unwearable

简明释义

英[/ʌnˈwɛərəbl/]美[/ʌnˈwɛrəbl/]

不合身的

破旧的

英英释义

单词用法

同义词

反义词

例句

1.What once looked unwearable now seems ordinary, and what once seemed banal now looks right.

曾经似乎老套的衣服，现在看来很合适。

2.What once looked unwearable now seems ordinary, and what once seemed banal now looks right.

曾经似乎老套的衣服，现在看来很合适。

3.After trying on the avant-garde outfit, I realized it was completely unwearable in everyday life.

试穿了那套前卫的服装后，我意识到在日常生活中它完全是无法穿着的。

4.The costume was beautiful but ultimately unwearable for a long event.

这个服装很美，但最终在长时间的活动中是无法穿着的。

5.The designer's latest collection features many pieces that are simply unwearable.

这位设计师的最新系列中有许多作品简直是无法穿着的。

6.Her heels were stylish but far too high to be anything but unwearable.

她的高跟鞋很时尚，但高度太高，根本就是无法穿着的。

7.Some fashion trends are so extreme that they end up being unwearable for most people.

有些时尚潮流极端到大多数人都觉得它们是无法穿着的。

作文

In the world of fashion, trends come and go, but one aspect that remains constant is the importance of wearability. Designers often push the boundaries of creativity, resulting in pieces that are breathtaking yet impractical. These creations can sometimes be labeled as unwearable, meaning they cannot be comfortably or practically worn in everyday life. The concept of unwearable fashion raises intriguing questions about the purpose of clothing and the role of art in our lives.Take, for example, the avant-garde collections showcased during major fashion weeks. Many of these designs feature exaggerated silhouettes, unusual materials, and intricate details that challenge conventional standards. While these garments may look stunning on the runway, they often fall into the category of unwearable for the average person. This dichotomy between art and practicality is what makes fashion a unique form of expression.Fashion designers like Alexander McQueen and Iris van Herpen have created iconic pieces that are undeniably beautiful but also unwearable. McQueen’s infamous Armadillo boots, for instance, are a work of art that many would find difficult to walk in. Similarly, van Herpen’s designs often incorporate elements of technology and sculpture, resulting in pieces that are visually striking yet not suited for daily wear. These designers challenge us to consider what clothing can represent beyond mere functionality.The term unwearable does not necessarily carry a negative connotation. In fact, it can serve as a catalyst for conversation about the nature of fashion itself. When we encounter something deemed unwearable, we are prompted to think critically about our own definitions of beauty and utility. Is fashion merely about being able to wear something, or is it also about the emotions and ideas that a piece evokes?Moreover, unwearable fashion can inspire innovation within the industry. Designers might experiment with new techniques, fabrics, and forms, pushing the limits of what is possible. This experimentation can eventually lead to more functional designs that still maintain an artistic flair. For instance, the use of 3D printing in fashion has allowed designers to create intricate structures that were previously impossible, blurring the lines between wearable and unwearable.On the other hand, the existence of unwearable fashion also highlights the disparity between high fashion and ready-to-wear collections. While high fashion often serves as a platform for artistic expression, ready-to-wear collections aim to cater to the masses, focusing on comfort and accessibility. This division raises the question: should fashion prioritize art over wearability, or is there a balance that can be achieved?In conclusion, the term unwearable encapsulates a fascinating aspect of the fashion world. It challenges our perceptions of clothing and invites us to explore the intersection of art and practicality. While some designs may never see the light of day outside a gallery or runway, they play a crucial role in pushing the boundaries of creativity. Ultimately, unwearable fashion reminds us that clothing is not just about covering our bodies; it is also about expressing our identities, sparking conversations, and inspiring change in the world around us.

在时尚的世界中，潮流来来去去，但穿着性的重要性始终不变。设计师们常常突破创意的界限，创造出令人惊叹但不切实际的作品。这些作品有时可以被标记为不可穿着的，意味着它们在日常生活中不能舒适或实用地穿着。不可穿着的时尚概念引发了关于服装目的和艺术在我们生活中角色的有趣问题。例如，在主要时装周上展示的前卫系列。许多这些设计具有夸张的轮廓、奇特的材料和复杂的细节，挑战传统标准。虽然这些服装在T台上看起来令人惊叹，但对于普通人来说，它们往往落入不可穿着的类别。这种艺术与实用之间的二元对立，使时尚成为一种独特的表达形式。像亚历山大·麦昆和艾瑞斯·范·赫彭这样的时尚设计师创造了无可否认的美丽但也不可穿着的标志性作品。例如，麦昆臭名昭著的铠甲靴就是一件艺术品，许多人会发现难以行走。同样，范·赫彭的设计常常结合技术和雕塑元素，导致视觉上引人注目的作品，但不适合日常穿着。这些设计师挑战我们思考服装除了基本功能外，还能代表什么。不可穿着的这个词并不一定带有负面含义。事实上，它可以作为引发关于时尚本质的对话的催化剂。当我们遇到一些被认为是不可穿着的东西时，我们会被促使批判性地思考我们自己对美和实用性的定义。时尚仅仅是能够穿着某物吗，还是也是关于一件作品所唤起的情感和思想？此外，不可穿着的时尚可以激励行业内的创新。设计师可能会尝试新的技术、面料和形式，推动可能性的界限。这种实验可能最终导致更具功能性的设计，同时仍保持艺术气息。例如，3D打印在时尚中的应用使设计师能够创造出以前不可能的复杂结构，模糊了可穿戴和不可穿着的之间的界限。另一方面，不可穿着的时尚的存在也突显了高端时尚与成衣系列之间的差距。尽管高端时尚常常作为艺术表达的平台，但成衣系列旨在迎合大众，关注舒适性和可及性。这种分歧引发了一个问题：时尚应该优先考虑艺术而非可穿性，还是可以实现某种平衡？总之，不可穿着的这个词概括了时尚世界的一个迷人方面。它挑战我们对服装的看法，并邀请我们探索艺术与实用之间的交集。虽然有些设计可能永远不会在画廊或T台之外亮相，但它们在推动创造力的边界方面发挥着至关重要的作用。最终，不可穿着的时尚提醒我们，服装不仅仅是为了遮盖我们的身体；它也是关于表达我们的身份、激发对话和启发周围世界的变化。