phantasm

简明释义

英[ˈfæntæzəm]美[ˈfæntæzəm]

n. 幻想，幽灵；错觉；空想

英英释义

单词用法

同义词

反义词

例句

1.Her Noble Phantasm formed in her hand.

其崇高幻像中形成她的手。

2.She is the only Dead Apostle who managed to use Marble Phantasm .

她是唯一能用空想具现化的死徒。

3.While stage and life were interweaving, it was difficult to tell phantasm and reality.

舞台与生活同构交融的同时，是幻象与真实的难以辨识。

4.Try taking away the phantasm and the entire human contribution you sober realist.

冷静的现实主义者啊,试着脱离幻觉以及整个人类所做的贡献吧。

5.Exploring the relationship between literary vision and rhetorical phantasm plays a significant role in the appreciation of literature language from the narrative perspective.

考察文学视域与修辞幻象之间的关系，对从叙述角度领略文学语言的审美价值有着特殊的意义。

6.Exploring the relationship between literary vision and rhetorical phantasm plays a significant role in the appreciation of literature language from the narrative perspective.

考察文学视域与修辞幻象之间的关系，对从叙述角度领略文学语言的审美价值有着特殊的意义。

7.In her dreams, she often encounters a mysterious figure that seems to be a mere phantasm 幻影 of her imagination.

在她的梦中，她经常遇到一个神秘的人物，似乎只是她想象中的一个phantasm 幻影。

8.His fears were nothing more than a phantasm 幻影, created by his overactive imagination.

他的恐惧不过是一个phantasm 幻影，是由他过于活跃的想象力所创造的。

9.He dismissed the strange noises as mere phantasms 幻影 of the night.

他将那些奇怪的声音视为夜晚的简单phantasms 幻影。

10.The artist's work often depicts phantasms 幻影 that blur the line between reality and fantasy.

这位艺术家的作品常常描绘出模糊现实与幻想界限的phantasms 幻影。

11.The old house was rumored to be haunted by a phantasm 幻影 that frightened anyone who dared to enter.

这座老房子据说被一个phantasm 幻影所困扰，吓坏了任何敢于进入的人。

作文

In the realm of literature and art, the concept of a phantasm (幻影) often emerges as a fascinating motif that captures the imagination. A phantasm can be understood as an illusion or a figment of the imagination, something that exists in the mind rather than in reality. This duality of existence—between what is real and what is merely a perception—makes the phantasm a powerful symbol in various narratives.One of the most prominent examples of a phantasm can be found in the works of Edgar Allan Poe. His stories often delve into the psychological aspects of fear and the unknown, where characters encounter their own phantasms—be it guilt, madness, or despair. In 'The Tell-Tale Heart,' for instance, the protagonist is haunted by the sound of a beating heart, which becomes a phantasm of his guilt. This auditory hallucination represents his inner turmoil and the consequences of his actions, illustrating how the mind can create vivid experiences that feel as real as the physical world.Similarly, in the realm of visual arts, artists like Salvador Dalí have used the idea of a phantasm to evoke surreal landscapes that challenge viewers’ perceptions. Dalí’s melting clocks in 'The Persistence of Memory' serve as a phantasm of time itself, bending and warping under the weight of human consciousness. The viewer is left questioning the nature of reality and the fluidity of time, emphasizing that our perceptions can often be deceptive.The phantasm also plays a significant role in modern psychology, particularly in understanding dreams and nightmares. Sigmund Freud, in his exploration of the unconscious mind, suggested that dreams are often manifestations of our deepest fears and desires—essentially our own phantasms. When we dream, our minds create scenarios that may seem real, yet they are constructed from fragments of our thoughts and experiences. This exploration of the phantasm allows us to confront our innermost feelings in a safe space, albeit one that is often distorted and exaggerated.Moreover, the concept of a phantasm extends beyond individual experiences; it can also reflect societal constructs. For instance, the idealized images of beauty and success propagated by media can create a phantasm that many aspire to but few can attain. This societal phantasm can lead to disillusionment and a sense of inadequacy among individuals who feel they do not measure up to these unrealistic standards. In this way, the phantasm serves as a reminder of the gap between perception and reality, urging us to question the narratives we accept as truth.In conclusion, the notion of a phantasm (幻影) is a rich and multifaceted concept that transcends various fields, from literature and art to psychology and social critique. It invites us to explore the boundaries of our perception and to recognize that what we see and feel may not always align with reality. By engaging with phantasms, we gain deeper insights into our own minds and the world around us, prompting us to seek clarity amidst the illusions that often cloud our understanding. Ultimately, the phantasm challenges us to embrace the complexities of existence and to navigate the delicate interplay between reality and imagination.

在文学和艺术的领域中，概念“phantasm”（幻影）常常作为一个迷人的主题出现，吸引着人们的想象力。“phantasm”可以理解为一种幻觉或想象的产物，它存在于思想中，而非现实中。这种存在的二元性——真实与仅仅是感知之间的区别，使得“phantasm”在各种叙事中成为一个强有力的符号。埃德加·爱伦·坡的作品中可以找到“phantasm”的一个显著例子。他的故事常常深入探讨恐惧和未知的心理方面，角色们遭遇自己的“phantasms”，无论是罪疚、疯狂还是绝望。例如，在《告密心》中，主人公被一颗跳动的心声所困扰，这成为了他内心罪疚的“phantasm”。这种听觉幻觉代表了他的内心动荡和行为的后果，说明了心灵如何创造出与物理世界一样真实的生动体验。同样，在视觉艺术领域，像萨尔瓦多·达利这样的艺术家使用“phantasm”的理念来唤起挑战观众感知的超现实景观。达利在《记忆的永恒》中融化的时钟是时间本身的“phantasm”，在人的意识重压下弯曲扭曲。观众被留在质疑现实的本质和时间的流动性上，强调我们的感知往往可能是误导性的。“phantasm”在现代心理学中也扮演着重要角色，特别是在理解梦境和噩梦方面。西格蒙德·弗洛伊德在探索无意识时提出，梦常常是我们最深层恐惧和欲望的表现——本质上是我们自己的“phantasms”。当我们做梦时，我们的思想创造出看似真实的场景，但它们是由我们思想和经历的片段构成的。这种对“phantasm”的探索使我们能够在安全的空间中面对我们内心最深处的感受，尽管这个空间往往是扭曲和夸大的。此外，“phantasm”的概念超越了个体体验；它也可以反映社会构建。例如，媒体传播的理想化美丽和成功的形象可能会创造出许多人渴望但少数人能达到的“phantasm”。这种社会“phantasm”可能导致个人失望和不足感，因为他们觉得自己无法达到这些不切实际的标准。通过这种方式，“phantasm”提醒我们注意感知与现实之间的差距，促使我们质疑我们接受为真理的叙述。总之，“phantasm”（幻影）的概念是一个丰富而多面的概念，超越了多个领域，从文学和艺术到心理学和社会批评。它邀请我们探索感知的边界，并认识到我们所看到和感受到的可能并不总是与现实一致。通过与“phantasms”的互动，我们对自己的内心和周围的世界获得更深刻的洞察，促使我们在常常模糊我们理解的幻觉中寻求清晰。最终，“phantasm”挑战我们接受存在的复杂性，并在现实与想象之间微妙的相互作用中导航。