precompose

简明释义

英[ˌpriːkəmˈpəʊz]美[ˌprɪkəmˈpoʊz]

v. 预作；预先构成

第 三 人 称 单 数 p r e c o m p o s e s

现 在 分 词 p r e c o m p o s i n g

过 去 式 p r e c o m p o s e d

过 去 分 词 p r e c o m p o s e d

英英释义

单词用法

同义词

反义词

例句

1.When the explosion goes off we want it to be more dramatic. First, save your project. Second, select every layer and go to layer – precompose, select move all attributes. Now you have one layer .

当爆炸发生的时候我们希望能出现更多的细节，首先，保存你的工程文件，然后选择所有的层然后预合成，选择MoveAllAttributes。

2.When the explosion goes off we want it to be more dramatic. First, save your project. Second, select every layer and go to layer – precompose, select move all attributes. Now you have one layer .

当爆炸发生的时候我们希望能出现更多的细节，首先，保存你的工程文件，然后选择所有的层然后预合成，选择MoveAllAttributes。

3.Artists often precompose their sketches before finalizing the artwork.

艺术家们通常在定稿之前预先组合他们的草图。

4.When working on complex animations, it helps to precompose related elements.

在处理复杂动画时，将相关元素预先组合会有所帮助。

5.Before starting the project, it’s important to precompose your ideas to ensure clarity.

在开始项目之前，重要的是要预先组合你的想法以确保清晰。

6.To create a cohesive presentation, I always precompose my slides in advance.

为了创建一个连贯的演示文稿，我总是提前预先组合我的幻灯片。

7.In video editing, you can precompose multiple layers to simplify your timeline.

在视频编辑中，你可以预先组合多个图层以简化时间线。

作文

In the realm of digital design and graphic arts, the term precompose refers to the process of combining multiple layers or elements into a single composition before finalizing the project. This technique is particularly useful in programs like Adobe After Effects or Photoshop, where designers often work with numerous layers to create complex visuals. By precomposeing these layers, artists can simplify their workflow, making it easier to manage and edit their designs. For instance, when working on an animation, a designer might precompose all the moving elements into one layer. This not only enhances organization but also allows for more efficient rendering and playback. The advantages of precomposeing are manifold. Firstly, it reduces clutter in the workspace. When multiple layers are combined into one, it becomes significantly easier to navigate through the project. Designers can focus on the overall composition without being overwhelmed by individual elements. Secondly, precomposeing enables designers to apply effects or transformations uniformly across all included layers. For example, if a designer wants to add a color correction effect to a group of images, they can simply precompose those images and then apply the effect to the new composite layer instead of adjusting each image individually. This not only saves time but also ensures consistency in the design. Moreover, precomposeing can enhance performance, particularly in complex projects. By reducing the number of layers that the software has to process, designers can experience smoother playback and quicker render times. This is especially crucial in animation and video production, where delays can disrupt the creative flow. Additionally, precomposeing allows for easier adjustments later in the design process. If changes are needed, designers can simply modify the original layers within the precomposed group without affecting the overall composition. This flexibility is invaluable in a collaborative environment where feedback and revisions are common. While precomposeing offers many benefits, it is essential to use this technique judiciously. Overusing it can lead to a lack of clarity regarding which elements are included in a precomposed layer, potentially complicating the editing process. Therefore, designers should strive to find a balance between organization and accessibility. Clear naming conventions and proper documentation can help mitigate confusion when working with precomposed layers. In conclusion, the concept of precompose in digital design serves as a powerful tool for artists seeking to streamline their workflow and enhance their creative output. By combining multiple elements into a single composition, designers can achieve greater efficiency, maintain organization, and ultimately produce higher-quality work. As technology continues to evolve, understanding and mastering techniques like precompose will remain crucial for success in the ever-changing landscape of digital arts.

在数字设计和图形艺术领域，术语precompose指的是在最终确定项目之前，将多个图层或元素组合成一个单一的组合的过程。这种技术在Adobe After Effects或Photoshop等程序中尤其有用，设计师通常需要处理许多图层以创建复杂的视觉效果。通过precompose这些图层，艺术家可以简化工作流程，使管理和编辑设计变得更加容易。例如，在进行动画制作时，设计师可能会将所有运动元素precompose成一个图层。这不仅增强了组织性，还允许更高效的渲染和播放。precompose的好处是多方面的。首先，它减少了工作区的杂乱。当多个图层合并为一个时，导航项目变得显著容易。设计师可以专注于整体组合，而不被单个元素所淹没。其次，precompose使设计师能够在所有包含的图层上统一应用效果或转换。例如，如果设计师想对一组图像添加色彩校正效果，他们可以简单地precompose这些图像，然后将效果应用到新的组合图层上，而不是单独调整每张图像。这不仅节省了时间，还确保了设计的一致性。此外，precompose还可以提高性能，特别是在复杂项目中。通过减少软件必须处理的图层数量，设计师可以体验到更流畅的播放和更快的渲染时间。这在动画和视频制作中尤为重要，因为延迟可能会打断创作流程。此外，precompose还允许在设计过程中更轻松地进行后期调整。如果需要更改，设计师可以简单地修改precompose组中的原始图层，而不影响整体组合。这种灵活性在反馈和修订常见的协作环境中是无价的。虽然precompose提供了许多好处，但使用这种技术时必须谨慎。过度使用可能导致对哪些元素包含在precompose图层中的缺乏清晰度，从而可能使编辑过程变得复杂。因此，设计师应努力在组织性和可访问性之间找到平衡。清晰的命名约定和适当的文档可以帮助减轻处理precompose图层时的混淆。总之，数字设计中的precompose概念是艺术家寻求简化工作流程和增强创造力输出的重要工具。通过将多个元素组合成一个单一的组合，设计师可以实现更高的效率，保持组织性，并最终制作出更高质量的作品。随着技术的不断发展，理解和掌握像precompose这样的技术对于在不断变化的数字艺术领域取得成功将始终至关重要。