unliving

简明释义

英[ʌnˈlɪvɪŋ]美[ʌnˈlɪvɪŋ]

adj. 无生命的

v. 使丧失生命（unlive 的 ing 形式）

英英释义

单词用法

同义词

反义词

例句

1.Firstly, the beauties are treated as "unliving objects" just like the flower vase, and people pay too much attention to the pretty appearance of the beauties, but their internal world is ignored.

首先，美女们被当作是花瓶一样的“无生命的东西”，人们只关注他们美丽的外表，而她们的内心世界却被忽略了。

2.Firstly, the beauties are treated as "unliving objects" just like the flower vase, and people pay too much attention to the pretty appearance of the beauties, but their internal world is ignored.

首先，美女们被当作是花瓶一样的“无生命的东西”，人们只关注他们美丽的外表，而她们的内心世界却被忽略了。

3.In the museum, we saw many unliving 无生命的 artifacts from ancient civilizations.

在博物馆里，我们看到了许多来自古代文明的无生命的文物。

4.Unlike animals, plants and other unliving 无生命的 objects do not have a nervous system.

与动物不同，植物和其他无生命的物体没有神经系统。

5.The scientist studied the unliving 无生命的 components of the ecosystem to understand its balance.

科学家研究生态系统中的无生命的成分，以理解其平衡。

6.The concept of time is often considered an unliving 非生物的 entity that affects all living things.

时间的概念常常被视为一个非生物的存在，影响着所有生物。

7.The artist created a masterpiece using both unliving 无生命的 materials and vibrant colors.

艺术家用无生命的材料和鲜艳的颜色创作了一幅杰作。

作文

In the vast realm of literature and philosophy, we often encounter concepts that challenge our understanding of life and existence. One such concept is the idea of the unliving (非生物的), which refers to entities or aspects of reality that lack biological life. This term invites us to explore the boundaries between the living and the non-living, prompting profound reflections on what it means to exist. To grasp the essence of unliving (非生物的), we must first consider the characteristics that define living beings. Living organisms exhibit traits such as growth, reproduction, metabolism, and response to stimuli. In contrast, the unliving (非生物的) encompasses a wide array of objects and phenomena, including rocks, water, air, and man-made creations like buildings and machines. These entities do not possess the qualities that characterize life; they do not grow, reproduce, or respond to external stimuli in the same way that living beings do.The distinction between the living and the unliving (非生物的) raises intriguing questions about our relationship with the world around us. For instance, how do we perceive the unliving (非生物的)? Is it merely a backdrop to our lives, or does it hold significance in our experiences? Many artists and writers have sought to bridge this gap by imbuing the unliving (非生物的) with meaning and emotion. Through their works, they remind us that even inanimate objects can evoke feelings and memories, transforming our understanding of existence.Consider the role of nature in our lives. The mountains, rivers, and forests, though unliving (非生物的) in the biological sense, are often viewed as vital components of our world. They provide resources, inspiration, and a sense of peace. The beauty of a sunset or the grandeur of a mountain range can stir our emotions and provoke deep contemplation about life itself. In this way, the unliving (非生物的) becomes intertwined with our emotional and spiritual experiences, challenging the notion that only the living can inspire wonder and awe.Moreover, the unliving (非生物的) serves practical purposes in our daily lives. From the technology we use to the infrastructure that supports our societies, the unliving (非生物的) is essential for human progress. Our homes, vehicles, and tools are all products of human ingenuity, crafted from materials that are fundamentally unliving (非生物的). These creations enhance our quality of life, enabling us to achieve tasks that would be impossible without them.However, the reliance on the unliving (非生物的) also prompts critical discussions about sustainability and environmental impact. As we continue to innovate and build, we must consider the consequences of our actions on the planet. The extraction of resources and the production of waste can lead to the degradation of ecosystems, highlighting the interconnectedness of the living and the unliving (非生物的). In conclusion, the concept of unliving (非生物的) invites us to reflect on the nature of existence and our place within the universe. It challenges us to recognize the significance of the non-living in our lives, urging us to appreciate the beauty and utility of the unliving (非生物的) while remaining mindful of our responsibilities towards the environment. By embracing this duality, we can cultivate a deeper understanding of life and the intricate web of connections that bind us to both the living and the unliving (非生物的).

在文学和哲学的广阔领域中，我们常常遇到挑战我们对生命和存在理解的概念。其中一个概念是unliving（非生物的）这一思想，它指的是缺乏生物生命的实体或现实的方面。这个术语邀请我们探索生与非生之间的界限，促使我们对存在的意义进行深刻的反思。为了掌握unliving（非生物的）的本质，我们首先必须考虑定义生物体的特征。生物有机体表现出诸如生长、繁殖、新陈代谢和对刺激的反应等特征。相比之下，unliving（非生物的）包含了广泛的对象和现象，包括岩石、水、空气以及人为创造的建筑和机器。这些实体不具备生命的特质；它们不会像生物体那样生长、繁殖或对外部刺激作出反应。生与unliving（非生物的）之间的区别引发了关于我们与周围世界关系的有趣问题。例如，我们如何看待unliving（非生物的）？它仅仅是我们生活的背景，还是在我们的经历中具有重要意义？许多艺术家和作家试图通过赋予unliving（非生物的）以意义和情感来弥合这一差距。通过他们的作品，他们提醒我们，即使是无生命的物体也能唤起情感和记忆，从而改变我们对存在的理解。考虑自然在我们生活中的角色。尽管山脉、河流和森林在生物学上是unliving（非生物的），但通常被视为我们世界的重要组成部分。它们提供资源、灵感和宁静的感觉。日落的美丽或山脉的壮丽可以激发我们的情感，促使我们深思生命本身。在这种方式中，unliving（非生物的）与我们的情感和精神体验交织在一起，挑战着只有活着的事物才能激发奇迹和敬畏的观念。此外，unliving（非生物的）在我们日常生活中发挥着实际作用。从我们使用的技术到支持我们社会的基础设施，unliving（非生物的）对人类进步至关重要。我们的家、车辆和工具都是人类智慧的产物，由根本上是unliving（非生物的）材料制成。这些创造提升了我们的生活质量，使我们能够完成没有它们就无法实现的任务。然而，对unliving（非生物的）的依赖也引发了关于可持续性和环境影响的严肃讨论。随着我们不断创新和建设，我们必须考虑我们行为对地球的后果。资源的开采和废物的产生可能导致生态系统的退化，突显出生与unliving（非生物的）之间的相互联系。总之，unliving（非生物的）这一概念邀请我们反思存在的性质以及我们在宇宙中的位置。它挑战我们认识到非生物在我们生活中的重要性，促使我们欣赏unliving（非生物的）的美和实用，同时保持对环境的责任感。通过拥抱这种二元性，我们可以培养对生命及其与生与unliving（非生物的）之间复杂联系的更深理解。