chalkiness

简明释义

英[ˈtʃɔːkɪnəs]美[ˈtʃɔːkɪnəs]

n. 白色；白垩质；白垩

英英释义

单词用法

同义词

反义词

例句

1.Participants lined the railings of the garage's twin circular towers, creating a pattern of multicolor stripes one abundance timest the chalkiness building.

参加者们沿着停车场双环塔的栏杆依次排列，与白色建筑“交相辉映”，形成了一种多色的条纹状图案。

2.Wu J. g, C. D. Liu, Y. L. Ren, G. H. Yang and C. H. Shi, Rapid test method of rice chalkiness based on computer vision system.

吴建国、刘长东、任玉玲、杨国花和石春海，基于计算机视觉的稻米垩白指标快速测定方法研究。

3.The chalky rice rate and chalkiness degree were not significantly correlated with other quality traits of short grain type combination.

在短米粒型组合中，垩白粒率和垩白度与其他主要品质性状相关性均不显著。

4.The major quality problems are higher chalky rice rate, higher chalkiness score, lower head milled rice yield, and poor eating quality.

目前稻米品质存在的主要问题是垩白米率高、垩白度高、整精米率低和食味差。

5.I hate blue shirt; chalkiness shirt suits me but gray is the maximum preferable.

我讨厌穿蓝衬衫，喜爱穿白衬衫，而最喜爱穿灰衬衫。

6.The increased content of the soil mineral nutrients could reduce chalkiness rate of rice.

不同土壤的矿质养分含量增加可降低稻米垩白；

7.The software can read the digital images of rice samples and measure the chalkiness index quickly, objectively and accurately.

该软件能迅速读入数字化米粒图像，快速、客观、准确地测得米样的垩白度。

8.The degree of rice grain chalkiness increased with increasing mean temperature and sunshine duration from the south to the north during the grain ripening stage.

就中，米粒白垩质之等级的试区变异方向与三试区稻谷粒充实发育期间外界之气温和累积日照时数之试区变化方向一致，呈由南而北依次遁增。

9.The wine had a noticeable chalkiness, which added to its mineral character.

这款葡萄酒有明显的粉笔感，增强了它的矿物特性。

10.Some people find the chalkiness in certain cheeses to be off-putting.

有些人觉得某些奶酪中的粉笔感令人不快。

11.The soil's chalkiness affects the types of plants that can thrive in the garden.

土壤的粉笔感影响了花园中能茁壮成长的植物类型。

12.After applying the paint, I noticed a chalkiness on the surface that needed smoothing.

涂完油漆后，我发现表面有一种需要打磨的粉笔感。

13.The artist appreciated the chalkiness of the pastels for their unique texture.

