schlocky
简明释义
劣质的
英英释义
Of low quality or cheap; often used to describe something that is inferior, gaudy, or lacking in substance. | 低质量或廉价的;通常用来形容某物劣质、华而不实或缺乏实质内容。 |
单词用法
低劣的电影 | |
劣质商品 | |
低劣的恐怖电影 | |
低劣的爱情小说 |
同义词
便宜的 | 这部电影因其低廉的制作水平而受到批评。 | ||
俗气的 | 他在装饰上的品味常常被形容为俗气。 | ||
劣质的 | 这些家具是用劣质材料制成的。 | ||
低劣的 | 他们以高价出售低劣的产品。 | ||
庸俗的 | 这个艺术展览展示了很多庸俗的作品。 |
反义词
质量 | The film received critical acclaim for its quality production. | 这部电影因其高质量的制作而受到评论家的赞誉。 | |
复杂的;精致的 | 她更喜欢复杂的设计,而不是低劣的设计。 | ||
精炼的;优雅的 | 他在艺术方面的优雅品味在他的收藏中显而易见。 |
例句
1.I have seen acrobatic troupes in Shanghai perform similar moves in big schlocky shows and wished they could turn their skills to something more meaningful.
我曾在上海的一次华美而空洞的演出中观看过类似的表演,当时我遗憾地感到那些演员应该能够利用他们的技艺创作一些更有意义的东西。
2.I have seen acrobatic troupes in Shanghai perform similar moves in big schlocky shows and wished they could turn their skills to something more meaningful.
我曾在上海的一次华美而空洞的演出中观看过类似的表演,当时我遗憾地感到那些演员应该能够利用他们的技艺创作一些更有意义的东西。
3.The restaurant's decor was a bit schlocky, with fake antiques everywhere.
这家餐厅的装饰有点低劣,到处都是假古董。
4.The movie was so schlocky that I couldn't take it seriously.
这部电影太低劣了,我无法认真看。
5.She loves watching schlocky horror films on Friday nights.
她喜欢在周五晚上看低劣的恐怖电影。
6.His taste in music is quite schlocky, favoring pop hits from the 90s.
他的音乐品味相当低劣,偏爱90年代的流行热门歌曲。
7.The novel was filled with schlocky clichés and predictable plot twists.
这部小说充满了陈腐的陈词滥调和可预测的情节转折。
作文
In the world of entertainment, we often encounter various forms of media that aim to capture our attention and evoke emotions. However, not all of these creations are made with the same level of quality or thoughtfulness. Some pieces stand out for their creativity and depth, while others can be described as schlocky, a term that refers to something that is cheap, low-quality, or lacking in substance. This essay will explore the implications of schlocky entertainment and how it affects our perception of art and culture.When we think about schlocky films or television shows, we might immediately picture low-budget productions filled with clichés and predictable plots. These works often prioritize sensationalism over storytelling, aiming to draw in audiences with flashy visuals or outrageous scenarios rather than meaningful content. For instance, many horror movies fall into this category, relying on jump scares and gore instead of building suspense or developing characters. While some viewers may find enjoyment in the absurdity of schlocky horror, it raises questions about what we value in our entertainment choices.Moreover, the prevalence of schlocky media can dilute the overall quality of artistic expression. When producers focus on creating content that is designed solely for mass appeal, they often overlook the importance of originality and innovation. As a result, audiences may become desensitized to more profound narratives and artistic endeavors, leading to a cycle where only schlocky productions thrive in the mainstream. This phenomenon can be particularly disheartening for creators who strive to produce thoughtful and impactful work, as they may struggle to find an audience amidst the noise of lower-quality alternatives.Interestingly, there is a certain charm to schlocky entertainment that cannot be ignored. Many people enjoy watching these types of films or shows for their sheer entertainment value. The campiness and over-the-top performances can create a unique viewing experience that brings people together in laughter and enjoyment. For example, cult classics like "The Room" or "Sharknado" have garnered dedicated fan bases precisely because of their schlocky nature. These films remind us that not all entertainment needs to be serious or highbrow; sometimes, we simply want to unwind and have fun.Additionally, schlocky content can serve as a lens through which we can examine societal trends and cultural values. By analyzing why certain schlocky productions gain popularity, we can gain insights into the collective psyche of audiences at a given time. This reflection can lead to discussions about consumerism, the impact of social media, and the changing landscape of entertainment consumption. In this way, even schlocky works can contribute to a deeper understanding of our culture, despite their lack of artistic merit.In conclusion, while schlocky entertainment may often be dismissed as inferior or trivial, it plays a significant role in our media landscape. Whether we appreciate it for its humor, critique it for its lack of substance, or analyze it for cultural insights, schlocky content is a testament to the diverse ways in which we engage with art and entertainment. Ultimately, it is essential to recognize that all forms of media, regardless of their quality, have the potential to influence our perceptions and experiences in profound ways.
