imbricated
简明释义
英[ɪmˈbrɪkeɪtɪd]美[ɪmˈbrɪkeɪtɪd]
v. 使(板形器官等)覆瓦状叠盖,使成鳞状;交叠,覆盖(imbricate 的过去式和过去分词)
adj. (植)覆瓦状的
英英释义
Overlapping in a regular pattern, like roof tiles or scales. | 以规则的模式重叠,如屋顶瓦片或鳞片。 |
Arranged in a way that each part partially covers the one beneath it. | 以一种方式排列,使每个部分部分覆盖在下面的部分上。 |
单词用法
重叠的鳞片 | |
重叠的叶子 | |
重叠结构 | |
重叠图案 |
同义词
重叠的 | 瓷砖以重叠的方式铺设。 | ||
分层的 | 这本书有分层的插图,增加了深度。 | ||
交错的 | 这些叶子以独特的方式交错排列。 | ||
瓦片状的 | The roof was constructed with shingled materials for better insulation. | 屋顶使用了瓦片状材料,以提高隔热效果。 |
反义词
不连贯的 | 不连贯的叙述让人很难跟随这个故事。 | ||
分散的 | The scattered leaves covered the ground in a colorful patchwork. | 分散的树叶在地上形成了一幅五彩斑斓的拼贴。 |
例句
1.The structural style found in the basin includes imbricated thrust zone, trapdoor structure, drag fold, listric fault, rollover anticline, horst-graben structure and the like.
盆地中发育多种构造样式,主要有:叠瓦状冲断层、滚板构造、牵引褶皱、铲形正断层、滚动背斜、“垒一堑”构造等。
2.The key structure in this area is a duplex that comprises of a shallow fault-bend fold of the Late Triassic and a deep blind stacking anticline imbricated by three thrust sheets of Cenozoic age.
矿山梁构造几何学上表现为一个双重构造:浅层是一个晚三叠世形成的断层转折褶皱;深层则是在新生代形成的三个逆冲岩片叠置所构成的隐伏堆垛背斜构造。
3.There are the oblique-imbricated structure and the imbricated structure in south part.
南部构造区(带) 发育“瓦垅”状推覆构造;
4.The key structure in this area is a duplex that comprises of a shallow fault-bend fold of the Late Triassic and a deep blind stacking anticline imbricated by three thrust sheets of Cenozoic age.
矿山梁构造几何学上表现为一个双重构造:浅层是一个晚三叠世形成的断层转折褶皱;深层则是在新生代形成的三个逆冲岩片叠置所构成的隐伏堆垛背斜构造。
5.The north Qinling is a complicated structural zone, forming an imbricated thrust napped structure overturning northward.
北秦岭为一复杂构造带,形成向北反转的叠瓦状逆冲推覆构造。
6.This sediment will then probably be formed into a folded and imbricated structure.
然后这些沉积物可能形成褶皱和叠瓦构造。
7.The south Qinling has formed an imbricated thrust fault at low angle from the north to the south.
南秦岭自北向南产生低角度叠瓦状逆冲断裂。
8.The roof tiles were carefully imbricated to prevent water leakage.
屋顶瓦片被仔细地重叠以防止漏水。
9.In the garden, the leaves of the plants were imbricated to create a natural layering effect.
在花园里,植物的叶子被重叠以创造自然的层次效果。
10.The fish scales are imbricated, providing protection against predators.
鱼鳞是重叠的,提供对捕食者的保护。
11.The ancient manuscripts were found imbricated within the dusty old books.
古老的手稿被发现重叠在尘封的旧书中。
12.The artist used imbricated patterns in her mural to give it depth.
