simulacrum

简明释义

英[ˌsɪmjuˈleɪkrəm]美[ˌsɪmjuˈleɪkrəm]

n. 像；幻影；影

复 数 s i m u l a c r a 或 s i m u l a c r u m s

英英释义

单词用法

同义词

反义词

例句

1.That which is irreducible to the self begins to come into focus e-e-e-e and a way of expressing this is to say e-e-e-e which is perhaps in some way or another a mask or a simulacrum of he-he-he-he.

不可复归的自我开始显先出来,一种表示此情况的方法是说,这可能是，he-he-he-he的,某种面具或者成像。

2.Baudrillard put forward the theory of simulacrum and meaned that the art create the reality and dispel the reality.

波德·里亚则提出“仿像”说，认为艺术“创造”现实消解生活。

3.Mine is a simulacrum for life, a reflection on experience and a metaphor for understanding my existence.

我的旅途是生活的模拟，对经验的反思和理解自我存在的比喻。

4.The post image-reading era generates a "simulacrum cultural world", which can be perceived as a philosophical meaning of "the existence of absence".

后读图时代营造出仿像文化世界，反映到哲学上就是“缺席的在场”；

5.Some publications have tried charging for a digital simulacrum of their print editions, with a more familiar design and layout than their websites, which can often be downloaded as a single package.

有些出版物试图为印刷版的数字影像进行收费，其设计和格式比网络版更接近印刷版，还能以单独文件包下载。

6.As the pictures above show, the result was often a recognisable simulacrum of the original.

如上图所示，结果是一个可见的影像原型。

7.Unlike spell Reflection, Dark Simulacrum does not cancel the incoming spell.

不像法术反射，暗拟像不取消传入的咒语。

8.In philosophy, a simulacrum 仿像 can represent an image or representation that replaces reality.

在哲学中，仿像可以代表一种替代现实的图像或表现形式。

9.In the museum, the artist created a stunning simulacrum 仿像 of a famous sculpture that looked almost real.

在博物馆里，这位艺术家创造了一个令人惊叹的仿像，看起来几乎和著名雕塑一模一样。

10.His depiction of the city in his painting was a mere simulacrum 仿像 of its true vibrancy.

他在画作中对这座城市的描绘只是其真实活力的一个仿像。

11.The theme park features a simulacrum 仿像 of a medieval castle that attracts many visitors.

这个主题公园有一个中世纪城堡的仿像，吸引了许多游客。

12.The film presented a simulacrum 仿像 of reality that challenged viewers' perceptions.

这部电影呈现了一个挑战观众认知的现实仿像。

作文

In the modern world, we are constantly surrounded by images, representations, and interpretations of reality. These elements often create a layered understanding of our experiences, leading us to question what is real and what is merely a representation. The concept of simulacrum (模拟物) plays a crucial role in this discourse, as it refers to an image or representation that does not accurately reflect the reality it is supposed to depict. Instead, a simulacrum can be seen as a copy without an original, a phenomenon that has become increasingly prevalent in today's media-saturated society.To illustrate this idea, consider the rise of social media platforms where individuals curate their lives through carefully selected images and posts. These online personas often serve as simulacra (模拟物), presenting an idealized version of oneself that may bear little resemblance to reality. Users engage in a constant cycle of creating and consuming these simulacra, leading to a distorted perception of self and others. This phenomenon raises important questions about authenticity and the impact of digital representations on our understanding of identity.Moreover, the concept of simulacrum extends beyond personal identity to encompass broader societal constructs. For instance, advertisements often create simulacra of happiness, success, and beauty that are unattainable for most people. By showcasing idealized lifestyles and products, these ads manipulate perceptions and foster a desire for a reality that is, in fact, a mere illusion. The simulacrum becomes a powerful tool for consumerism, driving individuals to chase after dreams that are rooted in fabricated images rather than genuine experiences.In literature and philosophy, the notion of simulacrum has been explored by thinkers such as Jean Baudrillard, who argued that in a postmodern society, the distinction between reality and representation has blurred. He claimed that we live in a world dominated by simulacra (模拟物), where signs and symbols have replaced actual experiences. This perspective challenges us to critically examine the narratives we consume and the realities we construct based on these narratives.Furthermore, the prevalence of simulacra in our lives can lead to a sense of disconnection from the world around us. When we prioritize curated images over authentic experiences, we risk losing touch with the richness of reality. The challenge lies in navigating a landscape filled with simulacra while striving to engage with genuine moments and connections. To counteract the influence of simulacrum (模拟物), individuals must cultivate awareness and discernment, recognizing the difference between representation and reality.In conclusion, the concept of simulacrum (模拟物) serves as a critical lens through which we can analyze the complexities of contemporary life. As we navigate a world rife with representations and interpretations, it is essential to remain vigilant about the simulacra that shape our perceptions. By fostering a deeper understanding of this concept, we can strive for authenticity in our interactions and experiences, ultimately enriching our lives in a world that often prioritizes illusion over reality.

在现代社会中，我们不断被图像、表现和对现实的解读所包围。这些元素常常创造出我们体验的多层次理解，使我们质疑什么是真实的，什么仅仅是一个表现。simulacrum（模拟物）的概念在这一讨论中起着至关重要的作用，因为它指的是一种图像或表现，并没有准确反映它所应描绘的现实。相反，simulacrum可以被视为没有原始的复制品，这种现象在当今媒体饱和的社会中变得越来越普遍。为了说明这个观点，可以考虑社交媒体平台的兴起，在这些平台上，个人通过精心挑选的图像和帖子来策划自己的生活。这些在线角色往往作为simulacra（模拟物）存在，呈现出一种理想化的自我，可能与现实几乎没有相似之处。用户参与到创造和消费这些simulacra的循环中，导致对自我和他人的扭曲感知。这一现象引发了关于真实性以及数字表现对我们身份理解影响的重要问题。此外，simulacrum的概念不仅限于个人身份，还涵盖了更广泛的社会构造。例如，广告经常创造出幸福、成功和美丽的simulacra，这些对于大多数人来说是无法实现的。通过展示理想化的生活方式和产品，这些广告操控感知，培养对一个实际上是虚幻的现实的渴望。simulacrum成为消费主义的强大工具，驱使个人追求根植于伪造图像而非真实体验的梦想。在文学和哲学中，simulacrum的概念被一些思想家如让·博德里亚探讨，他认为在后现代社会中，现实与表现之间的区别已经模糊。他声称我们生活在一个被simulacra（模拟物）主导的世界中，在这个世界里，符号和标志取代了实际体验。这种观点挑战我们批判性地审视我们消费的叙事和基于这些叙事构建的现实。此外，simulacra在我们生活中的普遍存在可能导致我们与周围世界的脱节。当我们优先考虑策划的图像而非真实的体验时，我们冒着失去与现实丰富性的联系的风险。挑战在于如何在充满simulacra的环境中导航，同时努力与真实的时刻和联系互动。为了抵消simulacrum（模拟物）的影响，个人必须培养意识和辨别力，认识到表现与现实之间的区别。总之，simulacrum（模拟物）的概念作为一种批判性视角，使我们能够分析当代生活的复杂性。当我们在充满表现和解读的世界中航行时，保持警惕，关注塑造我们感知的simulacra是至关重要的。通过深化对这一概念的理解，我们可以努力在互动和体验中追求真实性，最终在一个常常优先考虑幻觉而非现实的世界中丰富我们的生活。