with diverse styles and traditions. As a result, contemporary ceramicists often draw inspiration from these historical practices, blending them with modern aesthetics to create unique pieces.In addition to its artistic appeal, underglaze also offers practical benefits. Because the colors are applied before the final glaze, they are protected from scratching and wear, making them ideal for functional ware such as plates and bowls. This durability means that pieces adorned with underglaze can be used daily without losing their vibrancy, making them not only beautiful but also practical.In conclusion, underglaze is a remarkable technique that enhances the world of ceramics, allowing artists to explore their creativity while producing stunning and durable pieces. Whether for decorative or functional purposes, underglaze remains a beloved choice among potters and ceramicists alike. Its rich history, combined with its adaptability, ensures that underglaze will continue to be an essential aspect of ceramic art for generations to come.

在陶瓷的世界中,术语underglaze指的是一种在陶器上施加颜色和设计的技术,这种技术在几个世纪以来被工匠们使用,使他们能够创造出复杂的图案和鲜艳的色调,这些作品能够经受时间的考验。这个过程涉及到在粘土体上使用泥浆或底釉颜色进行绘画或印刷设计,然后在窑中烧制。在初次烧制后,清釉会被施加在顶部,增强颜色并提供光泽的表面。underglaze的美在于它的多功能性;它可以用于各种类型的粘土体,并且在陶器和石器中表现良好。艺术家们常常选择underglaze,因为与传统的上釉技术相比,它允许更详细的工作,使得实现细线和精致图案成为可能,这在其他情况下是很难复制的。underglaze最迷人的方面之一是它在烧制过程中与釉料的相互作用。热量使颜色成熟和变化,通常会导致意想不到的结果,为每件作品增添了个性。这种惊喜的元素正是许多陶艺家珍视与underglaze合作的原因。它鼓励实验和创造力,推动艺术家探索新的技术和色彩组合。此外,underglaze的应用可以通过多种方法完成,例如刷涂、喷涂或甚至模板印刷。每种方法产生不同的效果,使艺术家能够通过他们的作品表达个性。例如,刷涂可能导致边缘更柔和和颜色渐变,而喷涂则可以创造出更均匀和平滑的外观。另一方面,模板印刷可以提供锐利的线条和定义的形状,非常适合几何设计。underglaze的历史意义不容忽视。许多文化都利用这种技术,从古代中国的瓷器制造商到荷兰著名的蓝白瓷器。每种文化都为underglaze技术的发展做出了贡献,丰富了这门工艺,带来了多样的风格和传统。因此,当代陶艺家常常从这些历史实践中汲取灵感,将其与现代美学结合,创造出独特的作品。除了艺术吸引力,underglaze还提供了实用的好处。由于颜色是在最终釉料之前施加的,它们受到划伤和磨损的保护,使其成为功能性器皿(如盘子和碗)的理想选择。这种耐用性意味着装饰有underglaze的作品可以日常使用而不会失去其鲜艳度,使其不仅美丽而且实用。总之,underglaze是一种卓越的技术,增强了陶瓷的世界,使艺术家能够探索他们的创造力,同时制作出令人惊叹和耐用的作品。无论是用于装饰还是功能目的,underglaze仍然是陶艺家和陶瓷工匠们喜爱的选择。它丰富的历史,加上它的适应性,确保了underglaze将在未来几代人中继续作为陶瓷艺术的重要组成部分。