tediously

简明释义

英[ˈtiːdiəsli]美[ˈtiːdiəsli]

adv. 沉闷地；冗长而乏味地

英英释义

单词用法

同义词

反义词

例句

1.I know the age better than you do, though you will prate about it so tediously.

我比你更了解这个时代，尽管你又要又臭又长的乱讲一气了。

2.But the large-scale supermarket management system management system function too was formidable creates the operation tediously to reduce the small supermarket working efficiency.

而大型的超市管理系统功能过于强大而造成操作繁琐降低了小超市的工作效率。

3.In general, though, the candidates showed that they would rather rely on tediously familiar rhetoric than come to grips with reality. On economics, the debated gets an F-minus.

不过，一般来说，候选人们所表现的是他们宁可依靠令人不胜其烦的陈腔滥调也不愿去了解并面对现实。在经济问题方面，这次辩论完全不及格。

4.They tediously reviewed and edited long legal documents and contracts.

他们无聊地浏览和编辑冗长的法律文件和合同。

5.You ended up doing the work by tediously working the mouse. Pointing and clicking, pointing and clicking.

你通常是很沉闷的用鼠标完成的- - - - -点击，然后，还是点击。

6.The hours drag along, tediously enough .

时间慢慢地熬过，相当沉闷。

7.Five weeks drifted tediously along.

五个冗长乏味的星期过去了。

8.He read through the report tediously 乏味地, struggling to find any valuable insights.

他乏味地阅读报告，努力寻找任何有价值的见解。

9.The movie was tediously 乏味地 slow, with little action to keep the audience engaged.

这部电影节奏乏味地缓慢，几乎没有动作来吸引观众。

10.The lecture was so long and detailed that it dragged on tediously 乏味地, making it hard for students to stay focused.

这场讲座内容冗长且详细，以至于拖得乏味地，让学生很难保持专注。

11.She explained the rules of the game tediously 乏味地, causing many players to lose interest before they even started playing.

她乏味地解释游戏规则，导致许多玩家在开始之前就失去了兴趣。

12.The process of filling out the paperwork was tediously 乏味地 long, making me wish I had hired someone to do it for me.

填写文件的过程乏味地漫长，让我希望自己雇人来帮我完成。

作文

In today's fast-paced world, the art of storytelling often gets lost in the shuffle. Many people prefer quick snippets of information over lengthy narratives. However, there is something profoundly rewarding about immersing oneself in a well-crafted story. Yet, not all stories are created equal; some can be quite engaging while others can feel utterly tediously (乏味地) long and drawn out. This essay will explore the impact of pacing in storytelling and how it can affect a reader's experience.When we think about pacing, we often associate it with the rhythm of a narrative. A story that moves too slowly may lose its audience, as readers become impatient and eager for action. For instance, a novel that spends several chapters on background information without any significant plot development can feel tediously (乏味地) slow. Readers may find themselves skimming through pages, yearning for the plot to pick up. This phenomenon occurs because our attention spans have diminished in the digital age, making us less tolerant of narratives that do not deliver instant gratification.Conversely, a story that rushes through its plot points can leave readers feeling overwhelmed and confused. If important character development or world-building is glossed over, the narrative can feel disjointed. Readers may struggle to connect with characters or understand their motivations, leading to a sense of detachment from the story. In this case, the pacing can also feel tediously (乏味地) hasty, as if the author is trying to cram too much into a short space of time. Finding the right balance is crucial for maintaining reader engagement.Consider classic literature, which often contains lengthy descriptions and intricate details. While some readers appreciate the depth these elements provide, others may find them tediously (乏味地) excessive. For example, in some of Charles Dickens' works, the elaborate descriptions of settings and characters can lead to a slower pace that tests the patience of modern readers. However, these descriptions serve a purpose; they create a vivid picture that enhances the overall experience for those willing to invest the time.Moreover, the genre of a story can heavily influence its pacing. In thrillers and mysteries, readers expect a fast-paced narrative filled with suspense and unexpected twists. If a thriller spends too much time on exposition, it risks losing its audience. On the other hand, literary fiction may embrace a more leisurely pace, allowing for deeper exploration of themes and character psychology. This variance in expectations highlights how the concept of being tediously (乏味地) slow is subjective and can differ based on genre and individual reader preferences.Ultimately, the key to effective storytelling lies in understanding the audience and the purpose of the narrative. Writers must consider how pacing affects the flow of their story and strive to create a balance that keeps readers engaged. A well-paced story can evoke emotion, build tension, and create memorable moments, while a poorly paced one may lead to frustration and disengagement. Therefore, it is essential for authors to be mindful of how their choices impact the reader's experience, ensuring that their work does not become tediously (乏味地) dull.In conclusion, pacing is a vital element of storytelling that can either enhance or detract from a reader's experience. While some narratives may risk feeling tediously (乏味地) slow or excessively rushed, finding the right balance is crucial for captivating an audience. By understanding the nuances of pacing, writers can craft compelling stories that resonate with readers, inviting them to fully immerse themselves in the narrative journey.

