uninviting
简明释义
英[ˌʌnɪnˈvaɪtɪŋ]美[ˌʌnɪnˈvaɪtɪŋ]
adj. 讨厌的,无吸引力的;无魅力的
英英释义
不吸引人或迷人;缺乏温暖或魅力。 |
单词用法
令人不快的氛围 | |
不吸引人的外观 | |
不宜人条件 | |
看起来不吸引人 | |
感觉不受欢迎 | |
似乎不吸引人 |
同义词
反义词
诱人的 | The garden has an inviting atmosphere with colorful flowers. | 这个花园有一种诱人的氛围,五彩缤纷的花朵。 | |
热情的 | 酒店大堂非常热情,让客人感到像在家一样。 | ||
吸引人的 | 她的微笑很吸引人,吸引了所有人。 |
例句
1.People may be spreading their negative feelings simply by frowning or making other unpleasant facial expressions, making hurtful remarks or even adopting uninviting body postures.
人们通过简单的行为传播负面情绪,如皱眉或其他不友好的面部表情,做伤人的评价或更甚摆出讨厌的身体形态。
2.THE corner shop on South Honore and West 59th in Englewood is an uninviting sort of place.
在恩格尔伍德,南奥诺雷和西59街的拐角商店是个没有吸引力的地方。
3.Problem: Your bath is dark and uninviting.
问题:你的浴室是昏暗和没有吸引力的。
4.The hotel room was bare and uninviting.
这个旅馆房间光秃秃的,很不好看。
5.But insiders worry that new users perceiveWikipedia as “uninviting” and “insular”.
但是业内人士担忧新用户会认为维基 “不受欢迎”、“与世隔绝”。
6.If breathing carbon dioxide seems uninviting, the density of the air will appear worse.
如果说呼吸二氧化碳令人生厌的话,那么空气的密度就显得更为糟糕。
7.The abandoned house looked uninviting with its broken windows and overgrown yard.
那座废弃的房子因破碎的窗户和杂草丛生的院子而显得不宜人。
8.The restaurant's dim lighting and empty tables gave it an uninviting atmosphere.
餐厅昏暗的灯光和空荡荡的桌子给人一种不宜人的氛围。
9.Her expression was uninviting, making it clear she did not want to engage in conversation.
她的表情显得不宜人,清楚地表明她不想参与对话。
10.Despite the beautiful view, the rocky terrain made the hiking trail seem uninviting.
尽管风景优美,但崎岖的地形使得这条徒步小径显得不宜人。
11.The weather today is so cold and gray that it makes the park look quite uninviting.
今天的天气又冷又灰,使得公园看起来相当不宜人。
作文
The concept of a place being uninviting can often be subjective, varying from person to person based on their experiences and expectations. For instance, a small, dimly lit café might seem cozy and appealing to one individual, while another may find it uninviting due to its lack of natural light and vibrant atmosphere. This dichotomy in perception highlights how our personal preferences shape our judgments about environments.In literature, settings play a crucial role in establishing mood and tone. Authors often describe places as uninviting to evoke feelings of discomfort or foreboding. For example, a character walking through a deserted alleyway might feel an overwhelming sense of dread, amplified by the uninviting surroundings characterized by shadowy corners and the absence of life. Such descriptions serve to immerse readers in the narrative, allowing them to experience the characters' emotions more vividly.Moreover, the idea of uninviting spaces extends beyond physical locations. In social contexts, interactions can also feel uninviting. A gathering where people are engaged in cliques or deep conversations can create an atmosphere that feels exclusive and unwelcoming. Individuals who are new to such environments may feel hesitant to approach others, perceiving the social dynamics as uninviting. This illustrates how human connections can sometimes mirror the characteristics of physical spaces, making us feel either welcomed or excluded.In contrast, creating an inviting environment is essential for fostering positive relationships and experiences. Businesses often invest in interior design to ensure their spaces are warm and welcoming, avoiding any elements that might come off as uninviting. Bright colors, comfortable seating, and open layouts can transform a space, making it feel more inclusive and friendly. The impact of these changes can be profound, as customers are more likely to return to places that feel inviting rather than uninviting.In conclusion, the term uninviting encapsulates a wide range of experiences and perceptions, both in physical spaces and social interactions. Understanding this concept allows us to appreciate the nuances of our environments and relationships. Whether we are crafting a narrative, designing a space, or navigating social situations, recognizing the characteristics that make a place or interaction feel uninviting can help us strive for more inviting and inclusive experiences. Ultimately, it is our responsibility to cultivate spaces—both physical and social—that welcome others, breaking down the barriers that can make us feel isolated or unwelcome.
一个地方被认为是不受欢迎的概念往往是主观的,因人而异,基于他们的经历和期望。例如,一个小而昏暗的咖啡馆对一个人来说可能显得温馨而迷人,而另一个人则可能因为缺乏自然光和生动的氛围而觉得它不受欢迎的。这种认知上的二元性突显了我们的个人偏好如何塑造我们对环境的判断。在文学中,场景在建立情绪和语调方面起着至关重要的作用。作者常常将地方描述为不受欢迎的,以唤起不适或预感。例如,一个角色走过一条荒凉的小巷,可能会感到一种压倒性的恐惧,这种感觉因阴暗的角落和缺乏生气的不受欢迎的环境而加剧。这种描述使读者更深入地融入叙事之中,让他们更生动地体验角色的情感。此外,不受欢迎的空间的概念不仅限于物理位置。在社交环境中,互动也可能感觉不受欢迎的。一个人们参与小圈子或深入交谈的聚会,可以营造出一种感觉排外和不友好的氛围。对于新来到此类环境的人来说,他们可能会感到犹豫,不敢接近他人,因为他们认为社交动态是不受欢迎的。这表明人际关系有时可以反映物理空间的特征,使我们感到受到欢迎或被排斥。相反,创造一个吸引人的环境对于促进积极的关系和体验至关重要。企业通常会投资于室内设计,以确保他们的空间温暖而宜人,避免任何可能显得不受欢迎的元素。明亮的色彩、舒适的座椅和开放的布局可以改变一个空间,使其感觉更加包容和友好。这些变化的影响可能是深远的,因为顾客更有可能回到那些感觉吸引而非不受欢迎的地方。总之,不受欢迎的这个术语涵盖了广泛的体验和感知,无论是在物理空间还是社交互动中。理解这一概念使我们能够欣赏我们环境和关系的细微差别。无论我们是在创作叙述、设计空间还是应对社交场合,认识到使地方或互动感觉不受欢迎的特征,可以帮助我们努力追求更具吸引力和包容性的体验。最终,我们有责任培养那些欢迎他人的空间——无论是物理的还是社交的——打破可能使我们感到孤立或不受欢迎的障碍。