pictorialist

简明释义

英[ˌpɪkˈtɔːrɪəlɪst]美[ˌpɪkˈtɔrɪəlɪst]

n. 运用绘画风格的人（尤指非营利性的艺术摄影师）

英英释义

单词用法

同义词

反义词

例句

1."He was designing with his camera," Squiers says, "and after starting out as a [soft-focus] pictorialist, he brought sharp focus to bear and had a tremendous effect on the field."

“他用他的摄影机来设计，”斯魁尔说，“在以一名软焦距摄影师的身份开始工作后，他经受住了人们的关注并对这项领域产生巨大的影响。”

2."He was designing with his camera," Squiers says, "and after starting out as a [soft-focus] pictorialist, he brought sharp focus to bear and had a tremendous effect on the field."

“他用他的摄影机来设计，”斯魁尔说，“在以一名软焦距摄影师的身份开始工作后，他经受住了人们的关注并对这项领域产生巨大的影响。”

3.The pictorialist movement emphasized artistic expression through manipulation of images.

图像主义运动强调通过图像的处理来表达艺术。

4.The exhibition featured works by a prominent pictorialist, showcasing the beauty of soft focus photography.

这次展览展示了一位著名的图像主义者的作品，展示了柔焦摄影的美。

5.The legacy of the pictorialist photographers can still be seen in contemporary art.

现代艺术中仍然可以看到图像主义者摄影师的遗产。

6.Many pictorialists believed that photography should be an art form rather than just a means of documentation.

许多图像主义者认为摄影应该是一种艺术形式，而不仅仅是记录的手段。

7.As a pictorialist, she often used darkroom techniques to enhance her photographs.

作为一名图像主义者，她经常使用暗房技术来增强她的照片。

作文

The term pictorialist refers to a movement in photography that emerged in the late 19th and early 20th centuries. Pictorialists believed that photography should be an art form, akin to painting or sculpture, rather than merely a means of documentation. This perspective fundamentally changed how photographers approached their craft. They sought to create images that were aesthetically pleasing and emotionally resonant, often using techniques such as soft focus, special printing processes, and staged compositions to achieve their artistic vision.One of the key figures in the pictorialist movement was Alfred Stieglitz, who played a crucial role in promoting photography as a legitimate art form. He founded the Photo-Secession group in 1902, which aimed to elevate the status of photography within the art community. Through exhibitions and publications, Stieglitz and his contemporaries showcased works that emphasized the artistic potential of photography. Their efforts led to a greater acceptance of photography in galleries and museums, paving the way for future generations of photographers.The pictorialist approach often involved manipulating the photographic process to create images that evoked a sense of mood or atmosphere. For example, photographers would use techniques like gum bichromate printing or platinum printing, which allowed for greater control over the final image. These methods could produce rich textures and tones that resembled traditional paintings. The result was a body of work that often blurred the lines between photography and other visual arts.In addition to technical innovations, the themes explored by pictorialists were often deeply personal and introspective. Many photographers sought to convey their feelings and experiences through their images, creating a connection with viewers that transcended mere representation. The subjects of pictorialist photographs ranged from landscapes and portraits to still lifes, all infused with a sense of artistic intention.As the 20th century progressed, the pictorialist movement began to wane in popularity, giving way to more modernist approaches to photography. The advent of sharper lenses and new printing technologies allowed photographers to capture images with greater clarity and detail. Movements such as straight photography emerged, which emphasized realism and objectivity over artistic manipulation. However, the legacy of pictorialism continues to influence contemporary photography. Many modern photographers draw inspiration from the emotional depth and artistic sensibility that characterized the pictorialist era.In conclusion, the pictorialist movement represents a significant chapter in the history of photography. It challenged the notion of photography as a purely mechanical process and elevated it to the status of fine art. By emphasizing artistic expression and emotional resonance, pictorialists laid the groundwork for future explorations of photography as an art form. Their contributions continue to inspire photographers today, reminding us that photography can be more than just a snapshot; it can be a powerful medium for storytelling and self-expression.

术语pictorialist指的是19世纪末和20世纪初出现的摄影运动。pictorialists相信，摄影应该是一种艺术形式，类似于绘画或雕塑，而不仅仅是记录的手段。这种观点从根本上改变了摄影师对自己工艺的看法。他们试图创作出美观且富有情感共鸣的图像，通常使用柔焦、特殊印刷工艺和布置构图等技巧来实现他们的艺术愿景。在pictorialist运动中，阿尔弗雷德·斯蒂格利茨是一个关键人物，他在推动摄影作为合法艺术形式方面发挥了重要作用。他在1902年创立了照片分离主义小组，旨在提升摄影在艺术界的地位。通过展览和出版物，斯蒂格利茨和他的当代人展示了强调摄影艺术潜力的作品。他们的努力导致了摄影在画廊和博物馆中的更大接受，为未来几代摄影师铺平了道路。pictorialist方法通常涉及操控摄影过程，以创造出唤起情绪或氛围的图像。例如，摄影师会使用如树胶双染印刷或铂金印刷等技术，这些技术允许对最终图像进行更大的控制。这些方法可以产生丰富的纹理和色调，类似于传统绘画。结果是一系列作品，往往模糊了摄影与其他视觉艺术之间的界限。除了技术创新，pictorialists所探讨的主题往往是深刻而内省的。许多摄影师试图通过他们的图像传达自己的感受和经历，创造出与观众之间超越单纯表现的联系。pictorialist照片的主题范围从风景、肖像到静物，所有这些都充满了艺术意图。随着20世纪的发展，pictorialist运动开始逐渐失去人气，取而代之的是更现代主义的摄影方法。更清晰的镜头和新印刷技术的出现使摄影师能够捕捉到更清晰、更细致的图像。直拍摄影等运动应运而生，强调现实主义和客观性，而非艺术操控。然而，pictorialism的遗产仍然继续影响着当代摄影。许多现代摄影师从pictorialist时代所特有的情感深度和艺术敏感性中汲取灵感。总之，pictorialist运动代表了摄影历史中的重要篇章。它挑战了摄影作为一种纯机械过程的概念，并将其提升到美术的地位。通过强调艺术表现和情感共鸣，pictorialists为未来摄影作为艺术形式的探索奠定了基础。他们的贡献继续激励着今天的摄影师，提醒我们摄影不仅仅是快照；它可以是讲故事和自我表达的强大媒介。