monstrously

简明释义

英[ˈmɒnstrəsli]美[ˈmɑːnstrəsli]

adv. 可怕地；荒唐地；强烈地

英英释义

单词用法

同义词

反义词

例句

1.The clown wore a monstrously absurd costume.

小丑戴着一个假鼻子。

2.The Kremlinpropaganda machine has used it to stoke xenophobia: Saakashvili is a monster, it says, so the West is monstrously cynical in backing him.

克里姆林宫宣传机器借机让仇外情绪火上浇油：说什么萨卡·什维利是魔鬼，因此西方国家支持他是见利忘义。

3.The Kremlinpropaganda machine has used it to stoke xenophobia: Saakashvili is a monster, it says, so the West is monstrously cynical in backing him.

克里姆林宫宣传机器借机让仇外情绪火上浇油：说什么萨卡·什维利是魔鬼，因此西方国家支持他是见利忘义。

4.Monstrously inflated costs are designed to keep the hoi polloi at bay.

天价被设计用来让小老百姓们不敢问津。

5.O why have you treated me so monstrously, Angel!

啊，安琪尔呀，为什么你待我这样无情无义啊！

6.It would be monstrously unfair.

那将太不公平了。

7.Your husband's family has behaved monstrously.

你婆家人做得太不公正了。

8.There is a class of men in Bristol monstrously prejudiced against Blandly.

在布里斯托尔，有一帮人对布兰德利怀着巨大的偏见。

9.The project was monstrously 庞大地 ambitious, requiring years of work.

这个项目庞大地雄心勃勃，需要多年的工作。

10.He made a monstrously 极其 large mistake in his calculations.

他在计算中犯了一个极其大的错误。

11.She was monstrously 极其 happy when she received the news of her promotion.

当她收到晋升的消息时，她极其高兴。

12.The storm last night was monstrously 可怕地 loud, shaking the windows.

昨晚的风暴可怕地吵，震动了窗户。

13.The movie featured a monstrously 可怕的 creature that terrified everyone in the theater.

这部电影中出现了一个可怕的生物，吓坏了剧院里的每一个人。

作文

In the realm of storytelling, few themes resonate as deeply as that of transformation. Characters often undergo significant changes, and these transformations can be portrayed in various ways. One particularly striking example is the concept of becoming a monster, whether literally or metaphorically. This theme invites readers to explore the darker sides of human nature and the consequences of unchecked ambition or fear. In many narratives, characters are depicted as being driven to monstrous acts, revealing how the pressures of society can lead to a loss of humanity. For instance, in Mary Shelley’s "Frankenstein," Victor Frankenstein’s obsession with creating life leads him to produce a creature that is not only physically grotesque but also embodies the monstrous consequences of his hubris. The creature, often referred to as a monster, is described as being *monstrously* deformed, evoking both sympathy and horror from the audience. This duality highlights the complexity of what it means to be a monster. Are we defined by our actions, or do our circumstances shape our identities? Similarly, in contemporary literature, the theme of monstrosity often reflects societal fears and anxieties. In works like "The Metamorphosis" by Franz Kafka, the protagonist Gregor Samsa wakes up one morning to find himself transformed into a giant insect. This *monstrously* absurd situation serves as a powerful metaphor for alienation and the struggle for identity in a modern, impersonal world. Gregor’s transformation into a creature that repulses those around him mirrors the way society often ostracizes individuals who do not conform to its norms. As readers, we are compelled to question what truly makes someone a monster: their physical appearance or their inability to fit into societal expectations?Furthermore, the concept of monstrosity extends beyond individual characters to encompass entire societies. Historical events often reveal *monstrously* brutal behaviors that challenge our understanding of morality and ethics. For example, the atrocities committed during wars or genocides highlight how ordinary people can commit heinous acts when influenced by ideology or fear. These collective transformations into monstrosity serve as cautionary tales, reminding us of the potential for darkness within humanity. Literature often serves as a mirror, reflecting the *monstrously* destructive capabilities that lie dormant within us all. In conclusion, the exploration of monstrosity in literature offers profound insights into human nature. Through the lens of characters who become *monstrously* altered, whether through physical transformation or moral decay, we gain a deeper understanding of the complexities of identity, societal pressures, and ethical dilemmas. As we engage with these narratives, we are challenged to confront our own perceptions of monstrosity and consider the thin line that separates humanity from inhumanity. Ultimately, the stories we tell about monsters reveal more about ourselves than they do about the creatures we create. They force us to reflect on the nature of our own transformations and the choices we make in the face of adversity. Thus, the theme of monstrosity continues to captivate and provoke thought, inviting readers to explore the darker corners of the human experience.

在故事叙述的领域，变革这一主题引起的共鸣很少有比这更深刻的。角色们经常经历重大变化，而这些变化可以以各种方式表现出来。其中一个特别引人注目的例子是变成怪物的概念，无论是字面上还是隐喻上。这一主题邀请读者探索人性中更黑暗的一面，以及无节制的野心或恐惧的后果。在许多叙事中，角色们被描绘为被驱使去进行*monstrously* 恶行，揭示了社会压力如何导致人性的丧失。例如，在玛丽·雪莱的《弗兰肯斯坦》中，维克多·弗兰肯斯坦对创造生命的痴迷使他产生了一个不仅在外形上令人作呕，而且还体现了他傲慢的*monstrously* 后果的生物。这个生物，通常被称为怪物，被描述为*monstrously* 畸形，引发了观众的同情和恐惧。这种二重性突显了成为怪物的复杂性。我们是由我们的行为定义，还是我们的环境塑造了我们的身份？同样，在当代文学中，怪物化的主题往往反映了社会的恐惧和焦虑。在卡夫卡的《变形记》等作品中，主角格雷戈尔·萨姆萨某天早晨醒来发现自己变成了一只巨大的昆虫。这种*monstrously* 荒诞的情境作为一种强有力的隐喻，揭示了现代、冷漠世界中的异化和身份挣扎。格雷戈尔变成一个让周围人感到厌恶的生物，反映了社会如何往往将那些不符合其规范的个体排斥在外。作为读者，我们被迫质疑，究竟是什么真正造就了一个怪物：他们的外貌，还是他们无法融入社会期望的能力？此外，怪物化的概念超越了个体角色，涵盖了整个社会。历史事件常常揭示出*monstrously* 残酷的行为，这挑战了我们对道德和伦理的理解。例如，在战争或种族灭绝期间所犯下的暴行，突显了普通人在意识形态或恐惧的影响下如何能实施可怕的行为。这些集体转变为怪物的现象作为警示故事，提醒我们人性中潜藏的黑暗潜能。文学常常充当一面镜子，反映出我们所有人内心深处潜伏的*monstrously* 破坏能力。总之，文学中对怪物化的探索提供了对人性的深刻见解。通过那些无论是通过身体转变还是道德败坏而变得*monstrously* 改变的角色的视角，我们对身份的复杂性、社会压力和伦理困境有了更深的理解。当我们与这些叙事互动时，我们被挑战去面对自己对怪物化的看法，并考虑分隔人性与非人性之间的微薄界限。因此，怪物化的主题继续吸引并引发思考，邀请读者探索人类经验中更黑暗的角落。