over modulation

简明释义

过调制

英英释义

例句

1.During the live broadcast, we experienced over modulation that distorted the sound.

在直播过程中，我们遇到了过度调制，导致声音失真。

2.The sound engineer warned us about the risk of over modulation in the audio recording.

音响工程师警告我们在音频录制中有过度调制的风险。

3.When the singer got too close to the microphone, it caused over modulation.

当歌手靠近麦克风时，导致了过度调制。

4.To avoid over modulation, it's important to set the input levels correctly.

为了避免过度调制，正确设置输入电平非常重要。

5.The technician adjusted the mixer to prevent over modulation during the concert.

技术人员调整了混音器，以防止音乐会期间出现过度调制。

作文

In the world of music and sound engineering, the term over modulation refers to a phenomenon that occurs when the amplitude of an audio signal exceeds the maximum limit that can be processed by a system. This often leads to distortion, which can significantly alter the quality of the sound being produced. Understanding over modulation is crucial for musicians, sound engineers, and anyone involved in audio production, as it can make or break a recording or live performance. When creating music, artists strive for clarity and richness in their sound. However, if they do not pay attention to the levels of their audio signals, they risk encountering over modulation. This typically happens during the mixing process, where multiple audio tracks are combined. If one track is too loud, it can cause the overall mix to distort, leading to an unpleasant listening experience. To avoid over modulation, sound engineers often use tools like compressors and limiters. These devices help control the dynamic range of audio signals, ensuring that no single element in a mix becomes too overpowering. For instance, a vocalist may have a powerful voice that can easily push the levels into over modulation, but with proper compression, their vocals can be tamed to fit seamlessly within the mix. Moreover, understanding the headroom of a recording system is essential. Headroom refers to the amount of space available before distortion occurs. By maintaining adequate headroom, engineers can prevent over modulation and ensure that the final product maintains its integrity. It is a delicate balance that requires practice and a keen ear. In live performances, over modulation can also present challenges. Musicians rely on sound systems to amplify their sound, and if the system is not properly calibrated, it can lead to feedback and distortion. This is particularly problematic in venues with challenging acoustics. Sound engineers must be vigilant in monitoring levels throughout a performance to avoid any instances of over modulation, which could distract from the performance itself. Furthermore, the concept of over modulation is not limited to just music; it can also apply to broadcasting and public speaking. For example, when a speaker's voice is too loud for the microphone, it can create a harsh, distorted sound that is difficult for the audience to understand. In these cases, understanding how to modulate one's voice and maintain appropriate levels is key to effective communication. In conclusion, over modulation is a critical concept in audio production that can greatly affect the quality of sound. By learning to recognize and prevent over modulation, musicians and sound engineers can create clearer, more enjoyable audio experiences. Whether in a studio or live setting, the principles of sound management remain the same, emphasizing the importance of balance and control in achieving the best possible sound output.

在音乐和声音工程的世界中，术语过度调制指的是当音频信号的幅度超过系统可以处理的最大限制时所发生的现象。这通常会导致失真，这可能会显著改变所产生声音的质量。理解过度调制对于音乐家、声音工程师以及任何参与音频制作的人来说至关重要，因为它可能会决定录音或现场表演的成败。在创作音乐时，艺术家们追求声音的清晰和丰富。然而，如果他们不注意音频信号的水平，就有可能遇到过度调制。这通常发生在混音过程中，当多个音轨被组合在一起时。如果某一音轨太响，它可能会导致整体混音失真，从而导致不愉快的听觉体验。为了避免过度调制，声音工程师通常使用压缩器和限制器等工具。这些设备帮助控制音频信号的动态范围，确保混音中的任何单个元素不会变得过于强大。例如，一位声乐家的声音可能很强大，容易将音量推入过度调制，但通过适当的压缩，他们的声音可以被驯服，以便无缝地融入混音中。此外，理解录音系统的余量是至关重要的。余量是指在失真发生之前可用的空间。通过保持足够的余量，工程师可以防止过度调制，确保最终产品保持其完整性。这是一个微妙的平衡，需要实践和敏锐的耳朵。在现场表演中，过度调制也可能带来挑战。音乐家依赖音响系统来放大他们的声音，如果系统没有正确校准，可能会导致反馈和失真。这在声学条件复杂的场馆中尤其成问题。声音工程师必须在整个表演过程中密切监控音量，以避免任何过度调制的情况，这可能会分散观众对表演本身的注意力。此外，过度调制的概念不仅限于音乐；它也适用于广播和公共演讲。例如，当演讲者的声音对麦克风来说太响时，可能会产生刺耳、失真的声音，使观众难以理解。在这些情况下，理解如何调节自己的声音并保持适当的音量是有效沟通的关键。总之，过度调制是音频制作中的一个关键概念，可能会极大地影响声音的质量。通过学习识别和防止过度调制，音乐家和声音工程师可以创造出更清晰、更愉悦的音频体验。无论是在录音室还是现场环境中，声音管理的原则都是相同的，强调在实现最佳音质输出时保持平衡和控制的重要性。