rood

简明释义

[ruːd][ˈruːd]

n. (基督受难的)十字架;基督受难像;(英)路德(长度和面积单位)

n. (Rood)人名;(英)鲁德

英英释义

A rood is a cross or crucifix, especially one that is used in a church as a symbol of Christ's crucifixion.

十字架或十字架的形象,尤其是在教堂中作为基督钉十字架的象征。

In some contexts, a rood refers to a large cross that is placed on the chancel screen in a church.

在某些语境中,rood 指的是放置在教堂祭坛屏风上的大型十字架。

单词用法

the rood of christ

基督的十字架

cross and rood

十字架和圣像

the rood screen

圣像屏

rood beam

十字梁

rood altar

圣像祭坛

rood procession

圣像游行

同义词

cross

十字架

The rood was often placed above the chancel arch in medieval churches.

在中世纪教堂中,十字架通常放置在祭坛拱门上方。

crucifix

耶稣受难像

The crucifix symbolizes the sacrifice of Jesus in Christianity.

耶稣受难像象征着基督教中耶稣的牺牲。

gallows

绞刑架

In literature, the gallows often represent punishment and justice.

在文学中,绞刑架常常代表惩罚和正义。

反义词

light

The room was filled with light.

房间里充满了光。

darkness

黑暗

He feared the darkness of the night.

他害怕夜晚的黑暗。

例句

1.Plug in the word 'dictionary,' for instance, and it will tell you that the rood is' diction 'which means' word' in Latin.

就拿dictionary这个词来说吧,查询结果会告诉你diction在拉丁语中是“词汇”的意思。

2.This paper proposes an adaptive rood pattern search, a new fast block-matching motion estimation algorithm.

该文提出了一种新的快速块匹配运动估计算法,即自适应十字模式搜索。

3.He glutted himself with rich rood.

他吃了太多油腻的食物。

4.The first book printed in Oxford was in 1478 by Theoderic Rood, who was from Cologne and was the first printer to be associated with Oxford University.

牛津大学印刷的第一本书于1478年问世,它是由科隆人西奥德里克•鲁德印刷的,他是牛津出版社的第一个印刷者。

5.Traffic has been a lot smoother since the rood was broadened.

自从道路扩宽之后,交通顺畅了许多。

6.The press history of Oxford University began a misprint: Mr. Rood forgot a Roman numeral x, which was mis-dated in Roman numerals as "1468".

牛津大学的出版史始于一个印刷错误:鲁德印刷的书中的罗马数字漏印了一个X,这样出版年代就错印成了1468年。

7.Plug in the word ‘dictionary, ’ for instance, and it will tell you that the rood is ‘diction’ which means ‘word’ in Latin.

就拿dictionary这个词来说吧,查询结果会告诉你diction在拉丁语中是“词汇”的意思。

8.The house stands back from the main rood.

那房子离干道有一段距离。

9.The church had a beautiful rood that was intricately carved and painted.

教堂里有一个精美的十字架,雕刻和上色都很细致。

10.The rood screen separated the chancel from the nave in the old cathedral.

在古老的大教堂中,十字架屏风将祭坛与中殿隔开。

11.In medieval times, a rood was often a focal point of worship.

在中世纪,十字架通常是崇拜的焦点。

12.During the service, the priest stood near the rood to deliver his sermon.

在礼拜期间,牧师站在十字架附近发表他的讲道。

13.The rood was adorned with flowers for the Easter celebration.