艺术家在她的壁画中使用了重叠的图案来赋予其深度。
作文
In nature, we often observe patterns and structures that reflect a sense of organization and beauty. One such fascinating phenomenon is the way certain elements are arranged in an imbricated (重叠的) manner. This term refers to overlapping structures, much like the scales of a fish or the tiles on a roof, where each piece partially covers the one beneath it. This arrangement not only serves aesthetic purposes but also provides functional benefits, such as protection from the elements.Consider the example of leaves on a tree. They are often imbricated (重叠的) in such a way that they maximize sunlight exposure while minimizing the amount of water lost through evaporation. This natural design is a result of evolution, where plants have developed strategies to thrive in their environments. The imbricated (重叠的) arrangement of leaves allows for efficient photosynthesis, ensuring that each leaf receives adequate light without shading its neighbors too much.Similarly, in architecture, the concept of imbricated (重叠的) design can be seen in various styles of roofing. Traditional Japanese roofs, for instance, often utilize tiles that are laid in an imbricated (重叠的) fashion to create a visually appealing and functional structure. This design helps to channel rainwater away from the building, preventing leaks and damage. The overlapping tiles not only enhance the aesthetic appeal of the roof but also contribute to its durability and longevity.The imbricated (重叠的) pattern can also be found in the animal kingdom. For example, many reptiles have scales that are arranged in an imbricated (重叠的) manner, providing them with protection against predators and environmental hazards. This overlapping structure allows for flexibility and movement while maintaining a barrier against external threats. The design is a perfect example of form following function, showcasing how nature often finds the best solutions to challenges.In art and design, the principle of imbricated (重叠的) arrangements can inspire creativity and innovation. Artists may use overlapping shapes and colors to create depth and interest in their work. By understanding the importance of imbricated (重叠的) patterns, designers can develop more dynamic and engaging visual experiences. This concept encourages us to think about how different elements can interact and complement each other, leading to a more harmonious composition.In conclusion, the term imbricated (重叠的) encapsulates a principle that resonates across various fields, from biology and architecture to art and design. By examining the ways in which elements can overlap and interact, we gain a deeper appreciation for the complexity and beauty of the world around us. Whether it’s the leaves on a tree, the tiles on a roof, or the scales on a reptile, the imbricated (重叠的) arrangement serves both aesthetic and functional purposes, reminding us of the intricate connections that exist in nature and human creativity.
在自然界中,我们常常观察到一些反映出组织和美感的模式和结构。其中一个引人入胜的现象是某些元素以imbricated(重叠的)方式排列。这个术语指的是重叠的结构,就像鱼的鳞片或屋顶上的瓦片,每个部分部分地覆盖在下面的部分上。这种排列不仅服务于美学目的,还提供了功能上的好处,例如保护免受自然因素的影响。考虑树上的叶子的例子。它们往往以imbricated(重叠的)方式排列,以最大化阳光的照射,同时最小化通过蒸发失去的水分。这种自然设计是进化的结果,植物发展出在其环境中生存的策略。叶子的imbricated(重叠的)排列允许有效的光合作用,确保每片叶子获得足够的光照,而不会过多遮蔽邻近的叶子。同样,在建筑中,imbricated(重叠的)设计概念可以在各种风格的屋顶中看到。例如,传统的日本屋顶通常使用以imbricated(重叠的)方式铺设的瓦片,以创建一个视觉上吸引人且功能性强的结构。这种设计有助于将雨水引导离开建筑物,防止漏水和损坏。重叠的瓦片不仅增强了屋顶的美观性,还为其耐用性和长寿命做出了贡献。imbricated(重叠的)模式在动物王国中也可以找到。例如,许多爬行动物的鳞片以imbricated(重叠的)方式排列,为它们提供了对捕食者和环境危害的保护。这种重叠结构允许灵活性和运动,同时保持对外部威胁的屏障。这个设计是形式追随功能的完美例子,展示了自然如何找到应对挑战的最佳解决方案。在艺术和设计中,imbricated(重叠的)排列原则可以激发创造力和创新。艺术家可能会使用重叠的形状和颜色来在他们的作品中创造深度和趣味。通过理解imbricated(重叠的)模式的重要性,设计师可以开发出更具动态性和吸引力的视觉体验。这个概念鼓励我们思考不同元素如何相互作用和互补,从而导致更和谐的构图。总之,术语imbricated(重叠的)概括了一种在各个领域共鸣的原则,从生物学和建筑到艺术和设计。通过检查元素如何重叠和互动的方式,我们对周围世界的复杂性和美感有了更深刻的欣赏。无论是树上的叶子、屋顶上的瓦片,还是爬行动物的鳞片,imbricated(重叠的)排列既服务于美学又具有功能性,提醒我们自然和人类创造力之间存在着错综复杂的联系。