unprimed

简明释义

英[ʌnˈpraɪmd]美[ʌnˈpraɪmd]

adj. 未灌注的；未装填的；无撇（号）的

英英释义

单词用法

同义词

反义词

例句

1.The unprimed portions are configured to enable electrostatic dissipation.

非底层部分被构造成能够使静电耗散。

2.The priming effect in temporal order perception is a phenomenon in which a primed stimulus was judged as appearing before an unprimed stimulus.

时序知觉中的启动效应是指被启动的刺激被知觉为先于未启动刺激出现。

3.The initial coat applied uniformly and overall to an otherwise unprimed substrate or over a properly prepared pre-existing self-priming coat.

均匀的、全部的应用到未填充衬底或者在恰当准备的事先存在的自我填充涂层上的初始涂层。

4.When we deal with collisions, the velocities of the objects before the collision are unprimed.

当处理碰撞问题，物体的速度，在碰撞前无撇号。

5.The discontinuous application of the insulating primer forms a primed portions and unprimed portions.

不连续地应用绝缘底层涂料可以形成底层部分及非底层部分。

6.Repetition priming effects on temporal order perception are a phenomenon in which a repetition primed stimulus was judged to appear before an unprimed stimulus.

时序知觉的重复启动效应指被重复启动的靶刺激在时序判断任务中被知觉为先于未启动的靶刺激出现的现象。

7.Repetition priming effects on temporal order perception are a phenomenon in which a repetition primed stimulus was judged to appear before an unprimed stimulus.

时序知觉的重复启动效应指被重复启动的靶刺激在时序判断任务中被知觉为先于未启动的靶刺激出现的现象。

8.The artist chose to work on an unprimed 未上底漆的 canvas to achieve a more textured effect.

这位艺术家选择在一块未上底漆的画布上创作，以获得更丰富的质感。

9.The muralist preferred unprimed 未上底漆的 walls for their unique absorbency.

这位壁画家喜欢未上底漆的墙壁，因为它们具有独特的吸收性。

10.The unprimed 未上底漆的 wood absorbed the stain unevenly, resulting in a patchy finish.

这块未上底漆的木材不均匀地吸收了染料，导致了斑驳的效果。

11.Using an unprimed 未上底漆的 surface may require additional coats of paint for full coverage.

使用未上底漆的表面可能需要额外涂刷几层油漆以达到完全覆盖。

12.Before painting, I always prepare my unprimed 未上底漆的 surfaces to ensure better paint adhesion.

在绘画之前，我总是准备我的未上底漆的表面，以确保油漆更好地附着。

作文

In the world of art and creativity, the term unprimed refers to a surface that has not been treated or prepared for painting or drawing. An unprimed canvas allows artists to experience the raw texture of the fabric, which can influence their technique and the final outcome of their work. While many artists prefer to use primed surfaces for their paintings, there is a unique charm and spontaneity that comes with working on an unprimed surface. The beauty of using an unprimed canvas lies in the unpredictability it brings to the artistic process. When paint is applied to an unprimed surface, it absorbs differently than it would on a primed one. This absorption can lead to unexpected results, creating a dialogue between the artist and the canvas. Some artists embrace this chance to experiment, allowing the natural qualities of the unprimed material to inform their creative decisions. For instance, the way colors blend and interact with the texture of the unprimed canvas can lead to stunning visual effects that might not be achievable on a primed surface. Moreover, working on an unprimed canvas can also be a metaphor for life itself. Just as an unprimed canvas is open to possibilities, so are we when we approach challenges without preconceived notions or limitations. This mindset encourages us to embrace uncertainty and to find beauty in imperfection. Artists often find that the most profound moments of inspiration arise from the unplanned and the unrefined, much like the experiences we encounter in our daily lives. However, there are challenges associated with using an unprimed surface. The paint may not adhere as well, and the colors can appear dulled or muted compared to those applied to a primed surface. This can be frustrating for some artists who seek precision and control in their work. Yet, this very challenge can push artists to develop new techniques and approaches, ultimately enriching their artistic repertoire. The struggle can lead to growth, both in skill and in understanding of the medium. In conclusion, the concept of unprimed surfaces in art serves as a powerful reminder of the importance of experimentation and openness in the creative process. By embracing the unprimed, artists can explore new dimensions of their work and discover the beauty that lies within the unpredictable nature of creation. Whether one chooses to work on a primed or unprimed surface, the key is to remain open-minded and willing to adapt. This philosophy can extend beyond the realm of art, influencing how we approach our own lives and the challenges we face. Ultimately, the journey of creation, much like life, is about finding meaning in the process rather than simply focusing on the end result.

在艺术和创意的世界中，术语unprimed指的是未经过处理或准备的绘画或绘图表面。unprimed画布使艺术家能够体验到织物的原始纹理，这可能会影响他们的技巧和作品的最终结果。虽然许多艺术家更喜欢使用经过处理的表面进行绘画，但在unprimed表面上作画带来了独特的魅力和自发性。使用unprimed画布的美在于它为艺术创作过程带来的不可预测性。当颜料涂抹在unprimed表面时，它的吸收方式与在经过处理的表面上有所不同。这种吸收可能导致意想不到的结果，创造出艺术家与画布之间的对话。一些艺术家拥抱这种实验的机会，让unprimed材料的自然特性来指导他们的创作决策。例如，颜色的混合方式以及与unprimed画布的纹理相互作用，可以产生令人惊叹的视觉效果，这在经过处理的表面上可能无法实现。此外，在unprimed画布上作画也可以作为生活本身的隐喻。正如unprimed画布对可能性是开放的，我们在面对挑战时，如果没有先入为主的观念或限制，也同样是开放的。这种心态鼓励我们接受不确定性，并在不完美中发现美。艺术家们常常发现，灵感的最深刻时刻往往源于计划之外和未加工的事物，就像我们在日常生活中遇到的经历一样。然而，使用unprimed表面也存在挑战。颜料可能附着得不好，颜色与涂抹在经过处理的表面上的颜色相比，可能显得暗淡或沉闷。这对于一些寻求精确和控制的艺术家来说可能会感到沮丧。然而，这一挑战恰恰可以推动艺术家发展新的技巧和方法，最终丰富他们的艺术作品。挣扎可以导致成长，无论是在技能上还是对媒介的理解上。总之，艺术中unprimed表面的概念强有力地提醒我们在创作过程中实验和开放的重要性。通过拥抱unprimed，艺术家可以探索他们作品的新维度，发现创作中不可预测的自然之美。无论一个人选择在经过处理的表面上还是在unprimed表面上作画，关键是保持开放的心态并愿意适应。这种哲学可以超越艺术领域，影响我们如何看待自己的生活和面临的挑战。最终，创作的旅程，正如生活一样，是在过程中找到意义，而不仅仅是关注最终结果。