polytonality

简明释义

英[ˌpɒlɪtəʊˈnælɪti]美[ˌpɑːlɪtoʊˈnæləti]

n. 多调性

英英释义

单词用法

同义词

反义词

例句

1.By the late 1940s, he was already employing modern classical ideas such as polytonality and dissonance, and working in unusual time signatures to create a distinctive jazz sound.

到40年代后期，他已将多调性和不协调音等一些现代音乐理念，以及不规则拍子应用于爵士乐，制造出别有特色的音效。

2.By the late 1940s, he was already employing modern classical ideas such as polytonality and dissonance, and working in unusual time signatures to create a distinctive jazz sound.

到40年代后期，他已将多调性和不协调音等一些现代音乐理念，以及不规则拍子应用于爵士乐，制造出别有特色的音效。

3.The film score incorporated polytonality to evoke a sense of chaos and unpredictability.

电影配乐中融入了多调性，以唤起一种混乱和不可预测的感觉。

4.The composer experimented with polytonality to create a unique soundscape, blending different keys together.

这位作曲家尝试使用多调性来创造独特的音景，将不同的音调融合在一起。

5.During the workshop, we explored the concept of polytonality and its applications in contemporary music.

在研讨会上，我们探讨了多调性的概念及其在当代音乐中的应用。

6.In jazz music, polytonality allows musicians to improvise over multiple tonal centers simultaneously.

在爵士乐中，多调性使得音乐家能够同时在多个音调中心上进行即兴演奏。

7.The use of polytonality in modern classical compositions challenges traditional harmonic structures.

在现代古典作品中使用多调性挑战了传统和声结构。

作文

In the world of music, composers are constantly exploring new ways to express their ideas and emotions. One fascinating concept that has emerged in the realm of modern music is polytonality, which refers to the use of multiple tonal centers simultaneously. This technique can create a rich tapestry of sound, allowing for complex harmonic structures that challenge traditional notions of melody and harmony. Understanding polytonality requires an appreciation for the intricacies of musical composition and a willingness to embrace the unconventional.To grasp the essence of polytonality, it is essential to first understand what a tonal center is. In Western music, a tonal center is typically established by a specific scale or key, around which a piece of music is organized. For example, a song in the key of C major will primarily use the notes from the C major scale, creating a sense of resolution when the music returns to the tonic note, C. However, when composers introduce polytonality, they layer different tonal centers on top of one another, resulting in a multifaceted sound that can be both intriguing and disorienting.One of the most notable composers to explore polytonality was Igor Stravinsky. His groundbreaking work, "The Rite of Spring," is often cited as a prime example of this technique. In this composition, Stravinsky employs various keys and scales simultaneously, creating a sense of chaos and unpredictability that mirrors the primal themes of the ballet. The use of polytonality in "The Rite of Spring" not only adds depth to the music but also challenges the listener's expectations, pushing the boundaries of what music can be.Another prominent figure in the exploration of polytonality is Charles Ives. Ives was known for his innovative approach to composition, often incorporating elements of American folk music, hymn tunes, and even sounds from everyday life. His piece "Three Places in New England" features moments of polytonality where different melodies and harmonies clash and converge, creating a unique auditory experience. Ives' use of polytonality reflects his desire to capture the complexity of the American experience, making his music both personal and universal.The impact of polytonality extends beyond classical music; it has also influenced various genres, including jazz and contemporary popular music. Jazz musicians often experiment with multiple tonalities, improvising over different chord progressions that may not conform to a single key. This freedom allows for greater expression and creativity, resulting in a dynamic and evolving art form.Moreover, the concept of polytonality can be seen in the works of modern composers such as Steve Reich and Philip Glass, who utilize repetitive patterns and shifting tonal centers to create immersive soundscapes. Their music invites listeners to engage with the nuances of rhythm and harmony, offering a fresh perspective on the relationship between melody and tonality.In conclusion, polytonality represents a significant departure from traditional musical conventions, inviting both composers and listeners to explore the complexities of sound. By layering multiple tonal centers, musicians can create intricate compositions that challenge our perceptions of harmony and melody. As we continue to navigate the ever-evolving landscape of music, understanding polytonality will enrich our appreciation for the artistry and innovation that define this vibrant medium. Embracing the unconventional aspects of polytonality allows us to connect more deeply with the emotional and intellectual dimensions of music, opening up new avenues for creative expression and exploration.

在音乐的世界里，作曲家们不断探索新的方式来表达他们的思想和情感。一个在现代音乐领域中出现的迷人概念是多调性，它指的是同时使用多个音调中心。这种技巧可以创造出丰富的声音织锦，允许复杂的和声结构，挑战传统的旋律和和声观念。理解多调性需要欣赏音乐创作的复杂性，并愿意接受非常规的事物。要掌握多调性的本质，首先必须理解什么是音调中心。在西方音乐中，音调中心通常由特定的音阶或调性建立，围绕着一首音乐组织。例如，一首在C大调中的歌曲将主要使用C大调音阶中的音符，当音乐回到主音符C时，会产生一种解决感。然而，当作曲家引入多调性时，他们在彼此之上叠加不同的音调中心，从而产生一种多面的声音，这可以既引人入胜又让人迷惑。探索多调性的最著名的作曲家之一是伊戈尔·斯特拉文斯基。他的开创性作品《春之祭》常被引用为这种技巧的典范。在这部作品中，斯特拉文斯基同时运用了各种调性和音阶，创造出一种混乱和不可预测的感觉，反映了芭蕾舞剧的原始主题。《春之祭》中多调性的运用不仅为音乐增添了深度，还挑战了听众的期望，推动了音乐的边界。查尔斯·艾夫斯是探索多调性的另一位杰出人物。艾夫斯以其创新的作曲方法而闻名，常常结合美国民间音乐、赞美诗旋律甚至日常生活中的声音。他的作品《新英格兰的三个地方》展示了多调性的时刻，不同的旋律和和声发生冲突与融合，创造出独特的听觉体验。艾夫斯对多调性的运用反映了他捕捉美国经验复杂性的愿望，使他的音乐既个人又普遍。多调性的影响超越了古典音乐，它也影响了各种流派，包括爵士乐和当代流行音乐。爵士音乐家经常尝试多种音调，在不同的和弦进行上即兴演奏，这些和弦可能不符合单一的调性。这种自由允许更大的表达和创造力，导致了一种动态且不断发展的艺术形式。此外，现代作曲家如史蒂夫·赖希和菲利普·格拉斯的作品中也可以看到多调性的概念，他们利用重复的模式和变化的音调中心创造沉浸式的声音景观。他们的音乐邀请听众参与节奏和和声的细微差别，提供了对旋律与音调关系的新视角。总之，多调性代表了对传统音乐规范的重要偏离，邀请作曲家和听众探索声音的复杂性。通过叠加多个音调中心，音乐家可以创作出错综复杂的作品，挑战我们对和声和旋律的认知。随着我们继续在不断演变的音乐领域中航行，理解多调性将丰富我们对定义这一生动媒介的艺术性和创新的欣赏。拥抱多调性的非常规方面使我们能够更深入地与音乐的情感和智力维度联系，打开了创造性表达和探索的新途径。