phantasmic

简明释义

英[fænˈtæzmɪk]美[fænˈtæzmɪk]

adj. 幻想的；幻影的

英英释义

单词用法

同义词

反义词

例句

1.Phantasmic is only the start.

幻想只是一个开始。

2.Phantasmic is only the start.

幻想只是一个开始。

3.In the novel, the protagonist encounters a phantasmic 幻影般的 figure that leads him on a journey of self-discovery.

在小说中，主角遇到了一个幻影般的人物，引导他踏上自我发现的旅程。

4.The haunted house was filled with phantasmic 幻影般的 illusions that terrified the visitors.

这个鬼屋充满了令人恐惧的幻影般的幻觉，吓坏了游客。

5.The artist's latest painting captures a phantasmic 幻影般的 landscape that seems to shift and change with the light.

这位艺术家的最新画作捕捉到了一幅幻影般的风景，似乎随着光线的变化而变幻。

6.She described her dreams as phantasmic 幻影般的, filled with surreal images and strange characters.

她形容自己的梦境是幻影般的，充满超现实的图像和奇怪的人物。

7.During the festival, the sky was lit up with phantasmic 幻影般的 fireworks that dazzled the crowd.

在节日庆典期间，天空被幻影般的烟花点亮，令观众目眩神迷。

作文

In the realm of literature, the term phantasmic refers to something that is ethereal or dream-like, often evoking a sense of the surreal or the uncanny. The concept of the phantasmic has been explored in various works, from gothic novels to modern fantasy, where the boundary between reality and illusion blurs. One of the most notable examples of phantasmic imagery can be found in the writings of Edgar Allan Poe. His tales often delve into the depths of the human psyche, presenting characters who are haunted by their own fears and desires. In these narratives, the phantasmic elements serve to heighten the emotional intensity, drawing readers into a world where the impossible becomes possible.Consider the story 'The Fall of the House of Usher.' Here, Poe crafts an atmosphere thick with phantasmic qualities, as the decaying mansion itself seems to embody the tormented souls of its inhabitants. The house's eerie presence is not merely a backdrop; it acts as a character in its own right, reflecting the madness and despair that permeate the narrative. This use of phantasmic imagery allows readers to experience an overwhelming sense of dread, as if they are stepping into a nightmare from which there is no escape.Similarly, in modern cinema, the phantasmic often takes center stage. Films like 'Pan's Labyrinth' directed by Guillermo del Toro, weave together the harsh realities of war with fantastical elements that challenge our understanding of truth and fiction. The protagonist, Ofelia, encounters a phantasmic world filled with mythical creatures and dark challenges that mirror her struggles in the real world. This interplay between the phantasmic and reality encourages viewers to reflect on their own experiences, blurring the lines between what is real and what is imagined.Moreover, the phantasmic is not limited to literature and film; it can also be found in art. Surrealist painters, such as Salvador Dalí, create phantasmic landscapes that defy logic and reason. His painting 'The Persistence of Memory,' with its melting clocks and distorted forms, invites viewers to question their perception of time and reality. The phantasmic quality of his work evokes a dream-like state, challenging the audience to engage with their subconscious thoughts and emotions.In conclusion, the notion of the phantasmic serves as a powerful tool in various forms of artistic expression. Whether through literature, film, or visual art, the phantasmic allows creators to explore complex themes of fear, desire, and the human condition. By engaging with the phantasmic, audiences are invited to step beyond the ordinary and confront the extraordinary aspects of existence. It is this journey into the phantasmic that ultimately enriches our understanding of ourselves and the world around us, reminding us that reality is often stranger than fiction, and that the boundaries of imagination are limitless.

在文学领域，术语phantasmic指的是一些虚幻或梦幻般的事物，常常唤起超现实或诡异的感觉。phantasmic的概念在各种作品中得到了探索，从哥特小说到现代幻想，现实与幻觉之间的界限模糊不清。爱德加·爱伦·坡的作品中可以找到最显著的phantasmic意象之一。他的故事常常深入人类心理的深处，呈现出被自身恐惧和欲望所困扰的角色。在这些叙述中，phantasmic元素增强了情感的强度，将读者吸引到一个不可能变为可能的世界。考虑一下《厄舍古屋的倒塌》这个故事。在这里，坡创造了一个充满phantasmic特质的氛围，腐朽的豪宅似乎体现了其居民的痛苦灵魂。房子的阴森存在不仅仅是背景；它本身就像一个角色，反映出弥漫在叙事中的疯狂和绝望。这种对phantasmic意象的运用使读者体验到一种压倒性的恐惧感，仿佛他们正走进一个无从逃脱的噩梦。同样，在现代电影中，phantasmic常常成为中心舞台。像吉尔莫·德尔·托罗执导的《潘神的迷宫》这样的影片，将战争的残酷现实与挑战我们对真相和虚构理解的幻想元素交织在一起。主角奥菲莉亚遇到一个充满神话生物和黑暗挑战的phantasmic世界，这些挑战映射了她在现实世界中的挣扎。这种phantasmic与现实之间的相互作用鼓励观众反思自己的经历，模糊了真实与想象之间的界限。此外，phantasmic并不限于文学和电影；它也可以在艺术中找到。超现实主义画家，如萨尔瓦多·达利，创造出违背逻辑和理性的phantasmic景观。他的画作《记忆的永恒》，以其融化的时钟和扭曲的形状，邀请观众质疑他们对时间和现实的感知。他作品的phantasmic特质唤起了一种梦幻般的状态，挑战观众与其潜意识的思想和情感互动。总之，phantasmic的概念在各种艺术表现形式中作为一种强大的工具。无论是通过文学、电影还是视觉艺术，phantasmic使创作者能够探索恐惧、欲望和人类状况等复杂主题。通过与phantasmic的互动，观众被邀请超越平凡，面对存在的非凡方面。正是这种进入phantasmic的旅程最终丰富了我们对自己和周围世界的理解，提醒我们现实往往比虚构更奇怪，想象的边界是无限的。