malefactresses

简明释义

英[/ˌmæl.ɪˈfæk.trəsɪz/]美[/ˌmæl.əˈfæk.trəsɪz/]

n. 女罪犯；坏女人；作恶的女人

英英释义

单词用法

同义词

反义词

例句

1.It would be greatly for the public behoof, if we women, being of mature age and church-members in good repute, should have the handling of such malefactresses as this Hester Prynne.

要是我们这些上了一把年纪、名声又好的教会会友，能够处置海丝特·白兰那种坏女人，倒是给大伙办了件好事。

2.It would be greatly for the public behoof, if we women, being of mature age and church-members in good repute, should have the handling of such malefactresses as this Hester Prynne.

要是我们这些上了一把年纪、名声又好的教会会友，能够处置海丝特·白兰那种坏女人，倒是给大伙办了件好事。

3.Historically, many women labeled as malefactresses were simply misunderstood.

历史上，许多被称为恶女的女性只是被误解了。

4.The novel features a group of cunning malefactresses who plot against the protagonist.

这部小说中有一群狡诈的恶女策划对抗主角。

5.The detective was on the trail of several malefactresses involved in the crime syndicate.

侦探正在追查几位参与犯罪集团的恶女。

6.In folklore, many tales revolve around malefactresses who use dark magic for their own gain.

在民间传说中，许多故事围绕着使用黑魔法谋取私利的恶女展开。

7.The film portrays malefactresses as complex characters with their own motivations.

这部电影将恶女描绘成具有自己动机的复杂角色。

作文

In the realm of literature and storytelling, the concept of the malefactresses has often been woven into narratives that explore the darker aspects of human nature. The term malefactresses refers to female wrongdoers or villains, embodying traits that challenge societal norms and expectations. These characters frequently serve as catalysts for conflict and moral dilemmas, compelling protagonists to confront their own values and beliefs.One notable example of a malefactress is Lady Macbeth from Shakespeare's "Macbeth." Her ambition and manipulation propel her husband toward regicide, showcasing how a woman's desire for power can lead to catastrophic consequences. Lady Macbeth's character challenges the traditional gender roles of her time, illustrating that women can be just as ruthless and ambitious as men. This portrayal invites readers to examine the complexities of morality and the influence of ambition on one's actions.Similarly, in modern literature and film, malefactresses continue to captivate audiences. Characters like Cersei Lannister from George R.R. Martin's "A Song of Ice and Fire" series epitomize the archetype of the female villain. Cersei's cunning and ruthless tactics in her quest for power highlight the lengths to which individuals will go to achieve their desires. Her character forces viewers to grapple with questions of loyalty, betrayal, and the nature of evil.The presence of malefactresses in narratives serves a crucial purpose: they reflect the fears and anxieties of society regarding female power and agency. Historically, women who defied societal expectations were often demonized or vilified. By portraying female characters as malefactresses, authors can explore the tension between femininity and power, ultimately challenging the notion that women should be passive or submissive.Moreover, the depiction of malefactresses can also serve as a means of empowerment. By presenting women who take control of their destinies, these characters inspire discussions about gender equality and the potential for women to embrace their ambitions without fear of judgment. In this sense, malefactresses can be seen as complex figures who navigate a world that often seeks to limit their power.In conclusion, the exploration of malefactresses in literature and media provides valuable insights into societal attitudes toward women and power. Through characters like Lady Macbeth and Cersei Lannister, we are invited to reflect on the moral complexities of ambition and the role of women in shaping their own narratives. As we continue to engage with these stories, it becomes evident that the malefactresses of fiction are not merely villains; they are embodiments of the struggles and aspirations of women throughout history. Their presence challenges us to reconsider our perceptions of morality, power, and the multifaceted nature of humanity.

在文学和叙事的领域中，malefactresses的概念常常被编织进探索人性阴暗面的叙述中。这个词malefactresses指的是女性的违法者或恶棍，体现了挑战社会规范和期望的特征。这些角色通常作为冲突和道德困境的催化剂，迫使主角面对自己的价值观和信仰。一个显著的例子是莎士比亚的《麦克白》中的麦克白夫人。她的野心和操控推动丈夫走向弑君之路，展示了女性对权力的渴望如何导致灾难性的后果。麦克白夫人的角色挑战了她那个时代的传统性别角色，说明女性可以和男性一样无情和雄心勃勃。这种描绘邀请读者审视道德的复杂性以及野心对一个人行为的影响。同样，在现代文学和电影中，malefactresses继续吸引观众。乔治·R·R·马丁的《冰与火之歌》系列中的瑟曦·兰尼斯特就是女性反派的典型。瑟曦在追求权力的过程中所展现的狡诈和无情策略突显了个体为了实现欲望而不择手段的程度。她的角色迫使观众思考忠诚、背叛和邪恶本质的问题。在叙事中存在malefactresses的角色具有重要意义：它们反映了社会对女性权力和代理的恐惧和焦虑。历史上，违背社会期望的女性常常受到妖魔化或污名化。通过将女性角色描绘为malefactresses，作者可以探索女性气质与权力之间的紧张关系，最终挑战女性应当被动或顺从的观念。此外，malefactresses的描绘也可以作为一种赋权的手段。通过呈现掌控自己命运的女性，这些角色激励人们讨论性别平等及女性在不惧评判的情况下拥抱雄心的潜力。从这个意义上说，malefactresses可以被视为复杂的形象，她们在一个常常试图限制她们权力的世界中航行。总之，在文学和媒体中探索malefactresses提供了对社会对女性和权力态度的宝贵见解。通过像麦克白夫人和瑟曦·兰尼斯特这样的角色，我们被邀请反思野心的道德复杂性以及女性在塑造自己叙事中的角色。随着我们继续参与这些故事，显而易见的是，虚构中的malefactresses不仅仅是反派；她们是历史上女性斗争和愿望的体现。她们的存在挑战我们重新考虑对道德、权力和人性的多面性的看法。