unprolific

简明释义

英[ʌnprəʊˈlɪfɪk]美[ʌnprəˈlɪfɪk]

不结实的

英英释义

单词用法

同义词

反义词

例句

1.The Rossoneri's play, which was too reliant on kaka's moves, seemed to have foreshadowed an umpteenth unprolific day, the typical San Siro match of a few months ago.

红黑军团的发挥过多的依赖于卡卡，这似乎预示着无数次的无功而返，就如同数月前典型的圣西罗之战。

2.The Rossoneri's play, which was too reliant on kaka's moves, seemed to have foreshadowed an umpteenth unprolific day, the typical San Siro match of a few months ago.

红黑军团的发挥过多的依赖于卡卡，这似乎预示着无数次的无功而返，就如同数月前典型的圣西罗之战。

3.He felt frustrated by his unprolific output during the last quarter.

他对自己在最后一个季度的不多产产出感到沮丧。

4.The author's latest book was surprisingly unprolific, producing fewer pages than his previous works.

这位作者的最新书籍出人意料地不多产，页数比他之前的作品少。

5.The research team was considered unprolific due to their limited number of published papers.

由于发表论文数量有限，该研究小组被认为是不多产的。

6.Her unprolific writing style made it difficult for her to meet deadlines.

她的不多产写作风格使她很难按时完成任务。

7.Despite his talent, the artist remained unprolific, only completing a few pieces each year.

尽管他才华横溢，这位艺术家仍然保持着不多产，每年只完成几件作品。

作文

In the realm of creativity, the term unprolific often surfaces when discussing the output of artists, writers, and thinkers. An unprolific individual is one who does not produce a large volume of work, which can be perceived in various ways depending on the context. While some may view this as a lack of talent or motivation, it is essential to understand that quality often triumphs over quantity in the creative process.Take the case of renowned author J.D. Salinger, whose most famous work, "The Catcher in the Rye," was published in 1951. Following this success, Salinger became increasingly unprolific, choosing to withdraw from the public eye and publish only a handful of short stories in the subsequent decades. Many critics and readers alike have debated whether his unprolific nature diminished his legacy or if it instead contributed to an air of mystery that surrounded his life and work. In Salinger's case, the unprolific output did not equate to a lack of creativity; rather, it highlighted his desire for privacy and the importance he placed on the integrity of his writing.Similarly, in the world of visual arts, artists like Vincent van Gogh produced a limited number of works during their lifetimes, yet their impact is immeasurable. Van Gogh's unprolific nature, marked by episodes of intense creation followed by periods of silence, speaks to the often tumultuous relationship between mental health and artistic output. His struggles with mental illness led to bursts of creativity that were sometimes followed by lengthy periods of inactivity. This unprolific phase did not diminish the profound influence he had on the art world; instead, it served as a reminder that the creative process is not always linear or predictable.On the other hand, the idea of being unprolific can also relate to the pressures faced by contemporary artists and writers in an age dominated by social media and instant gratification. With the expectation to constantly produce content, many feel that they must sacrifice quality for the sake of quantity. This phenomenon can lead to burnout and a decline in the overall quality of work. In this environment, those who choose to remain unprolific might be seen as outliers, but they could also be preserving their creative integrity by focusing on producing fewer, more meaningful pieces.In conclusion, while the label of unprolific may carry negative connotations in some circles, it is crucial to recognize that creativity cannot be measured solely by the volume of work produced. The artistic journey is often fraught with challenges, and each creator has their path. Embracing unprolific phases can lead to deeper reflections and ultimately richer contributions to the world of art and literature. It reminds us that sometimes, less truly is more, and that the essence of creativity lies not in the number of works created but in the impact they leave behind.

在创造力的领域中，术语unprolific常常在讨论艺术家、作家和思想家的作品时出现。一个unprolific的人是指那些没有大量作品产出的人，这在不同的背景下可以被视为多种方式。虽然一些人可能将其视为缺乏才能或动力，但必须理解，在创作过程中，质量往往胜过数量。以著名作家J.D.塞林格为例，他最著名的作品《麦田里的守望者》于1951年出版。在这次成功之后，塞林格变得越来越unprolific，选择退出公众视野，并在随后的几十年中只发表了少量短篇小说。许多评论家和读者一直在争论，他的unprolific特性是否削弱了他的遗产，还是反而为他生活和作品周围增添了一层神秘感。在塞林格的案例中，unprolific的产出并不等同于缺乏创造力；相反，它突显了他对隐私的渴望以及他对写作完整性的重视。同样，在视觉艺术的世界中，像文森特·梵高这样的艺术家在生前创作的作品数量有限，但他们的影响力却是不可估量的。梵高的unprolific特性，以强烈的创作冲动和随之而来的沉默期为特征，反映了心理健康与艺术产出之间常常动荡的关系。他与心理疾病的斗争导致了创作的爆发，而这些爆发有时又会被漫长的非创作期所跟随。这种unprolific阶段并没有削弱他对艺术界的深远影响；相反，它提醒我们，创作过程并不总是线性或可预测的。另一方面，unprolific的概念也与当代艺术家和作家面临的压力有关，在这个被社交媒体和即时满足主导的时代。由于期望不断生产内容，许多人感到必须为了数量而牺牲质量。这种现象可能导致倦怠，并且整体作品质量下降。在这种环境中，那些选择保持unprolific的人可能被视为局外人，但他们也可能通过专注于创作更少、更有意义的作品来保护自己的创造性完整性。总之，虽然在某些圈子中，unprolific的标签可能带有负面含义，但至关重要的是要认识到，创造力不能仅仅通过作品的数量来衡量。艺术的旅程往往充满挑战，每位创作者都有自己的道路。拥抱unprolific阶段可以引导更深的反思，并最终为艺术和文学的世界做出更丰富的贡献。它提醒我们，有时候，少即是多，创造力的本质不在于创作的数量，而在于它们留下的影响。