艺术家欣赏粉彩的粉笔感，因为它们独特的质感。

作文

In the world of art and aesthetics, the term chalkiness refers to a specific quality or texture that can be observed in various mediums, particularly in painting. This characteristic is often associated with a certain lack of vibrancy or depth in colors, leading to a flat, muted appearance. Artists strive to achieve a balance between brightness and subtlety, but sometimes the result can lean towards chalkiness (粉笔状), which may detract from the overall impact of the work. For instance, when an artist uses too much white or light colors without sufficient contrast, the painting may end up looking washed out. This is especially evident in pastel works, where the soft hues can easily become overly pale and lose their intended richness. The chalkiness (粉笔状) can create a sense of dullness, making it difficult for the viewer to engage with the artwork on a deeper level. To combat this issue, many artists experiment with layering techniques. By applying multiple layers of color and allowing them to blend, they can create a more dynamic composition that avoids the pitfalls of chalkiness (粉笔状). This method not only enhances the visual interest but also adds a sense of depth and dimension that might otherwise be lacking. Moreover, the concept of chalkiness (粉笔状) isn't limited to traditional painting. In digital art, for example, artists must be mindful of how colors interact on screen. A digital canvas allows for endless possibilities, yet it can also pose challenges. If an artist relies too heavily on soft brushes or low-opacity layers, the final image may suffer from a similar chalkiness (粉笔状) that makes the piece feel unfinished or unrefined. In photography, the idea of chalkiness (粉笔状) can manifest through overexposed images or those lacking contrast. A photograph that appears too bright or washed out can lose its emotional resonance, rendering the subject matter less impactful. Photographers often use post-processing techniques to adjust exposure and contrast levels, ensuring that their images convey the intended mood without falling into the trap of chalkiness (粉笔状). Interestingly, chalkiness (粉笔状) can also be used intentionally by artists to evoke specific feelings or themes. For example, a painting that embraces this quality might aim to create a dreamlike atmosphere, inviting viewers to interpret the work in a more abstract way. In this context, chalkiness (粉笔状) becomes a stylistic choice rather than a flaw, showcasing the artist's ability to manipulate perception. In conclusion, while chalkiness (粉笔状) can often be seen as a negative attribute in art, it is essential to recognize its potential both as a challenge and as a tool for expression. Whether in painting, digital art, or photography, understanding how to manage this quality can lead to more compelling and engaging works. Artists who master the balance between vibrancy and chalkiness (粉笔状) will undoubtedly find greater success in their creative endeavors.

在艺术和美学的世界中，术语chalkiness指的是在各种媒介中，特别是在绘画中可以观察到的一种特定的质量或纹理。这一特征通常与颜色缺乏活力或深度相关，导致一种平坦、柔和的外观。艺术家努力在明亮和微妙之间取得平衡，但有时结果可能倾向于chalkiness（粉笔状），这可能会削弱作品的整体影响。例如，当艺术家使用过多的白色或浅色而没有足够的对比时，画作可能最终看起来褪色。这一点在粉彩作品中尤为明显，因为柔和的色调很容易变得过于苍白，失去其预期的丰富性。这种chalkiness（粉笔状）可能会产生一种沉闷感，使观众难以在更深层次上与艺术作品产生共鸣。为了克服这个问题，许多艺术家尝试分层技术。通过施加多层颜色并让它们混合，他们可以创造出一种更加动态的构图，从而避免chalkiness（粉笔状）的陷阱。这种方法不仅增强了视觉趣味，还增加了可能缺乏的深度和维度。此外，chalkiness（粉笔状）的概念并不限于传统绘画。在数字艺术中，例如，艺术家必须注意颜色在屏幕上的相互作用。数字画布允许无限的可能性，但也可能带来挑战。如果艺术家过于依赖柔和的画笔或低不透明度的图层，最终图像可能会遭受类似的chalkiness（粉笔状），使作品感觉未完成或粗糙。在摄影中，chalkiness（粉笔状）的概念可以通过过度曝光的图像或缺乏对比度的图像表现出来。看起来过于明亮或褪色的照片可能会失去情感共鸣，使主题的影响力减弱。摄影师通常使用后期处理技术来调整曝光和对比度水平，确保他们的图像传达预期的情绪，而不落入chalkiness（粉笔状）的陷阱。有趣的是，艺术家也可以故意使用chalkiness（粉笔状）来唤起特定的情感或主题。例如，一幅拥抱这种特质的画作可能旨在创造一种梦幻般的氛围，邀请观众以更抽象的方式解读作品。在这种情况下，chalkiness（粉笔状）成为一种风格选择，而不是缺陷，展示了艺术家操控感知的能力。总之，尽管chalkiness（粉笔状）在艺术中常常被视为一种负面属性，但认识到它作为挑战和表达工具的潜力是至关重要的。无论是在绘画、数字艺术还是摄影中，理解如何管理这一特质都能导致更具吸引力和引人入胜的作品。掌握活力与chalkiness（粉笔状）之间平衡的艺术家，无疑将在他们的创作事业中获得更大的成功。