orgiastic
简明释义
英[ˌɔːdʒiˈæstɪk]美[ˌɔːrdʒiˈæstɪk]
adj. 狂欢的;纵欲的
英英释义
Relating to or characterized by wild, uninhibited revelry or excessive indulgence, often in a sexual or celebratory context. | 与狂野、无拘束的狂欢或过度放纵相关,通常涉及性或庆祝的背景。 |
单词用法
狂欢的宴会 | |
纵欲的庆祝活动 | |
狂欢的仪式 | |
纵欲的过度行为 |
同义词
狂欢的 | 狂欢的庆祝活动持续了整晚。 | ||
堕落的 | 他堕落的生活方式最终让他付出了代价。 | ||
生气勃勃的 | 生气勃勃的人群庆祝胜利。 | ||
喧闹的 | 喧闹的派对成为了城里的热门话题。 | ||
放纵的 | 她放纵的行为让她保守的朋友们感到震惊。 |
反义词
克制的 | 她在聚会上保持了克制的举止。 | ||
适度的 | 他对庆祝活动的适度处理让事情保持了平静。 | ||
清醒的,严肃的 | 会议气氛严肃,专注于重要事务。 |
例句
1.Presumably none other than the orgiastic leader, God himself.
想来也只有这狂欢的领导者,上帝自己了。
2.The orgiastic day of children is coming.
孩子们的狂欢日即将到来。
3.Greek mythology a woman participant in the orgiastic rites of Dionysus.
(希腊神话)参与狄俄尼索斯的狂欢仪式的女人。
4.However its narration and acceptance psychology can be explained through Bakhtin's orgiastic theory.
《水浒》的叙事和接受心理可以用巴赫金的狂欢理论进行阐释。
5.This is how big orgiastic ah!
这是多么大的狂欢啊!
6.Gatsby believed in the green light, the orgiastic future that year by year recedes before us.
盖茨比信奉这盏绿灯,这个一年年在我们眼前渐渐远去的极乐的未来。
7.An orgiastic festival in ancient Greece in honor of Dionysus.
在古代希腊的一种狂欢节日为纪念狄俄尼索斯。
8.However its narration and acceptance psychology can be explained through Bakhtin's orgiastic theory.
《水浒》的叙事和接受心理可以用巴赫金的狂欢理论进行阐释。
9.The artist's work often reflects themes of orgiastic 狂欢的 indulgence and excess.
这位艺术家的作品常常反映出狂欢的狂欢的纵情和过度的主题。
10.During the orgiastic 狂欢的 celebrations, people danced until dawn.
在狂欢的狂欢的庆祝活动中,人们一直跳舞到黎明。
11.The novel described the orgiastic 狂欢的 parties of the elite in vivid detail.
这部小说生动地描绘了精英们的狂欢的狂欢的派对。
12.The festival was a wild celebration, filled with orgiastic 狂欢的 dancing and music.
这个节日是一个狂野的庆祝活动,充满了狂欢的狂欢的舞蹈和音乐。
13.Their orgiastic 狂欢的 lifestyle eventually caught up with them, leading to many consequences.
他们的狂欢的狂欢的生活方式最终给他们带来了许多后果。
作文
In literature and art, the concept of excess often manifests in various forms, one of which is the term orgiastic. This word, derived from the Greek 'orgia', originally referred to secret rites held in honor of the gods, characterized by ecstatic celebrations and uninhibited behaviors. In modern usage, orgiastic has evolved to describe experiences or events that are marked by overwhelming indulgence, whether in pleasure, emotion, or sensory input. This notion can be vividly illustrated through the lens of various artistic movements, particularly in the realm of Romanticism and Expressionism.Romanticism, emerging in the late 18th century, often emphasized intense emotional experiences and a deep connection with nature. Artists and poets of this era sought to express their feelings in a way that was raw and unfiltered. The works of artists such as Eugène Delacroix and Francisco Goya exemplify this fervor. For instance, Delacroix's painting "Liberty Leading the People" captures an orgiastic celebration of freedom and revolution, where the chaos of battle is infused with a sense of passionate energy. The colors are vibrant, and the figures are dynamic, embodying the exhilaration of a moment that feels both chaotic and liberating.Similarly, the Expressionist movement of the early 20th century often embraced the orgiastic aspects of human experience. Artists like Edvard Munch