fragmentary equivalent form

简明释义

局限性的等价形式

英英释义

例句

1.The artist used a fragmentary equivalent form in the sculpture to represent the incomplete nature of human experience.

艺术家在雕塑中使用了片断等价形式来代表人类经验的不完整性。

2.The philosopher discussed the idea of truth as a fragmentary equivalent form rather than an absolute concept.

哲学家讨论了真理的概念，认为它是一种片断等价形式而不是绝对概念。

3.In poetry, emotions can be expressed through a fragmentary equivalent form that evokes deeper feelings.

在诗歌中，情感可以通过片断等价形式表达，唤起更深层的感受。

4.During the analysis, we found that the data was presented in a fragmentary equivalent form, making it hard to draw conclusions.

在分析过程中，我们发现数据以片断等价形式呈现，使得得出结论变得困难。

5.In linguistics, a word may exist in a fragmentary equivalent form that conveys only part of its meaning.

在语言学中，一个词可能以片断等价形式存在，仅传达其部分含义。

作文

In the realm of literature and art, the concept of a fragmentary equivalent form often emerges as a compelling way to convey complex ideas and emotions. This term refers to a representation or expression that captures the essence of a larger whole while remaining incomplete or broken. The beauty of a fragmentary equivalent form lies in its ability to evoke a sense of curiosity and introspection in the audience, prompting them to fill in the gaps with their own interpretations and experiences.Consider the works of modernist poets like T.S. Eliot, who frequently employed fragmentary equivalent forms in their writing. In his poem "The Waste Land," Eliot presents disjointed images and voices that reflect the chaos and fragmentation of post-World War I society. Each fragment acts as a piece of a larger puzzle, inviting readers to engage actively with the text as they seek to understand its meaning. This approach not only enhances the depth of the poem but also mirrors the complexities of human experience, where moments of clarity are often interspersed with confusion and uncertainty.Similarly, in visual arts, artists like Pablo Picasso utilized fragmentary equivalent forms to challenge traditional representations of reality. His cubist paintings deconstruct subjects into geometric shapes and fragmented perspectives, allowing viewers to perceive multiple angles simultaneously. This technique encourages an exploration of perception itself, as the audience must reconstruct the image in their minds, much like how we piece together our understanding of the world.The fragmentary equivalent form is not limited to high art; it can also be found in everyday communication. For instance, when we share anecdotes or memories, we often recount only selected details, leaving out significant portions of the narrative. These fragments can resonate deeply with listeners, who may relate to the emotions conveyed even if they lack the full context. In this way, our stories become fragmentary equivalent forms that capture the essence of our experiences while inviting others to engage with them on a personal level.Moreover, the use of fragmentary equivalent forms can be particularly powerful in the context of identity and culture. In a multicultural society, individuals often navigate multiple identities that may seem fragmented or disjointed. Through art, music, and literature, people can express these complexities, creating works that reflect their multifaceted experiences. Such expressions serve as fragmentary equivalent forms of identity, allowing audiences to appreciate the richness and diversity of human life.In conclusion, the idea of a fragmentary equivalent form is a significant concept that transcends various domains, from literature and visual arts to everyday interactions. It highlights the power of incompleteness and the potential for deeper connections through shared experiences. By embracing the fragmentary nature of existence, we can foster a greater understanding of ourselves and others, celebrating the beauty found in the spaces between the pieces. Ultimately, the fragmentary equivalent form invites us to recognize that sometimes, it is the fragments that tell the most profound stories.

在文学和艺术的领域中，‘fragmentary equivalent form’这一概念常常作为一种引人入胜的方式出现，用以传达复杂的思想和情感。这个术语指的是一种表现或表达，它捕捉了更大整体的本质，同时保持不完整或破碎的状态。‘fragmentary equivalent form’的美在于它能够唤起观众的好奇心和内省，引导他们用自己的解读和经历来填补空白。考虑现代主义诗人如T.S.艾略特的作品，他在写作中经常使用‘fragmentary equivalent forms’。在他的诗《荒原》中，艾略特呈现出支离破碎的意象和声音，反映了第一次世界大战后社会的混乱与分裂。每个片段都像是一个更大拼图的一部分，邀请读者积极参与文本，寻求理解其意义。这种方法不仅增强了诗的深度，还反映了人类经验的复杂性，在清晰的时刻与困惑和不确定性之间交错。同样，在视觉艺术中，像巴勃罗·毕加索这样的艺术家利用‘fragmentary equivalent forms’来挑战传统的现实表现。他的立体派画作将主题解构为几何形状和碎片化的视角，使观众能够同时从多个角度感知。这种技巧鼓励对感知本身的探索，因为观众必须在脑海中重建图像，就像我们拼凑对世界的理解一样。‘fragmentary equivalent form’不仅限于高雅艺术；它也可以在日常交流中找到。例如，当我们分享轶事或回忆时，往往只讲述选定的细节，而省略叙述的重要部分。这些片段可以与听众产生深刻共鸣，即使缺乏完整的背景。通过这种方式，我们的故事成为了‘fragmentary equivalent forms’，捕捉了我们经历的本质，同时邀请他人在个人层面上与之互动。此外，‘fragmentary equivalent forms’的使用在身份和文化的背景下尤为强大。在多元文化社会中，个人常常在看似支离破碎或不连贯的多个身份之间游走。通过艺术、音乐和文学，人们可以表达这些复杂性，创作出反映其多面经历的作品。这些表达作为身份的‘fragmentary equivalent forms’，使观众能够欣赏人类生活的丰富性和多样性。总之，‘fragmentary equivalent form’的理念是一个重要的概念，超越了各个领域，从文学和视觉艺术到日常互动。它强调了不完整性的力量以及通过共享经验建立更深连接的潜力。通过接受存在的碎片化特性，我们可以增进对自己和他人的理解，庆祝在片段之间发现的美。最终，‘fragmentary equivalent form’邀请我们认识到，有时正是这些碎片讲述了最深刻的故事。