blackamoor

简明释义

英[ˈblækəmɔː(r)]美[ˈblækəmɔːr]

n. 黑人；皮肤黑的人

英英释义

单词用法

同义词

反义词

例句

1."Baroque: Style in the Age of Magnificence" begins with a captivating bejewelled camel (pictured below) with "blackamoor" attendants.

一尊镶有珠宝的精美骆驼(其图如下)将拉开“巴洛克：辉煌时代的风格”的序幕，此尊骆驼旁还雕刻着一个“黑人”解说员。

2."Baroque: Style in the Age of Magnificence" begins with a captivating bejewelled camel (pictured below) with "blackamoor" attendants.

一尊镶有珠宝的精美骆驼(其图如下)将拉开“巴洛克：辉煌时代的风格”的序幕，此尊骆驼旁还雕刻着一个“黑人”解说员。

3.In the historical novel, the protagonist befriends a blackamoor 黑人 who becomes his loyal companion.

在这部历史小说中，主角与一位成为他忠实伙伴的blackamoor 黑人建立了友谊。

4.The artist painted a beautiful portrait of a blackamoor 黑人 in traditional attire.

这位艺术家画了一幅美丽的肖像，描绘了一位身着传统服饰的blackamoor 黑人。

5.She wore a costume inspired by a blackamoor 黑人 figure from classical literature.

她穿了一套受古典文学中blackamoor 黑人形象启发的服装。

6.The museum displayed artifacts related to the life of a blackamoor 黑人 in the 18th century.

博物馆展出了与18世纪blackamoor 黑人生活相关的文物。

7.The term blackamoor 黑人 has been used historically in various art forms.

术语blackamoor 黑人在各种艺术形式中被历史性地使用。

作文

The term blackamoor refers to a historical representation of people of African descent, particularly in art and literature. This word has its roots in the Latin word 'Maurus', which originally described the inhabitants of the ancient Roman province of Mauretania, located in North Africa. Over time, the term evolved and became associated with individuals of darker skin tones, often depicted in a romanticized or exoticized manner. In many cases, blackamoors were portrayed as servants, slaves, or figures of intrigue in European paintings, sculptures, and literature, reflecting the complex dynamics of race, culture, and power during the colonial era.In art, blackamoors were frequently depicted in a way that emphasized their differences from European subjects. For instance, they might be shown wearing elaborate clothing adorned with jewels or carrying exotic objects, which served to highlight their 'otherness' in contrast to the European elite. This representation can be seen in works by artists such as Jean-Baptiste-Siméon Chardin and Giovanni Battista Tiepolo, where blackamoors are included in scenes that depict wealth, power, and the grandeur of European society.However, the portrayal of blackamoors also raises important questions about the stereotypes and prejudices that have persisted throughout history. The romanticized images often ignored the harsh realities faced by people of African descent, particularly during the transatlantic slave trade. Instead of acknowledging their humanity and individuality, these depictions reinforced a narrative that reduced them to mere symbols of exoticism and servitude.In literature, the use of blackamoor characters often followed similar patterns. They were frequently cast as sidekicks or villains, embodying traits that were deemed 'savage' or 'uncivilized' in contrast to the noble European protagonists. For example, Shakespeare's Othello is one of the most famous literary figures identified as a blackamoor, yet his character is complex and multifaceted, ultimately challenging the stereotypes associated with the term. Nevertheless, the very use of the word blackamoor in this context reflects the limited and often negative perceptions of Black individuals in literature during that time.In contemporary discussions about race and representation, it is crucial to critically examine the implications of terms like blackamoor. While it may have historical significance, its use today can perpetuate outdated stereotypes and contribute to the marginalization of Black voices. As society continues to evolve, it is essential to recognize the impact of language and representation on cultural narratives.Moreover, the legacy of the blackamoor in art and literature serves as a reminder of the importance of inclusivity and diversity in storytelling. By amplifying the voices and experiences of those who have been historically marginalized, we can create a more nuanced understanding of history and foster a greater appreciation for the richness of diverse cultures. In doing so, we honor the complexities of identity and challenge the reductive narratives that have shaped our perceptions of race.In conclusion, the term blackamoor encapsulates a significant aspect of historical representation that warrants thoughtful examination. Understanding its origins and implications allows us to engage in meaningful conversations about race, identity, and representation in both past and present contexts. As we move forward, let us strive to create a world where all individuals are recognized for their humanity and contributions, free from the confines of outdated stereotypes.

“blackamoor”一词指的是历史上对非洲裔人群的表现，特别是在艺术和文学中。这个词源于拉丁语单词“Maurus”，最初描述的是古罗马省马乌雷塔尼亚的居民，该省位于北非。随着时间的推移，这个词演变为与肤色较深的人相关联，通常以浪漫化或异国情调的方式描绘。在许多情况下，blackamoors被描绘为仆人、奴隶或欧洲绘画、雕塑和文学中的神秘人物，反映了殖民时代种族、文化和权力之间复杂的动态。在艺术中，blackamoors经常以强调他们与欧洲主体的不同的方式被描绘。例如，他们可能会穿着华丽的衣服，装饰着珠宝，或者携带异国的物品，这些都突显了他们与欧洲精英的“他者”形象。这种表现可以在让-巴蒂斯特-西蒙·沙尔丹和乔瓦尼·巴蒂斯塔·提埃波洛等艺术家的作品中看到，在这些作品中，blackamoors被纳入描绘财富、权力和欧洲社会宏伟场景的画面中。然而，blackamoors的表现也引发了关于历史上持续存在的刻板印象和偏见的重要问题。这些浪漫化的形象往往忽视了非洲裔人群所面临的严酷现实，特别是在跨大西洋奴隶贸易期间。相反，这些描绘强化了一种叙事，将他们简化为异国情调和奴役的象征。在文学中，blackamoor角色的使用往往遵循类似的模式。他们经常被设定为配角或反派，体现出与高尚的欧洲主角形成对比的“野蛮”或“未开化”的特征。例如，莎士比亚的奥赛罗是最著名的被称为blackamoor的文学人物之一，但他的角色复杂而多面，最终挑战了与该词相关的刻板印象。然而，这个词在这种背景下的使用反映了当时文学中对黑人个体的有限和常常消极的看法。在当代关于种族和表现的讨论中，批判性地审视像blackamoor这样的术语的含义至关重要。虽然它可能具有历史意义，但今天的使用可能会延续过时的刻板印象，并导致黑人声音的边缘化。随着社会的不断发展，认识到语言和表现对文化叙事的影响是至关重要的。此外，blackamoor在艺术和文学中的遗产提醒我们讲故事时包容性和多样性的重要性。通过放大那些历史上被边缘化的人的声音和经历，我们可以创造出更细致的历史理解，并增强对多元文化丰富性的欣赏。在这样做时，我们尊重身份的复杂性，并挑战塑造我们对种族看法的简化叙事。总之，blackamoor一词概括了一个重要的历史表现方面，值得深入审视。理解其起源和含义使我们能够参与有关种族、身份和表现的有意义对话，无论是在过去还是现在的背景下。随着我们向前迈进，让我们努力创造一个所有个人都能被认可其人性和贡献的世界，远离过时的刻板印象。