implausibly
简明释义
英[ɪmˈplɔːzəbli]美[ɪmˈplɔːzəbli]
adv. 难以置信地
英英释义
以一种不可信或不合逻辑的方式。 |
单词用法
不可信的高 | |
不可信的低 | |
不可信的详细 | |
似乎不可信 | |
听起来不可信 | |
看起来不可信 |
同义词
反义词
似乎合理地 | 这个故事讲得很合理,让人容易相信。 | ||
可信地 | She presented her argument believably, convincing everyone in the room. | 她的论点表述得很可信,令房间里的每个人都信服。 |
例句
1.My taxi driver claims, implausibly, never to have heard of Shaxi.
我的的士司机说她难以置信,她从没听过沙溪这个地方。
2.The budget forecast, implausibly, assumes the number of AMT payers will soar again in 2008.
令人惊讶的,预算预测假设承担amt的人数会在2008年再次飞速增加。
3.His project in Iceland looks implausibly ambitious, but no more so than many other schemes of China's super-rich.
他在冰岛的项目也许看起来野心勃勃,但是和其他中国富豪相比,也没有什么大不了的。
4.Well, the Cheshire Cat-like Rick Perry — he seems to be fading out, bit by bit, until only the hair remains — claimed, implausibly, that he could create 1.2 million jobs in the energy sector.
好了,像露着牙齿嬉笑猫一样的里克·佩里——他似乎在一点一点地消退,直到只剩下皮毛——宣称,他将在能源行业创造120万个工作机会,但让人难以置信。
5.I believe these figures are implausibly low - and an insult to ie users.
我认为这些数据是偏低的,是对IE使用者的侮辱。
6.O.K.! magazine bought the "last" picture of Jackson — on a stretcher, being loaded into the ambulance — for a reported $500, 000, a figure most outlets find implausibly high.
杂志购买了杰克逊的“最后”照片——一张在担架上,被抬入救护车的照片。据报道这张照片要50万美元,这个数字让很多买方都觉得高得不可思议。
7.The scientist's theory was dismissed as implausibly 不可信地 simplistic.
这位科学家的理论被认为是不可信地过于简单化。
8.She explained her absence with an implausibly 不可信地 elaborate excuse.
她用一个不可信地复杂的借口解释了她的缺席。
9.The story was so far-fetched that it seemed implausibly 不可信地 unrealistic.
这个故事太离谱了,似乎不可信地不现实。
10.The plot of the movie was implausibly 不可信地 complicated.
这部电影的情节不可信地复杂。
11.He made an implausibly 不可信地 large claim about his achievements.
他对自己的成就做出了一个不可信地大的声明。
作文
In recent years, the concept of reality television has become a dominant force in the entertainment industry. Shows like 'Survivor' and 'The Bachelor' have captivated millions of viewers, often leading them to question the authenticity of what they are watching. One could argue that these shows are, at times, implausibly 不太可能地 exaggerated, creating scenarios that seem far-fetched and unrealistic. For instance, in 'The Bachelor', contestants often profess their love for the bachelor after only a few weeks of knowing him, which raises eyebrows among skeptics. How can someone develop genuine feelings so quickly? This phenomenon highlights how reality TV sometimes blurs the lines between reality and scripted drama. Moreover, the editing process plays a crucial role in shaping the narrative. Producers may choose to highlight certain moments while downplaying others, crafting a story that appears more thrilling than it actually is. This manipulation can lead to situations that are implausibly 不太可能地 dramatic, as viewers are presented with conflicts and resolutions that feel orchestrated rather than spontaneous. For example, fights between contestants can seem overly staged, making one wonder if the emotions displayed are real or simply part of the show’s design. Critics of reality television often point out that this genre promotes unrealistic expectations about relationships and life experiences. Young viewers, in particular, may find themselves influenced by the implausibly 不太可能地 romanticized portrayals of love and friendship. They might believe that relationships should be filled with constant excitement and drama, leading to disillusionment when real-life interactions do not measure up to these ideals. The danger lies in the fact that reality TV can create a distorted perception of what is normal and acceptable in personal relationships. Furthermore, the rise of social media has intensified the impact of reality television. Contestants often gain fame and followers through their appearances on these shows, which can lead to a cycle of seeking more attention and validation. This quest for notoriety can result in behavior that is implausibly 不太可能地 outrageous, as individuals strive to maintain their relevance in the public eye. The lengths to which some contestants go to stay in the spotlight can make one question their authenticity and motivations. In conclusion, while reality television offers entertainment and escapism, it also poses significant questions about authenticity and representation. The implausibly 不太可能地 exaggerated scenarios and relationships portrayed can skew viewers’ perceptions of reality. As consumers of media, it is essential to approach these shows with a critical mindset, recognizing the distinction between entertainment and real life. By doing so, we can enjoy the spectacle without losing sight of the genuine experiences that shape our lives.
近年来,真人秀节目已成为娱乐行业的主导力量。《幸存者》和《单身汉》等节目吸引了数百万观众,常常让他们质疑自己所观看内容的真实性。有人可能会争辩说,这些节目的某些时刻是不太可能地夸张的,创造出看似荒谬和不切实际的情境。例如,在《单身汉》中,参赛者在仅仅几周的相处后就声称爱上了单身汉,这让怀疑者 raised eyebrows。一个人怎么能如此迅速地产生真正的感情呢?这一现象突显了真人秀节目如何模糊现实与剧本之间的界限。此外,编辑过程在塑造叙事中起着关键作用。制作人可能会选择突出某些时刻,同时淡化其他时刻,编织出一个看起来比实际更刺激的故事。这种操控可能导致一些情境显得不太可能地戏剧化,因为观众所呈现的冲突和解决方案似乎是精心安排而非自发产生的。例如,选手之间的争吵看起来过于舞台化,使人怀疑所表现的情感是真实的还是节目设计的一部分。真人秀节目的批评者常常指出,这一类型促进了对关系和生活经历的不切实际的期望。尤其是年轻观众,可能会受到这些节目中不太可能地浪漫化的爱情和友谊描绘的影响。他们可能会相信,关系应该充满持续的兴奋和戏剧性,导致当现实生活中的互动不符合这些理想时感到失望。危险在于,真人秀节目可能会创造出对什么是正常和可接受的个人关系的扭曲看法。此外,社交媒体的兴起加剧了真人秀电视的影响。参赛者往往通过参加这些节目获得名气和追随者,这可能导致寻求更多关注和认可的循环。这种对名声的追求可能导致行为变得不太可能地离谱,因为个体努力保持在公众视野中的相关性。有些参赛者为维持自己的知名度而付出的代价使人质疑他们的真实性和动机。总之,尽管真人秀节目提供了娱乐和逃避,但它也提出了关于真实性和表现的重要问题。所描绘的不太可能地夸张的情景和关系可能会扭曲观众对现实的看法。作为媒体消费者,必须以批判的心态看待这些节目,认识到娱乐与现实生活之间的区别。这样,我们可以享受这种视觉盛宴,而不失去对塑造我们生活的真实体验的关注。