hideous

简明释义

英[ˈhɪdiəs]美[ˈhɪdiəs]

adj. （外表）极丑的，面目狰狞的；非常可怕的，令人难以忍受的

英英释义

单词用法

同义词

反义词

例句

1.Every article on the breakfast table was fetched away with a hideous crash.

早餐桌上的每件物品随着可怕的撞击声移动了位置。

2.He wanted to send her off into her hideous dreams with a goodnight kiss.

他想用一个临睡前的吻送她进入可恶的梦乡。

3.The hideous truth was hidden from the multitude.

向大众隐瞒了丑恶的真相。

4.An Introduction to "Brief Interviews with Hideous Men".

对小说《对丑陋男人们的简短访谈》的介绍。

5.Their new colour scheme is hideous!

他们新的颜色搭配难看极了！

6.What hideous, furtive hand is that which is slipped into the pocket of victory?

偷偷伸在胜利的衣袋里的那只凶手是谁的？

7.His family was subjected to a hideous attack by the gang.

他一家子遭到了匪帮的可怕袭击。

8.Art thou not afraid of nightmares and hideous dreams?

你难道不怕睡魇和凶梦吗？

9.Dry your hideous eyes.

擦干你那丑陋的眼睛。

10.The graffiti on the wall was hideous 丑陋的 and detracted from the beauty of the neighborhood.

墙上的涂鸦是丑陋的，破坏了这个社区的美丽。

11.He made a hideous 令人厌恶的 mistake by forgetting his best friend's birthday.

他犯了一个令人厌恶的错误，忘记了他最好的朋友的生日。

12.The monster in the movie was so hideous 可怕的 that I had to cover my eyes during the scary scenes.

电影中的怪物是如此可怕的，以至于我在恐怖场景中不得不遮住我的眼睛。

13.She wore a hideous 丑陋的 dress to the party, and everyone stared at her in disbelief.

她穿了一件丑陋的裙子参加派对，大家都不敢相信地盯着她。

14.The abandoned house had a hideous 可怕的 appearance that scared away all potential buyers.

这座废弃的房子有着一个可怕的外观，吓跑了所有潜在买家。

作文

In the realm of literature and art, the concept of beauty has been extensively explored, often juxtaposed with its opposite, which is the notion of something being hideous (可怕的). This word evokes a strong emotional response and can be used to describe anything that is shockingly ugly or morally repugnant. As we delve into this topic, it is essential to understand how the perception of hideous (可怕的) can vary across cultures and contexts. Take, for instance, the world of horror films. Many directors intentionally create hideous (可怕的) characters to elicit fear and discomfort in their audience. These characters often embody the darker aspects of humanity, serving as a reflection of our deepest fears. A classic example is the creature from Mary Shelley’s "Frankenstein," who is described as hideous (可怕的) due to his monstrous appearance, yet he also represents a tragic figure longing for acceptance. This complexity challenges the viewer to reconsider the meaning of beauty and monstrosity. Similarly, in visual arts, artists like Francis Bacon have portrayed hideous (可怕的) subjects to convey emotional turmoil and existential dread. His distorted figures are not just ugly; they evoke a visceral reaction that compels the viewer to confront uncomfortable truths about the human condition. Through such works, the term hideous (可怕的) transcends mere aesthetics and becomes a powerful tool for social commentary. Moreover, the concept of hideous (可怕的) extends beyond physical appearance. In literature, characters can be described as hideous (可怕的) based on their actions or moral choices. For instance, a villain in a novel may be portrayed as hideous (可怕的) not only because of their looks but also due to their cruel intentions and lack of empathy. This duality highlights how the term can encompass both external and internal ugliness, prompting readers to reflect on the nature of evil. In our daily lives, we might encounter situations or behaviors that we deem hideous (可怕的). Acts of violence, discrimination, or cruelty can all fall under this category, disturbing our sense of justice and morality. It reminds us that the world is not always beautiful, and acknowledging the hideous (可怕的) aspects of life is crucial for personal growth and societal progress. Furthermore, the use of the word hideous (可怕的) in fashion or design can provoke interesting discussions about societal standards of beauty. What one person finds hideous (可怕的), another may see as avant-garde or innovative. This subjectivity suggests that beauty and ugliness are not absolute but are instead shaped by cultural norms and personal experiences. In conclusion, the term hideous (可怕的) serves as a powerful descriptor that goes beyond mere physical attributes. It encompasses emotional, moral, and societal dimensions, urging us to confront the complexities of beauty and ugliness in our world. By engaging with the hideous (可怕的), we can foster a deeper understanding of ourselves and the diverse perspectives that shape our perceptions of reality. Ultimately, it is through grappling with these concepts that we can appreciate the full spectrum of human experience.

在文学和艺术的领域，美的概念被广泛探索，常常与其对立面，即某物的丑陋相对比。这个词引发强烈的情感反应，可以用来描述任何令人震惊的丑陋或道德上令人厌恶的事物。当我们深入探讨这个主题时，理解hideous（可怕的）的感知如何在不同文化和背景中变化是至关重要的。以恐怖电影为例，许多导演故意创造出hideous（可怕的）角色，以引发观众的恐惧和不适。这些角色通常体现了人性的阴暗面，成为我们最深层恐惧的反映。一个经典的例子是玛丽·雪莱的《弗兰肯斯坦》中的生物，他因其怪异的外貌而被描述为hideous（可怕的），然而他也是一个渴望被接受的悲剧人物。这种复杂性挑战了观众重新思考美与怪物之间的关系。同样，在视觉艺术中，像弗朗西斯·培根这样的艺术家通过描绘hideous（可怕的）主题来传达情感动荡和存在主义的恐惧。他那些扭曲的人物不仅丑陋；它们引发一种内心的反应，迫使观众面对人类状况中不舒服的真相。通过这样的作品，hideous（可怕的）一词超越了单纯的美学，成为社会评论的有力工具。此外，hideous（可怕的）这一概念不仅限于外貌。在文学中，角色可以根据他们的行为或道德选择被描述为hideous（可怕的）。例如，一部小说中的反派可能被描绘为hideous（可怕的），不仅因为他们的外表，还因为他们残忍的意图和缺乏同情心。这种二元性突显了这个词可以涵盖外在和内在的丑陋，促使读者思考邪恶的本质。在我们的日常生活中，我们可能会遇到我们认为是hideous（可怕的）的情况或行为。暴力、歧视或残酷的行为都可以归入这一类别，扰乱我们的正义感和道德感。这提醒我们，世界并不总是美好，承认生活中hideous（可怕的）方面对于个人成长和社会进步至关重要。此外，在时尚或设计中使用hideous（可怕的）一词可以引发有关社会美标准的有趣讨论。一个人认为hideous（可怕的），另一个人可能会视为前卫或创新。这种主观性表明，美与丑并非绝对，而是由文化规范和个人经历塑造的。总之，hideous（可怕的）一词作为一个强大的描述词，不仅仅局限于外在特征。它包含情感、道德和社会维度，促使我们面对我们世界中美与丑的复杂性。通过与hideous（可怕的）事物的互动，我们可以培养对自己和塑造我们现实感知的多样化视角的更深理解。最终，正是通过与这些概念的斗争，我们才能欣赏人类经验的全谱。