在当今快速发展的世界中，讲故事的艺术常常被遗忘。许多人更喜欢快速的信息片段，而不是冗长的叙述。然而，沉浸在一个精心制作的故事中是非常有益的。然而，并非所有的故事都是平等的；有些可能非常吸引人，而另一些则可能感觉完全乏味地冗长和拖沓。本文将探讨叙事中的节奏对读者体验的影响。当我们谈到节奏时，我们通常将其与叙述的节奏联系在一起。一部节奏过慢的故事可能会失去它的观众，因为读者变得不耐烦，渴望行动。例如，一部小说如果在没有任何重大情节发展的情况下花费几章来讲述背景信息，可能会让人感到乏味地缓慢。读者可能会发现自己在翻阅页面，渴望情节能够加快发展。这种现象发生是因为在数字时代，我们的注意力跨度减少，使我们对那些不能提供即时满足的叙事变得不那么宽容。相反，一部情节急促的故事可能会让读者感到不知所措和困惑。如果重要的人物发展或世界构建被草率处理，叙述可能会显得支离破碎。读者可能会努力与角色建立联系，理解他们的动机，从而导致对故事的疏离感。在这种情况下，节奏也可能感觉乏味地匆忙，仿佛作者试图在短时间内塞入太多的内容。找到正确的平衡对于保持读者的参与至关重要。考虑经典文学，它通常包含冗长的描述和复杂的细节。虽然一些读者欣赏这些元素提供的深度，但其他人可能会觉得它们乏味地过于繁琐。例如，在查尔斯·狄更斯的一些作品中，对环境和角色的详细描述可能导致较慢的节奏，考验现代读者的耐心。然而，这些描述有其目的；它们创造了生动的画面，增强了整体体验，适合那些愿意投入时间的人。此外，故事的类型也可以极大地影响其节奏。在惊悚片和悬疑片中，读者期待快速的叙述，充满悬念和意想不到的转折。如果一部惊悚片花费太多时间在叙述上，它就有失去观众的风险。另一方面，文学小说可能会接受更悠闲的节奏，允许更深入地探索主题和角色心理。这种期望的差异突显了被认为乏味地缓慢的概念是主观的，可能因类型和个人读者偏好的不同而有所不同。归根结底，有效讲故事的关键在于理解观众和叙事的目的。作家必须考虑节奏如何影响故事的流动，并努力创造一种保持读者参与的平衡。一个节奏良好的故事可以唤起情感，建立紧张感，并创造难忘的瞬间，而一个节奏不佳的故事可能会导致挫败感和脱离。因此，作者必须关注他们的选择如何影响读者的体验，确保他们的作品不会变得乏味地无聊。总之，节奏是讲故事的重要元素，可以增强或削弱读者的体验。虽然某些叙事可能冒着感觉乏味地缓慢或过于匆忙的风险，但找到正确的平衡对于吸引观众至关重要。通过理解节奏的细微差别，作家可以创作出引人入胜的故事，与读者产生共鸣，邀请他们充分沉浸在叙事旅程中。