postmodern
简明释义
英[ˌpəʊstˈmɒdn]美[ˌpoʊstˈmɑːdərn]
adj. 后现代的
英英释义
单词用法
后现代社会 | |
后现代文化 | |
后现代建筑 | |
后现代理论 | |
后现代敏感性 | |
后现代批评 | |
后现代叙事 | |
后现代美学 |
同义词
反义词
现代的 | The modern architecture contrasts sharply with the postmodern style. | 现代建筑与后现代风格形成鲜明对比。 | |
传统的 | 她更喜欢传统价值观,而不是后现代思想。 |
例句
1.From these basic tactics, we could find the special reflect of postmodern culture's spirit.
从这些基本策略中,我们可以看到后现代文化精神的具体体现。
2.In the postmodern visual cultural field, and in its transference from linguistics to semiotics, assemblage becomes a widely used mode of utterance.
在从语言学角度向符号学的转换中,在后现代视觉文化领域,集合成为了一种被广泛运用的言说方式。
3.The world thus comes to be both a simulation world and an image world, which is just the postmodern world.
世界因此成为一个模拟的世界、图像的世界,它就是后现代的世界。
4.For the postmodern knowledge worker, social media participation provides strokes at all levels of intensity.
对于我们这些充满后现代知识的工作者来说,参与社交网络给我们提供了各种程度的“肯定”。
5.The modern or postmodern sculptures are much more complicated to work on.
现代或后现代雕塑要更为复杂。
6.This relationship is the fundamental idea of postmodern literary criticism.
这种关系正是后现代文艺评论秉持的基础理念。
7.At times Mr Medvedev's speeches sound uncannily like postmodern renditions of Mr Gorbachev's.
梅德韦杰夫的几次讲话听起来都极像是戈尔巴乔夫讲话的后现代版。
8.Modern science and postmodern science respectively embody two different modes of thinking, that is, reductionism and holism.
现代科学和后现代科学分别体现的是还原论和整体论的思维方式。
9.The architecture of the new museum is a great example of postmodern 后现代的 design, blending various styles and historical references.
新博物馆的建筑是一个很好的后现代的设计范例,融合了多种风格和历史参考。
10.In postmodern 后现代的 art, the distinction between high and low culture is often blurred.
在后现代的艺术中,高文化和低文化之间的界限往往模糊不清。
11.Many postmodern 后现代的 novels challenge traditional narrative structures.
许多后现代的小说挑战传统叙事结构。
12.The postmodern 后现代的 approach to history emphasizes multiple perspectives and narratives.
对历史的后现代的方法强调多种视角和叙述。
13.Critics argue that postmodern 后现代的 philosophy lacks a coherent framework.
批评者认为后现代的哲学缺乏一个连贯的框架。
作文
The term postmodern refers to a broad and complex movement that emerged in the mid-to-late 20th century, characterized by a departure from modernist principles. In literature, art, architecture, and philosophy, postmodern ideas challenge traditional narratives and embrace a more fragmented, pluralistic approach. This shift is often marked by an emphasis on irony, pastiche, and the questioning of established truths. One of the most notable features of postmodern literature is its self-referential nature. Authors like Thomas Pynchon and Don DeLillo often blur the lines between fiction and reality, creating works that are both playful and thought-provoking. For instance, in Pynchon's "Gravity's Rainbow," the narrative is nonlinear and filled with historical references that invite readers to question the nature of storytelling itself. This technique reflects the postmodern belief that meaning is not fixed but rather constructed through language and context.In visual arts, postmodern artists such as Andy Warhol and Cindy Sherman employ techniques like appropriation and parody to comment on consumer culture and identity. Warhol’s famous Campbell's Soup Cans challenge the notion of originality in art, while Sherman’s photography explores the roles of women in society, often using herself as a canvas. These works exemplify how