simulacra

简明释义

英[ˌsɪmjʊˈleɪkrə]美[ˌsɪmjʊˈlækrər]

模拟物

英英释义

单词用法

同义词

反义词

例句

1.This artistic fiat that has emptied the cages, foregrounds the invisible hands that have built these miserable spaces, these shabby simulacra of habitats—they are our hands.

他腾空了笼子，将建造这些低劣空间、这些自然栖息地的拙劣仿制品的那双看不见的手摆在突出的位置上——其实那是我们自己的双手。

2.He does this by transmitting not a staid image but a simulacra.

他不是通过传输固定的图像而是传输某种拟像而做到了这一点。

3.As Jean Baudrillard showed in his book "Simulacra and Simulation", hyper realistic fake creations flood our lives, and even rise to the apex of culture.

正如尚·布希亚在其书《拟仿物和拟像》中所说的，超真实的人工制品充斥我们的生活，甚至成为了我们文明当中最重要的部分。

4.We should not from such simulacra of words infer not only intention but meaning as well. It is meaningless to speak of marks that are not signs as language.

我们不应该从这种话语的影像，推断出意图以及意义，去说不是语言符号的记号是没有意义的。

5.The word simulacra is a word loaded with heavy karma.

拟像这个词承载了沉重的因果关系。

6.In some cybernetic way the man was to be a simulacra of Yahweh.

这个人将以某种控制论的方式成为耶和华的拟像。

7.Fashion brands often create simulacra 模拟物 of luxury to attract consumers.

时尚品牌常常创造奢华的模拟物 simulacra来吸引消费者。

8.In the art gallery, the exhibit featured various simulacra 模拟物 that challenged the perception of reality.

在艺术画廊，这个展览展示了各种模拟物 simulacra，挑战了对现实的感知。

9.The film presented a world filled with simulacra 模拟物 that blurred the line between truth and fiction.

这部电影展现了一个充满模拟物 simulacra的世界，模糊了真相与虚构之间的界限。

10.The philosopher argued that modern society is filled with simulacra 模拟物 that distract us from genuine experiences.

这位哲学家认为，现代社会充满了模拟物 simulacra，使我们远离真实的体验。

11.In virtual reality, users often interact with simulacra 模拟物 that represent real-world objects.

在虚拟现实中，用户经常与代表现实世界物体的模拟物 simulacra进行互动。

作文

In today's world, we often find ourselves surrounded by images and representations that do not necessarily reflect reality. This phenomenon can be best understood through the concept of simulacra (仿像), which refers to copies or representations of things that no longer have an original or that distort the original meaning. The term was popularized by philosopher Jean Baudrillard, who argued that in the postmodern era, society is increasingly living in a world dominated by simulacra (仿像) rather than genuine experiences. One of the most striking examples of simulacra (仿像) in our daily lives is social media. Platforms like Instagram and Facebook allow users to curate their lives, presenting idealized versions of themselves to the world. These carefully crafted profiles often bear little resemblance to the complexities of real life. People may post pictures that highlight their successes while omitting failures, creating a facade that others perceive as authentic. This leads to a culture where individuals compare their own lives to these distorted representations, resulting in feelings of inadequacy and dissatisfaction. Moreover, advertising plays a significant role in perpetuating simulacra (仿像). Brands often create idealized images of their products that promise happiness, success, and fulfillment. However, the actual experience of using these products may be far removed from the glamorous portrayals seen in advertisements. This disconnect between representation and reality can lead consumers to chase after false ideals, believing that purchasing a particular product will somehow enhance their lives. The entertainment industry also contributes to the proliferation of simulacra (仿像). Movies and television shows frequently depict exaggerated versions of life, presenting narratives that are far from the truth. For instance, romantic comedies often portray love as a series of perfect moments, ignoring the complexities and challenges inherent in real relationships. This can create unrealistic expectations for viewers, who may then struggle to reconcile their own experiences with the idealized versions they see on screen. Baudrillard's theory suggests that as we become more immersed in simulacra (仿像), we risk losing touch with reality altogether. We may begin to accept these representations as truth, leading to a disconnection from authentic experiences and genuine human interactions. This raises important questions about the nature of reality in our modern society: Are we living in a world of our own making, shaped by simulacra (仿像), or can we still access and appreciate the true essence of life? In conclusion, the concept of simulacra (仿像) serves as a critical lens through which we can examine the impact of representations on our perceptions of reality. As we navigate a world increasingly filled with curated images and idealized narratives, it is essential to remain aware of the distinction between representation and reality. By doing so, we can strive to cultivate a more authentic existence, grounded in genuine experiences rather than the hollow echoes of simulacra (仿像).

在今天的世界里，我们常常发现自己被一些图像和表现所包围，这些图像和表现并不一定反映现实。这个现象可以通过“simulacra（仿像）”这一概念来更好地理解，它指的是那些没有原始对象或扭曲原始意义的复制品或表现。这个术语由哲学家让·博德里亚（Jean Baudrillard）普及，他认为在后现代时代，社会越来越生活在一个由simulacra（仿像）主导的世界中，而不是由真正的体验主导。我们日常生活中最引人注目的simulacra（仿像）例子之一就是社交媒体。像Instagram和Facebook这样的平台允许用户策划他们的生活，向世界呈现理想化的自我。这些经过精心制作的个人资料往往与真实生活的复杂性相去甚远。人们可能会发布突出成功的照片，而忽略失败，从而创造出一种他人认为真实的假象。这导致了一种文化，人们将自己的生活与这些扭曲的表现进行比较，进而产生不够好和不满的感觉。此外，广告在延续simulacra（仿像）方面也发挥了重要作用。品牌经常创造理想化的产品形象，承诺幸福、成功和满足。然而，实际使用这些产品的体验可能与广告中看到的华丽描绘相去甚远。这种表现与现实之间的脱节可能导致消费者追逐虚假的理想，认为购买某个特定产品会以某种方式提升他们的生活。娱乐行业也助长了simulacra（仿像）的传播。电影和电视节目经常描绘夸张的生活版本，呈现远离真相的叙事。例如，浪漫喜剧通常将爱情描绘成一系列完美的时刻，忽视了真实关系中固有的复杂性和挑战。这可能会给观众创造不切实际的期望，观众可能会因此难以调和自己的经历与他们在屏幕上看到的理想化版本。博德里亚的理论表明，随着我们越来越沉浸于simulacra（仿像）之中，我们可能会失去对现实的接触。我们可能开始接受这些表现为真理，从而导致与真实体验和真诚人际互动的脱节。这提出了关于我们现代社会中现实本质的重要问题：我们是生活在一个由自身创造的世界中，由simulacra（仿像）塑造，还是我们仍然能够访问和欣赏生活的真实本质？总之，simulacra（仿像）这一概念作为一个批判性的视角，帮助我们审视表现对我们现实感知的影响。当我们在一个充满策划图像和理想化叙事的世界中航行时，保持对表现与现实之间区别的意识至关重要。通过这样做，我们可以努力培养一种更加真实的存在，扎根于真实的体验，而不是空洞的simulacra（仿像）回声。