Negative pick-up deal
简明释义
负片现货交易
英英释义
例句
1.In a Negative pick-up deal, the distributor only pays for the film once it is completed and meets their standards.
在负担前期制作费用协议中,发行商只有在电影完成并符合他们标准后才会付款。
2.The Negative pick-up deal was essential for the documentary, as it provided the necessary funds to finish editing.
对于这部纪录片来说,负担前期制作费用协议是至关重要的,因为它提供了完成剪辑所需的资金。
3.After negotiating a Negative pick-up deal, the filmmaker was able to focus on storytelling rather than financing.
在谈判达成负担前期制作费用协议后,电影制作人能够专注于讲故事,而不是融资问题。
4.The producer secured a Negative pick-up deal with the studio, allowing them to finance the film after production.
制片人与制片厂达成了负担前期制作费用协议,这使得他们能够在制作完成后为电影融资。
5.Many independent filmmakers prefer a Negative pick-up deal because it allows them creative freedom during production.
许多独立电影制作人更喜欢负担前期制作费用协议,因为这让他们在制作过程中享有创作自由。
作文
In the world of film and television production, financing plays a crucial role in determining the success of a project. One of the less commonly understood terms in this domain is the Negative pick-up deal, which refers to an arrangement between a producer and a distributor. In this type of deal, the producer finances the production of a film or television show, and once the project is completed, the distributor agrees to purchase the distribution rights for a predetermined price. This arrangement allows producers to secure funding without having to rely solely on pre-sales or other financial guarantees. The term 'negative' in this context refers to the film's negative, meaning the original footage that is produced during filming. Essentially, a Negative pick-up deal provides a safety net for producers, ensuring they will have a buyer for their finished product.Understanding how a Negative pick-up deal works can be beneficial for both new and seasoned filmmakers. For new filmmakers, it offers a way to enter the industry without needing extensive financial backing upfront. They can focus on creating a quality product, knowing that there is a distributor interested in acquiring their work once it is completed. For seasoned filmmakers, this type of deal can help streamline the financing process, allowing them to concentrate on the creative aspects of filmmaking rather than getting bogged down in the complexities of securing funding before production begins.However, it is important to note that a Negative pick-up deal does come with its own set of challenges. Producers must be confident in their ability to deliver a high-quality product that meets the expectations of the distributor. If the final product fails to resonate with audiences or does not meet the distributor's standards, the producer may find themselves in a difficult position, having invested significant resources into a project that may not generate a return on investment.Moreover, the terms of a Negative pick-up deal can vary significantly depending on the specific agreement between the producer and distributor. Factors such as the budget of the project, the reputation of the filmmakers involved, and the anticipated marketability of the film can all influence the final terms. It is essential for producers to negotiate favorable conditions that protect their interests while also appealing to potential distributors.In conclusion, the concept of a Negative pick-up deal is a vital part of the financing landscape in the film and television industry. It provides a pathway for producers to create content with the assurance that there will be a buyer once the project is complete. By understanding the nuances of this deal, filmmakers can better navigate the financial aspects of their projects, ultimately leading to more successful outcomes in their careers. As the industry continues to evolve, the Negative pick-up deal remains a relevant and useful tool for those looking to bring their creative visions to life.
在电影和电视制作的世界中,融资在决定项目成功与否方面起着至关重要的作用。在这个领域中,一个不太常见的术语是负片购买协议,它指的是制片人和发行商之间的安排。在这种类型的交易中,制片人为电影或电视节目提供资金,一旦项目完成,发行商同意以预定价格购买发行权。这种安排使制片人能够获得资金,而不必仅依赖于预售或其他财务担保。这里的“负片”一词是指电影的负片,意味着在拍摄过程中制作的原始胶卷。基本上,负片购买协议为制片人提供了一个安全网,确保他们会有买家愿意购买他们的成品。理解负片购买协议的运作方式对新老电影制作人都有好处。对于新电影制作人来说,它提供了一种进入行业的方式,而无需在前期获得大量的资金支持。他们可以专注于制作高质量的产品,知道一旦完成,将会有一个感兴趣的发行商来收购他们的作品。对于经验丰富的电影制作人来说,这种类型的交易可以帮助简化融资过程,使他们能够专注于电影制作的创意方面,而不是在生产开始之前被复杂的资金筹集问题所困扰。然而,值得注意的是,负片购买协议确实带来了自己的一系列挑战。制片人必须对自己能够交付高质量的产品充满信心,以满足发行商的期望。如果最终产品未能引起观众的共鸣或未达到发行商的标准,制片人可能会发现自己处于困难境地,因为他们在一个可能无法产生投资回报的项目上投入了大量资源。此外,负片购买协议的条款可能会根据制片人和发行商之间的具体协议而有所不同。项目的预算、参与电影制作人的声誉以及电影的市场预期等因素都可能影响最终条款。制片人必须谈判出有利的条件,以保护自己的利益,同时也吸引潜在的发行商。总之,负片购买协议的概念是电影和电视行业融资格局中的一个重要组成部分。它为制片人创造内容提供了一条途径,确保在项目完成后会有买家。通过理解这一交易的细微差别,电影制作人可以更好地驾驭项目的财务方面,从而最终在他们的职业生涯中取得更成功的结果。随着行业的不断发展,负片购买协议仍然是那些希望实现其创意愿景的人的相关且有用的工具。