为复活节庆祝活动,十字架装饰了鲜花。

作文

In the realm of historical architecture and religious symbolism, the term rood holds a significant place. A rood, in its most common usage, refers to a large crucifix or representation of Christ on the cross, typically found in churches during the medieval period. This symbol was not merely decorative; it served a profound purpose in the spiritual lives of the faithful. The rood was often placed high above the chancel arch, acting as a focal point for worshippers, drawing their eyes and minds towards the central figure of Christianity—Jesus Christ. The presence of the rood in a church was meant to inspire reverence and reflection. Its imposing stature and the artistry involved in its creation were intended to evoke feelings of awe and piety. Many roods were intricately designed, adorned with vibrant colors and detailed carvings, which told biblical stories and conveyed theological messages. These artistic elements made the rood not only a religious icon but also a work of art that contributed to the overall atmosphere of the sacred space. Historically, the rood was often accompanied by statues of saints or other biblical figures, creating a narrative tableau that enriched the worship experience. This arrangement allowed the congregation to engage visually and spiritually with the faith, as they could see representations of their beliefs embodied in physical form. The rood thus became a bridge between the divine and the earthly, reminding worshippers of the sacrifice of Christ and the promise of salvation. Over time, the significance and placement of the rood evolved. During the Reformation, many churches removed or altered their roods as part of a broader movement to simplify worship and eliminate what was seen as excess. This led to a decline in the visibility of the rood in Protestant churches, while Catholic traditions often retained the use of the rood as a vital element of their liturgical practice. Today, the concept of the rood continues to resonate within various Christian denominations, serving as a reminder of the importance of symbolism in faith. It invites us to consider how objects and images can convey deep spiritual truths and foster a connection to the divine. In a world increasingly driven by technology and modernity, the rood stands as a testament to the enduring power of tradition and the human desire for meaning in our spiritual lives. In conclusion, the rood is more than just a physical object; it embodies centuries of religious thought and artistic expression. Its role in the church highlights the intersection of faith, art, and community, reminding us that symbols can profoundly affect our understanding of the divine. Whether we encounter a rood in a historic cathedral or a modern setting, it challenges us to reflect on our beliefs and the ways we express them through culture and tradition.

在历史建筑和宗教象征的领域中,术语rood占据了重要的位置。rood在最常见的用法中,指的是一个大型的十字架或基督被钉在十字架上的形象,通常在中世纪的教堂中发现。这个符号不仅仅是装饰性的;它在信徒的精神生活中发挥着深远的作用。rood通常被放置在高高的祭坛拱门上,作为礼拜者的焦点,引导他们的目光和思想朝向基督教的中心人物——耶稣基督。rood在教堂中的存在旨在激发敬畏和反思。它的宏伟形态和制作的艺术性旨在唤起敬畏和虔诚的情感。许多rood设计精美,装饰着鲜艳的颜色和细致的雕刻,讲述圣经故事并传达神学信息。这些艺术元素使得rood不仅是宗教图标,也是贡献于神圣空间整体氛围的一件艺术作品。从历史上看,rood通常与圣人或其他圣经人物的雕像一起出现,创造出丰富的叙事场景,丰富了礼拜体验。这种安排使会众能够在视觉和精神上与信仰互动,因为他们可以看到信仰的表现以物质形式体现。rood因此成为神圣与世俗之间的桥梁,提醒信徒基督的牺牲和救赎的承诺。随着时间的推移,rood的意义和位置发生了变化。在宗教改革期间,许多教堂为了简化崇拜和消除被视为多余的东西而移除了或改变了他们的roods。这导致在新教教堂中rood的可见性下降,而天主教传统通常保留了rood作为其礼仪实践的重要元素。今天,rood的概念在各种基督教教派中仍然引起共鸣,提醒我们象征主义在信仰中的重要性。它邀请我们思考物体和图像如何传达深刻的精神真理,并促进与神圣的联系。在一个日益受到科技和现代性驱动的世界中,rood作为传统持久力量和人类对精神生活意义渴望的见证。总之,rood不仅仅是一个物理对象;它体现了几个世纪的宗教思想和艺术表达。它在教堂中的角色突显了信仰、艺术和社区的交汇,提醒我们符号可以深刻影响我们对神圣的理解。无论我们是在历史悠久的大教堂还是现代环境中遇到rood,它都挑战我们反思我们的信仰以及我们通过文化和传统表达信仰的方式。