postmodern art seeks to deconstruct traditional forms and meanings, inviting viewers to engage critically with the images presented.Architecture has also seen a significant transformation under the influence of postmodern principles. Architects like Robert Venturi and Frank Gehry have moved away from the minimalist and functional designs of modernism, opting instead for eclectic styles that incorporate historical references and ornamentation. Venturi’s Vanna Venturi House, for example, challenges the idea of a single, ideal architectural form by embracing contradiction and complexity. This reflects a broader postmodern ethos that values diversity and multiplicity over uniformity.Philosophically, postmodern thinkers like Jean-François Lyotard and Michel Foucault have questioned the grand narratives that have historically shaped human understanding, such as religion, science, and progress. Lyotard famously argued that we live in a "postmodern condition" where metanarratives are no longer credible, leading to a proliferation of localized narratives and truths. This skepticism towards absolute truths challenges individuals to recognize the subjective nature of their beliefs and experiences, a hallmark of postmodern thought.However, the postmodern movement is not without its critics. Some argue that its emphasis on relativism can lead to cynicism and a lack of commitment to social justice. Others contend that the playful and ironic aspects of postmodern art and literature can obscure meaningful engagement with serious issues. Despite these criticisms, the impact of postmodern thought on contemporary culture cannot be overstated. It has opened up new avenues for creative expression and critical inquiry, allowing for a richer understanding of the complexities of modern life.In conclusion, the concept of postmodern encompasses a wide range of ideas and practices that challenge traditional structures and beliefs. From literature to art to philosophy, postmodern movements encourage us to question established norms and embrace the multiplicity of perspectives that define our world. As we navigate an increasingly complex society, the lessons of postmodern thought remain relevant, reminding us of the power of creativity and critical reflection in shaping our understanding of reality.
术语后现代指的是20世纪中期到后期出现的一种广泛而复杂的运动,其特征是背离现代主义原则。在文学、艺术、建筑和哲学中,后现代思想挑战传统叙事,采用更加碎片化和多元化的方法。这一转变通常以强调讽刺、拼贴和质疑既定真理为标志。
其中一个显著的特征是后现代文学的自我指涉性。像托马斯·品钦和唐·德里罗这样的作家常常模糊虚构与现实之间的界限,创造出既有趣又发人深省的作品。例如,在品钦的《重力的彩虹》中,叙事是非线性的,充满历史参考,邀请读者质疑讲故事本身的性质。这种技巧反映了后现代的信念,即意义不是固定的,而是通过语言和上下文构建的。
在视觉艺术方面,后现代艺术家如安迪·沃霍尔和辛迪·舍曼采用挪用和戏仿等技巧来评论消费文化和身份。沃霍尔的著名《坎贝尔汤罐头》挑战了艺术原创性的概念,而舍曼的摄影探索了女性在社会中的角色,常常以自己为画布。这些作品体现了后现代艺术如何寻求解构传统形式和意义,邀请观众批判性地参与所呈现的图像。
建筑在后现代原则的影响下也经历了重大转变。像罗伯特·文图里和弗兰克·盖里这样的建筑师已经远离现代主义的极简和功能设计,而选择采用包含历史参考和装饰的折衷风格。例如,文图里的范纳·文图里住宅挑战了单一理想建筑形式的理念,通过接受矛盾和复杂性来表现这一点。这反映了更广泛的后现代精神,重视多样性和多元性,而不是统一性。
在哲学上,后现代思想家如让-弗朗索瓦·利奥塔和米歇尔·福柯质疑历史上塑造人类理解的宏大叙事,例如宗教、科学和进步。利奥塔曾著名地主张,我们生活在一种“后现代状态”中,其中元叙事不再可信,导致地方叙事和真理的激增。这种对绝对真理的怀疑挑战个人认识到其信仰和经历的主观性,这是后现代思想的一个标志。
然而,后现代运动并非没有批评者。一些人认为,它对相对主义的强调可能导致愤世嫉俗和缺乏对社会正义的承诺。另一些人则认为,后现代艺术和文学中的玩世不恭和讽刺特征可能掩盖与严肃问题的有意义的互动。尽管存在这些批评,后现代思想对当代文化的影响不可低估。它为创造性表达和批判性探讨开辟了新的途径,使我们能够更丰富地理解现代生活的复杂性。
总之,后现代的概念涵盖了一系列挑战传统结构和信念的思想和实践。从文学到艺术再到哲学,后现代运动鼓励我们质疑既定规范,拥抱定义我们世界的多样视角。当我们在日益复杂的社会中航行时,后现代思想的教训依然相关,提醒我们创造力和批判反思在塑造我们现实理解中的力量。