mors
简明释义
n. 死亡
n. （Mors）人名；（德）莫斯
英英释义
A Latin word meaning 'death', often used in literary or philosophical contexts. | 一个拉丁词，意为'死亡'，常用于文学或哲学语境中。 |
单词用法
死亡是确定的，时刻是不确定的 | |
死亡征服一切 | |
生与死 | |
你的死亡是我的生命 |
同义词
| 死亡 | 国王的死亡标志着一个时代的结束。 | ||
| 去世 | 她的突然去世让社区里的每个人都感到震惊。 | ||
| 逝世 | He spoke about the passing of his beloved pet with great sadness. | 他悲伤地谈到了他心爱的宠物的逝世。 | |
| 到期 | 合同的到期导致了很多混乱。 |
反义词
| 生命 | 生活充满惊喜。 | ||
| 出生 | 孩子的出生是一个快乐的时刻。 |
例句
1.Objective: To study the efficacy of granisetron for treating nausea and vomiting after chemotherapy of gynecological tu-mors.
目的：探讨应用格拉司琼治疗妇科肿瘤化疗后恶心、呕吐的效果。
2.Build up Mors Smitt image perception in market place.
建立市场地方代表形象感知。
3.The difference between MORS – and SSZ –type ophiolites in terms of igneous petrotectonic assemblages is discussed.
探讨了识别洋中脊扩张型（MORS）和洋俯冲带上面（SSZ）蛇绿岩（套）在火成岩组合上的差别。
4.Objective: To study the efficacy of granisetron for treating nausea and vomiting after chemotherapy of gynecological tu-mors.
目的：探讨应用格拉司琼治疗妇科肿瘤化疗后恶心、呕吐的效果。
5.Can I extend my stay two mors hours?
我可以再呆两个小时吗？
6.It is, in fact, Salvador Dalí’s “In Voluptas Mors”, a picture of seven naked women made to look like a human skull.
事实上，那是超现实主义绘画大师萨尔瓦多·达利的作品“In VoluptasMors”-幅由7个裸女组成的骷髅头画作。
7.The word comes from the latin word mors – which means death or killing off.
一词来自拉丁词耦联，这意味着死亡或者杀害过。
8.Tardos Mors met with the soldier and reported that every creature on the planet had but three days to live.
塔杜斯·摩尔见了这个士兵，报告了这个星球上的所有生物只能活三天了。
9.The poem reflects on the inevitability of mors.
这首诗反映了死亡的不可避免性。
10.The artist depicted mors in a hauntingly beautiful way.
艺术家以一种令人毛骨悚然的美丽方式描绘了死亡。
11.The scientist studied the impact of mors on the ecosystem.
科学家研究了死亡对生态系统的影响。
12.Many cultures have rituals to honor mors.
许多文化都有仪式来尊重死亡。
13.In ancient texts, mors is often associated with the cycle of life.
在古代文献中，死亡常常与生命的循环相关联。
作文
The concept of death has always fascinated humanity. In literature, art, and philosophy, the idea of mors (死亡) is often explored to understand the transient nature of life. Many writers have used mors (死亡) as a central theme to convey profound messages about existence, loss, and the inevitability of our mortality. For instance, in Shakespeare's works, the specter of mors (死亡) looms large, reminding characters and readers alike of their human frailty. In modern times, the exploration of mors (死亡) has taken on new forms. With advancements in science and technology, discussions around mors (死亡) often intersect with ethical considerations. The advent of artificial intelligence and biotechnology raises questions about what it means to be alive and the boundaries of life and mors (死亡). As we delve deeper into these topics, we are forced to confront our fears and beliefs surrounding mors (死亡). Culturally, different societies have unique ways of understanding and coping with mors (死亡). In some cultures, death is celebrated as a transition to another life, while in others, it is viewed with sorrow and mourning. These varying perspectives influence how individuals process grief and loss. For example, in Mexican culture, the Day of the Dead is a vibrant celebration that honors deceased loved ones, showcasing a relationship with mors (死亡) that is both respectful and joyful. Moreover, the fear of mors (死亡) often drives people to seek meaning in their lives. This quest can manifest in various ways, such as through spirituality, relationships, or creative expression. Many individuals turn to art as a means of grappling with their understanding of mors (死亡), using it as a canvas to express their emotions and thoughts. In the realm of philosophy, thinkers like Socrates and Epicurus have pondered the implications of mors (死亡) on the human experience. Socrates famously stated that fearing mors (死亡) is irrational because it is simply a state of non-existence, which he argued should not be feared. On the other hand, Epicurus suggested that understanding mors (死亡) could lead to a more fulfilling life, as it encourages individuals to cherish their moments and relationships. As we navigate our own lives, the presence of mors (死亡) serves as a reminder to live authentically and purposefully. It challenges us to reflect on our values, priorities, and the legacy we wish to leave behind. Ultimately, embracing the reality of mors (死亡) can empower us to make the most of our time, fostering connections with others and pursuing our passions. In this way, rather than viewing mors (死亡) solely as an end, we can see it as a catalyst for living a richer, more meaningful life.
死亡的概念一直吸引着人类。在文学、艺术和哲学中，mors（死亡）的思想常常被探讨，以理解生命的短暂本质。许多作家将mors（死亡）作为中心主题，传达关于存在、失落和我们必然的死亡的深刻信息。例如，在莎士比亚的作品中，mors（死亡）的幽灵高悬，提醒角色和读者他们的人类脆弱。在现代，mors（死亡）的探索以新的形式出现。随着科学和技术的进步，围绕mors（死亡）的讨论常常与伦理考虑交织在一起。人工智能和生物技术的出现引发了关于生存的意义以及生命与mors（死亡）之间界限的问题。当我们深入探讨这些主题时，我们被迫面对自己对mors（死亡）的恐惧和信念。在文化上，不同社会对mors（死亡）的理解和应对方式各不相同。在一些文化中，死亡被视为通往另一种生活的过渡，而在另一些文化中，则被视为悲伤和哀悼。这些不同的观点影响个人处理悲伤和失落的方式。例如，在墨西哥文化中，亡灵节是一个充满活力的庆祝活动，纪念已故亲人，展示了与mors（死亡）之间既尊重又快乐的关系。此外，对mors（死亡）的恐惧常常驱使人们寻求生活的意义。这种追求可以通过各种方式表现出来，例如通过灵性、关系或创造性表达。许多人将艺术作为一种手段来应对他们对mors（死亡）的理解，将其作为表达情感和思想的画布。在哲学领域，苏格拉底和伊壁鸠鲁等思想家思考了mors（死亡）对人类经验的影响。苏格拉底曾说，害怕mors（死亡）是不理性的，因为它只是不存在的状态，他认为这不应该被恐惧。另一方面，伊壁鸠鲁则建议，理解mors（死亡）可以导致更充实的生活，因为这鼓励个人珍惜自己的时刻和关系。当我们导航自己的生活时，mors（死亡）的存在提醒我们要真实而有目的地生活。它挑战我们反思我们的价值观、优先事项和我们希望留下的遗产。最终，拥抱mors（死亡）的现实可以赋予我们最大限度地利用时间的能力，促进与他人的联系并追求我们的激情。通过这种方式，我们不仅仅将mors（死亡）视为结束，而是将其视为生活更加丰富、有意义的催化剂。
