castrato

简明释义

[kəˈstrɑːtoʊ][kəˈstrɑːtoʊ]

n. 被阉的男歌手

复 数 c a s t r a t i 或 c a s t r a t o s

英英释义

A castrato is a male singer who was castrated before puberty to prevent his voice from deepening, allowing him to retain a higher vocal range.

卡斯特拉托是指在青春期之前被阉割的男性歌手,以防止声音变低,从而保持更高的音域。

单词用法

同义词

eunuch

阉人

The eunuch served in the royal court, often singing for the nobility.

阉人在皇室中任职,常为贵族演唱。

soprano

女高音

The castrato was famous for his unique vocal range, similar to that of a soprano.

这个阉伶因其独特的音域而闻名,类似于女高音。

反义词

soprano

女高音

She has a beautiful soprano voice.

她有一副美丽的女高音嗓音。

tenor

男高音

He was praised for his powerful tenor performance.

他因其强大的男高音表演而受到赞扬。

例句

1.Many operas featured a castrato 阉伶 as the lead character.

许多歌剧以castrato 阉伶作为主角。

2.The voice of a castrato 阉伶 was often praised for its purity and range.

一个castrato 阉伶的声音常常因其纯净和音域而受到赞扬。

3.In the 18th century, a famous castrato 阉伶 named Farinelli was celebrated across Europe.

在18世纪,一位名叫法里内利的著名castrato 阉伶在欧洲广受赞誉。

4.The history of the castrato 阉伶 is both fascinating and tragic.

关于castrato 阉伶的历史既迷人又悲惨。

5.The practice of creating castrati 阉伶 was banned in the late 19th century.

在19世纪晚期,制作castrati 阉伶的做法被禁止。

作文

The term castrato refers to a male singer who was castrated before puberty to prevent the development of secondary sexual characteristics, allowing him to retain a high-pitched voice throughout his life. This practice was most prevalent during the 16th to 18th centuries, particularly in Italy, where young boys were often subjected to this procedure to meet the demands of the opera and church music. The castrato phenomenon was not merely a musical curiosity; it was deeply intertwined with the social and cultural fabric of the time. Castration for the sake of preserving a boy's voice was considered a necessary sacrifice for the art of singing. The resulting castrato singers possessed extraordinary vocal abilities, combining the power of a male voice with the agility of a female soprano. This unique combination allowed them to perform complex arias that showcased their remarkable range and technical skill. Famous castrato singers like Farinelli became international celebrities, adored by audiences across Europe. Their performances were often characterized by emotional depth and dramatic expression, captivating listeners and leaving a lasting impact on the world of music.However, the practice of creating castrato singers raises ethical questions that resonate even today. The physical and psychological toll on those subjected to such procedures can only be imagined. Many boys underwent this surgery under the pretense of pursuing a noble career in music, but the reality was often grim. They faced immense pressure to succeed and live up to the expectations placed upon them by society. Furthermore, the very act of castration stripped these boys of their normal development, leading to a lifetime of challenges and struggles. As the 19th century approached, the popularity of the castrato began to wane. Changing tastes in music, along with growing awareness of the ethical implications of such practices, led to a decline in the demand for these singers. By the early 20th century, the last of the castrato singers had faded into obscurity, leaving behind a complex legacy that still fascinates historians and musicologists today.In contemporary discussions about gender, identity, and artistic expression, the story of the castrato serves as a poignant reminder of the lengths to which society will go in the name of art. It compels us to reflect on the value we place on human life and dignity in the pursuit of beauty and excellence. While the castrato may no longer exist in the same form, the echoes of their voices continue to resonate in the music we enjoy today. The fascination with their unique sound and the tragic circumstances surrounding their existence remind us of the delicate balance between artistry and humanity, urging us to consider the ethical implications of our choices in the arts. Ultimately, the legacy of the castrato is not just a chapter in music history; it is a reflection of our ongoing struggle to define the relationship between talent, sacrifice, and the human experience.

术语castrato指的是在青春期之前被阉割的男性歌手,以防止其发展出次级性特征,从而使他终生保持高音。这种做法在16到18世纪期间最为普遍,尤其是在意大利,年轻男孩常常被迫接受这一程序,以满足歌剧和教堂音乐的需求。castrato现象不仅仅是音乐上的好奇,它与当时的社会和文化结构深深交织在一起。为了保留男孩的声音而进行阉割,被认为是为了艺术唱歌而作出的必要牺牲。最终产生的castrato歌手拥有非凡的声乐才能,将男性声音的力量与女性女高音的灵活性结合在一起。这种独特的组合使他们能够演唱复杂的咏叹调,展示出他们惊人的音域和技术技巧。著名的castrato歌手如法里内利(Farinelli)成为国际明星,受到整个欧洲观众的喜爱。他们的表演通常以情感深度和戏剧表现力为特点,吸引听众并对音乐世界产生持久影响。然而,创造castrato歌手的做法引发了伦理问题,这些问题即使在今天也仍然引起共鸣。那些接受这种手术的人的身体和心理负担只能想象。许多男孩在追求高尚的音乐事业的幌子下经历了这一手术,但现实往往是严酷的。他们面临着巨大的成功压力,要生活在社会施加的期望之下。此外,阉割的行为剥夺了这些男孩正常发展的机会,导致一生面临挑战和挣扎。随着19世纪的到来,castrato的受欢迎程度开始下降。音乐品味的变化,加上对这种做法伦理影响的日益关注,导致对这些歌手的需求减少。到20世纪初,最后一位castrato歌手已淡入历史的尘埃中,留下了一个复杂的遗产,至今仍吸引着历史学家和音乐学者的关注。在当代关于性别、身份和艺术表现的讨论中,castrato的故事作为一个深刻的提醒,促使我们反思社会为了艺术所付出的代价。它促使我们考虑在追求美和卓越的过程中,我们对人类生命和尊严的重视。虽然castrato不再以相同的形式存在,但他们的声音回响在我们今天欣赏的音乐中。对他们独特声音的迷恋以及围绕他们存在的悲惨境遇提醒我们在艺术创作中艺术性与人性的微妙平衡,敦促我们考虑选择在艺术领域中的伦理影响。最终,castrato的遗产不仅仅是音乐历史中的一章;它反映了我们在定义才能、牺牲与人类经验之间关系时所面临的持续斗争。