在娱乐世界中,我们经常会遇到各种形式的媒体,旨在吸引我们的注意力并激发情感。然而,并非所有这些创作都以相同的质量或深思熟虑的方式制作。有些作品因其创造力和深度而脱颖而出,而其他作品则可以被描述为劣质的,这个词指的是一些便宜、低质量或缺乏实质内容的东西。本文将探讨劣质的娱乐的影响及其如何影响我们对艺术和文化的看法。当我们想到劣质的电影或电视节目时,我们可能会立即想起充满陈词滥调和可预测情节的低预算制作。这些作品往往优先考虑轰动效应而非叙事,旨在通过华丽的视觉效果或离谱的场景吸引观众,而不是有意义的内容。例如,许多恐怖电影都属于这一类别,它们依赖于惊吓和血腥,而不是建立悬念或发展角色。虽然一些观众可能会在劣质的恐怖片的荒谬性中找到乐趣,但这引发了我们对娱乐选择中所重视事物的质疑。此外,劣质的媒体的普遍存在可能会稀释艺术表现的整体质量。当制作人专注于创造仅为大众吸引力而设计的内容时,他们往往忽视原创性和创新的重要性。因此,观众可能会对更深刻的叙事和艺术努力变得麻木,导致只有劣质的作品在主流中繁荣的循环。这种现象对那些努力制作深思熟虑且有影响力作品的创作者来说尤其令人沮丧,因为他们可能在低质量替代品的喧嚣中难以找到观众。有趣的是,劣质的娱乐也有其不可忽视的魅力。许多人喜欢观看这些类型的电影或节目,因为它们的娱乐价值。夸张的表现和过火的表演可以创造出一种独特的观看体验,让人们在欢笑和享受中团结在一起。例如,像《房间》或《鲨卷风》这样的邪典经典,正是因为其劣质的特性而赢得了忠实的粉丝基础。这些电影提醒我们,并非所有娱乐都需要严肃或高雅;有时,我们只是想放松一下,享受乐趣。此外,劣质的内容可以作为我们审视社会趋势和文化价值观的透镜。通过分析为什么某些劣质的作品会获得人气,我们可以深入了解在特定时刻观众的集体心理。这种反思可以引发关于消费主义、社交媒体的影响以及娱乐消费格局变化的讨论。以这种方式,即使是劣质的作品也可以为我们对文化的更深理解做出贡献,尽管它们缺乏艺术价值。总之,尽管劣质的娱乐常常被视为低劣或微不足道,但它在我们的媒体环境中扮演着重要角色。无论我们是因其幽默而欣赏它,因其缺乏实质而批评它,还是因其文化洞察而分析它,劣质的内容都是我们与艺术和娱乐互动的多样方式的证明。最终,认识到所有形式的媒体,无论其质量如何,都有潜力在深刻的方式上影响我们的感知和体验,这一点至关重要。