and Wassily Kandinsky explored themes of existential angst and spiritual transcendence. Munch's famous work, "The Scream," conveys a profound sense of turmoil and emotional intensity, while Kandinsky's abstract compositions evoke an orgiastic response to color and form, inviting viewers to lose themselves in the experience of art. These artists understood that to fully grasp the depth of human emotion, one must embrace the chaotic, the ecstatic, and the overwhelming.Moreover, the term orgiastic can also be applied to cultural phenomena, such as festivals and celebrations that embody collective joy and abandon. Take, for example, the Carnival in Rio de Janeiro. This annual event is a vivid display of orgiastic revelry, where participants engage in parades filled with music, dance, and elaborate costumes. The atmosphere is electric, as people come together to celebrate life and community without inhibition. In this context, the orgiastic nature of the festivities serves as a powerful reminder of the joy that can be found in unity and shared experience.However, it is essential to approach the concept of orgiastic indulgence with a critical eye. While there is beauty in passion and exuberance, unchecked excess can lead to chaos and destruction. The fine line between celebration and debauchery is often blurred, prompting reflection on the consequences of our actions. In literature, this theme is frequently explored; for instance, in F. Scott Fitzgerald's "The Great Gatsby," the lavish parties hosted by Jay Gatsby are depicted as both alluring and ultimately hollow, serving as a critique of the orgiastic excesses of the Jazz Age.In conclusion, the term orgiastic encapsulates a spectrum of experiences that range from ecstatic celebration to chaotic indulgence. Whether in the realm of art, literature, or cultural events, the orgiastic speaks to the depths of human emotion and the complexities of our desires. By understanding this term, we can better appreciate the nuances of artistic expression and the significance of collective experiences in shaping our understanding of joy, freedom, and the human condition.
在文学和艺术中,过度的概念常常以各种形式表现出来,其中一个词是orgiastic。这个词源于希腊语“orgia”,最初指的是为神灵举行的秘密仪式,以狂欢庆祝和不受约束的行为为特征。在现代用法中,orgiastic已经演变为描述那些被压倒性放纵所标志的经历或事件,无论是在快乐、情感还是感官输入方面。这一概念可以通过各种艺术运动的视角生动地说明,特别是在浪漫主义和表现主义领域。浪漫主义兴起于18世纪末,常常强调强烈的情感体验以及与自然的深刻联系。那个时代的艺术家和诗人试图以一种原始和不加修饰的方式表达他们的感受。艺术家如欧仁·德拉克罗瓦和弗朗西斯科·戈雅的作品就是这种热情的典范。例如,德拉克罗瓦的画作《自由引导人民》捕捉了对自由和革命的orgiastic庆祝,战斗的混乱中蕴含着一种激情四溢的能量。色彩鲜艳,人物生动,体现了一个既混乱又解放的时刻的兴奋感。同样,20世纪初的表现主义运动也常常拥抱人类经验的orgiastic方面。爱德华·穆赫和瓦西里·康定斯基等艺术家探讨了存在主义的焦虑和精神超越的主题。穆赫著名的作品《呐喊》传达了一种深刻的痛苦和情感强度,而康定斯基的抽象作品则唤起了对色彩和形式的orgiastic反应,邀请观众沉浸在艺术的体验中。这些艺术家明白,要充分理解人类情感的深度,就必须接受混乱、狂喜和压倒性的事物。此外,orgiastic这一词也可以应用于文化现象,例如体现集体欢乐和放纵的节日和庆祝活动。例如,里约热内卢的狂欢节。这个年度活动是orgiastic狂欢的生动展示,参与者们参加充满音乐、舞蹈和华丽服装的游行。气氛电力十足,人们聚在一起无拘无束地庆祝生活和社区。在这个背景下,节日的orgiastic性质强烈提醒我们,在团结和共同体验中可以找到的快乐。然而,重要的是要批判性地看待orgiastic的放纵概念。尽管在激情和活力中有美,但不受控制的过度可能导致混乱和破坏。庆祝和堕落之间的细微界限常常模糊,促使我们反思自己行为的后果。在文学中,这一主题经常被探讨;例如,在F·斯科特·菲茨杰拉德的《了不起的盖茨比》中,杰伊·盖茨比举办的奢华派对被描绘为既迷人又最终空洞,成为对爵士乐时代orgiastic过度的批判。总之,orgiastic一词涵盖了一系列的体验,从狂欢的庆祝到混乱的放纵。无论是在艺术、文学还是文化活动的领域,orgiastic都反映了人类情感的深度和我们欲望的复杂性。通过理解这个词,我们可以更好地欣赏艺术表现的细微差别,以及集体体验在塑造我们对快乐、自由和人类状况理解中的重要性。