castrati
简明释义
n. 阉人歌手(castrato 的复数)
n. (Castrati)人名;(意)卡斯特拉蒂
英英释义
Castrati were male singers who were castrated before puberty to prevent their voices from dropping, allowing them to retain a high vocal range. | Castrati是指在青春期前被阉割的男性歌手,以防止他们的声音变低,从而保持高音域。 |
单词用法
同义词
反义词
男高音 | 男高音在歌剧中唱得非常动人。 | ||
男中音 | 他的男中音声音丰富,吸引了观众。 |
例句
1.A troupe of Yunkish castrati owned by Yurkhaz zo Yunzak sang them songs in the ancient tongue of the Old Empire, their voices high and sweet and impossibly pure.
一班约克哈兹·佐·杨扎克所有的渊凯阉人用古王国的旧语唱了几曲,他们的声音高亢甜美,难以置信的纯净。
2.A troupe of Yunkish castrati owned by Yurkhaz zo Yunzak sang them songs in the ancient tongue of the Old Empire, their voices high and sweet and impossibly pure.
一班约克哈兹·佐·杨扎克所有的渊凯阉人用古王国的旧语唱了几曲,他们的声音高亢甜美,难以置信的纯净。
3.Opera composers often wrote roles specifically for castrati to take advantage of their unique vocal range.
歌剧作曲家常常专门为castrati创作角色,以利用他们独特的音域。
4.Some historians argue that the decline of castrati in opera coincided with the rise of female singers.
一些历史学家认为,歌剧中castrati的衰退与女歌手的崛起是同时发生的。
5.In the 18th century, many famous singers were known as castrati, which refers to young boys who were castrated to preserve their high-pitched voices.
在18世纪,许多著名的歌手被称为castrati,指的是为了保持高音而被阉割的年轻男孩。
6.Famous castrati like Farinelli were celebrated across Europe for their extraordinary talent.
像法里内利这样的著名castrati因其非凡的才华在欧洲广受赞誉。
7.The practice of creating castrati was controversial and raised ethical questions about the treatment of young boys.
创造castrati的做法备受争议,引发了关于年轻男孩待遇的伦理问题。
作文
The term castrati refers to a group of male singers who were castrated before puberty in order to preserve their high vocal range. This practice was particularly prevalent in Italy from the late Renaissance to the early 19th century. The castrati were highly sought after for their unique voices, which combined the power of a male voice with the agility typically associated with female sopranos. Their singing ability was not only a product of their physical condition but also the result of rigorous training and dedication to the art of singing.Historically, the phenomenon of castrati can be traced back to various cultural practices, but it became institutionalized in the Catholic Church, where boys were often castrated to ensure they could sing in choirs without their voices changing. This allowed the church to maintain a specific sound in its choral music. The most famous castrati, such as Farinelli and Senesino, enjoyed immense fame and wealth during their lifetimes. They performed in opera houses across Europe and captivated audiences with their extraordinary vocal capabilities.The allure of the castrati was not merely in their voices; it was also in the spectacle of their performances. Audiences were drawn to their dramatic presence on stage, and their ability to convey deep emotion through song was unparalleled. The combination of their physical appearance and their ethereal voices created a unique theatrical experience that was both captivating and haunting.However, the practice of creating castrati raised significant ethical questions. While some families saw it as a means to elevate their social status through the success of their sons, the procedure was irreversible and often done without the full consent of the child. As society evolved and attitudes towards bodily autonomy changed, the practice of castration for musical purposes fell out of favor. By the early 20th century, the last of the castrati had disappeared, marking the end of an era in the history of music.Today, the legacy of the castrati lives on through the music they left behind and the continuing fascination with their lives. Modern countertenors, who sing in a similar vocal range, pay homage to the tradition of the castrati while advocating for the dignity and rights of all individuals. The story of the castrati serves as a reminder of the complexities of art, ethics, and the human experience. It challenges us to consider the lengths to which individuals may go in pursuit of beauty and recognition, and the societal implications of those choices.In conclusion, the castrati represent a unique intersection of art, history, and ethics. Their contributions to the world of music are undeniable, yet their existence prompts critical reflection on the value we place on human life and the sacrifices made in the name of artistic expression. As we continue to explore the depths of musical history, the story of the castrati remains a poignant reminder of the complexities of our shared cultural heritage.
术语castrati指的是一群在青春期前被阉割的男性歌手,以保留他们的高音音域。这种做法在意大利尤其普遍,从文艺复兴晚期到19世纪初。castrati因其独特的声音而备受追捧,这种声音结合了男性声音的力量和通常与女性女高音相关的灵活性。他们的歌唱能力不仅是他们身体状况的产物,也是经过严格训练和对歌唱艺术的奉献的结果。历史上,castrati现象可以追溯到各种文化实践,但在天主教会中得到了制度化,男孩们常常被阉割,以确保他们能够在合唱团中唱歌,而不必担心声音变化。这使得教会能够在其合唱音乐中维持特定的声音。最著名的castrati如法里内利和塞内西诺,在他们的生涯中享有巨大的声望和财富。他们在欧洲的歌剧院演出,以其非凡的声乐能力吸引观众。castrati的魅力不仅在于他们的声音;他们的表演的奇观也是如此。观众被他们在舞台上的戏剧性存在所吸引,他们通过歌曲传达深刻情感的能力无与伦比。身体外观与他们空灵的声音的结合创造了一种独特的戏剧体验,既迷人又令人毛骨悚然。然而,创造castrati的做法引发了重大伦理问题。虽然一些家庭将其视为通过儿子的成功提升社会地位的一种手段,但这一程序是不可逆转的,且往往是在没有孩子充分同意的情况下进行的。随着社会的发展和对身体自主权态度的变化,为音乐目的进行阉割的做法逐渐失宠。到20世纪初,最后一位castrati消失,标志着音乐史上一个时代的结束。今天,castrati的遗产通过他们留下的音乐和对他们生活的持续关注而延续。现代的反男高音以类似的音域演唱,向castrati的传统致敬,同时倡导所有个体的尊严和权利。castrati的故事提醒我们思考个人在追求美与认可过程中的付出,以及这些选择的社会影响。总之,castrati代表了艺术、历史和伦理的独特交汇点。他们对音乐世界的贡献是不可否认的,但他们的存在促使我们对人类生命的价值和为艺术表现所作的牺牲进行批判性反思。在我们继续探索音乐历史的深度时,castrati的故事仍然是我们共同文化遗产复杂性的深刻提醒。