echo trap

简明释义

回声抑制器

英英释义

例句

1.To prevent echoes during the conference call, we installed an echo trap in the meeting room.

为了防止会议电话中的回声，我们在会议室安装了一个回声陷阱。

2.The new software includes an echo trap feature that filters out unwanted background noise.

新软件包括一个回声陷阱功能，可以过滤掉不必要的背景噪音。

3.The architect designed the room with an echo trap to enhance the acoustics for performances.

建筑师设计了这个房间，加入了回声陷阱以增强演出的音响效果。

4.In this recording studio, we use an echo trap to improve the clarity of vocal tracks.

在这个录音室，我们使用回声陷阱来提高人声轨道的清晰度。

5.The sound engineer set up an echo trap to minimize the feedback during the live concert.

音响工程师设置了一个回声陷阱以减少现场音乐会中的反馈。

作文

In the world of sound and acoustics, the term echo trap refers to a phenomenon where sound waves bounce back and forth in a confined space, creating a repetitive sound effect. This concept is particularly significant in the design of auditoriums, recording studios, and other spaces where sound quality is paramount. Understanding how to manage echo trap can greatly enhance auditory experiences by minimizing unwanted echoes and ensuring clarity of sound. One of the most common examples of echo trap can be found in concert halls. When musicians perform, their sounds can reflect off walls, ceilings, and floors. If these reflections are not managed properly, they can interfere with the original sound, resulting in a muddled auditory experience for the audience. Acoustic engineers often use various materials and designs to absorb excess sound waves, thereby preventing the formation of echo trap. For instance, using sound-absorbing panels can reduce the intensity of echoes and improve the overall sound quality in a space.Moreover, the concept of echo trap is not limited to physical spaces; it can also apply to digital audio recordings. In the realm of music production, producers must be mindful of echo effects that can occur during recording sessions. If a microphone picks up too many reflections from surrounding surfaces, the final mix may sound cluttered and unprofessional. To combat this, sound engineers often utilize techniques such as close-miking or the use of isolation booths to control the amount of reflected sound captured in a recording, thus avoiding the pitfalls of echo trap.In addition to its practical applications, echo trap also serves as a metaphorical concept in various fields. For example, in communication and conversation, an echo trap can occur when ideas are repeated without new insights or perspectives being introduced. This can lead to stagnation in discussions, as participants may find themselves caught in a loop of reiterating the same points without progressing toward a resolution. To escape this metaphorical echo trap, it is essential to encourage open dialogue and the introduction of diverse viewpoints, which can foster creativity and innovation.Furthermore, in the realm of personal growth and self-reflection, individuals may find themselves in an echo trap when they repeatedly dwell on past mistakes or negative thoughts. This repetitive thinking can hinder personal development and prevent one from moving forward. Recognizing this pattern is the first step toward breaking free from the cycle. Techniques such as mindfulness and cognitive restructuring can help individuals shift their focus away from negative echoes of the past and toward a more positive and productive mindset.In conclusion, the concept of echo trap encompasses both physical and metaphorical dimensions. Whether in the context of sound engineering, communication, or personal development, understanding and managing echo trap is crucial for achieving clarity and progress. By being aware of how echoes—both literal and figurative—can influence our experiences, we can take proactive steps to create environments and mindsets that are conducive to growth and understanding.

在声音和声学的世界中，术语回声陷阱指的是一种现象，其中声波在一个有限的空间内反弹，产生重复的声音效果。这个概念在音乐厅、录音室以及其他对声音质量至关重要的空间设计中尤其重要。理解如何管理回声陷阱可以极大地提升听觉体验，通过最小化不必要的回声并确保声音的清晰度。回声陷阱的一个常见例子可以在音乐会大厅中找到。当音乐家演出时，他们的声音可能会反射到墙壁、天花板和地板上。如果这些反射没有得到妥善管理，它们可能会干扰原始声音，导致观众的听觉体验模糊不清。声学工程师通常使用各种材料和设计来吸收多余的声波，从而防止形成回声陷阱。例如，使用声学吸收面板可以减少回声的强度，并改善空间的整体音质。此外，回声陷阱的概念不仅限于物理空间；它也适用于数字音频录制。在音乐制作领域，制作人必须注意在录音过程中可能发生的回声效果。如果麦克风捕捉到来自周围表面的过多反射，最终混音可能听起来杂乱无章且不专业。为了应对这一问题，音响工程师通常采用近距离拾音或使用隔音室等技术来控制录音中捕获的反射声音量，从而避免出现回声陷阱的陷阱。除了其实际应用外，回声陷阱在各个领域也作为一种隐喻概念。例如，在沟通和对话中，当想法被重复而没有引入新的见解或视角时，就可能发生回声陷阱。这可能导致讨论的停滞，因为参与者可能发现自己陷入了重复相同观点的循环，而无法朝着解决方案前进。要逃离这种隐喻性的回声陷阱，鼓励开放的对话和引入多样化的观点是至关重要的，这可以促进创造力和创新。此外，在个人成长和自我反思的领域，个人可能会发现自己在回声陷阱中反复纠结于过去的错误或消极思想。这种重复的思维可能会阻碍个人发展，阻止人们向前迈进。识别这一模式是打破循环的第一步。正念和认知重构等技术可以帮助个人将注意力从负面的过去回声转移到更加积极和富有成效的思维模式上。总之，回声陷阱的概念包含了物理和隐喻的维度。无论是在声音工程、沟通还是个人发展方面，理解和管理回声陷阱对于实现清晰度和进步至关重要。通过意识到回声（无论是字面上的还是比喻上的）如何影响我们的体验，我们可以采取主动措施，创造有利于成长和理解的环境和心态。