villains

简明释义

英[ˈvɪlənz]美[ˈvɪlənz]

n. 恶棍；反派角色（villain 的复数）

英英释义

单词用法

同义词

反义词

例句

1.These are the traditional villains of children’s books — fabulous monsters with a touch of the absurd.

这些就是儿童文学中传统的反派了——一些略显荒唐的大怪物。

2.It is easy to condemn the villains of the past and hard to understand the world that made them.

谴责历史上的恶人，很容易；了解造就恶人的世界，则很难。

3.In the companies we've studied we did not find villains.

在我们研究的公司中真的没有发现坏人。

4.Industrialized nations are the real environmental villains.

工业化国家是破坏环境的真正元凶。

5.When I'm in my chair I feel like Goldfinger or one of the other Bond villains.

当我坐在椅子上时，觉得自己就像邦德电影里的金手指或是邦德电影里的其他坏蛋。

6.To complicate matters, many observers think the EU is one of the villains at ICCAT.

更糟糕的是，不少观察家认为欧盟在IC CAT中唱的是白脸。

7.These are the traditional villains of children's books - fabulous monsters with a touch of the absurd.

这些就是儿童文学中传统的反派了——一些略显荒唐的大怪物。

8.They are manifest villains, and yet at the same time, nothing can happen to them.

他们是反面角色，同时，没有事情会发生在他们身上。

9.And what about the villains?

那大反派表现得怎样？

10.The movie features a complex plot where the villains 反派 have relatable motives.

这部电影的情节复杂，反派 villains 有着令人理解的动机。

11.The protagonist must confront the villains 反派 to restore peace to the kingdom.

主角必须面对反派 villains，以恢复王国的和平。

12.In many fairy tales, the villains 反派 are often defeated by the heroes.

在许多童话故事中，反派 villains 通常被英雄打败。

13.Comic books often portray villains 反派 with exaggerated characteristics.

漫画书通常将反派 villains 描绘得特征夸张。

14.Some stories explore the backstory of villains 反派, making them more sympathetic.

有些故事探讨反派 villains 的背景故事，使他们更具同情心。

作文

In literature and film, the concept of villains (恶棍) plays a crucial role in driving the narrative forward. These characters often embody the opposition to the hero, creating conflict that is essential for storytelling. A well-crafted villain (恶棍) not only challenges the protagonist but also adds depth and complexity to the story. They can be menacing figures who invoke fear or tragic characters whose motivations elicit sympathy from the audience.One of the most iconic villains (恶棍) in literature is Shakespeare's Iago from 'Othello'. Iago's cunning nature and manipulative tactics highlight how a villain (恶棍) can effectively exploit the weaknesses of others. His actions drive the plot towards tragedy, showcasing the destructive power of jealousy and betrayal. This complexity makes Iago a memorable villain (恶棍), as he is not simply evil for the sake of being evil; his motivations stem from personal grievances and a desire for revenge.In modern cinema, we see similar themes explored through characters such as the Joker from 'The Dark Knight'. The Joker represents chaos and anarchy, challenging the moral fabric of society and the very essence of Batman's quest for justice. His unpredictable nature and philosophical musings on human nature force both the characters within the film and the audience to confront uncomfortable truths about morality. The Joker is a quintessential villain (恶棍) because he embodies the antithesis of the hero's ideals, making their conflict not just physical but ideological.Moreover, villains (恶棍) often serve as reflections of societal fears and anxieties. For instance, during times of political unrest, villains (恶棍) in films may represent oppressive regimes or corrupt leaders. This allows audiences to engage with real-world issues through the lens of fiction. Characters like V from 'V for Vendetta' illustrate how villains (恶棍) can also be seen as anti-heroes, challenging the status quo and fighting against tyranny. In this sense, the villain (恶棍) becomes a symbol of resistance, showcasing the blurred lines between good and evil.Furthermore, the portrayal of villains (恶棍) has evolved over time. Classic villains (恶棍) were often one-dimensional, driven solely by greed or malice. However, contemporary narratives tend to explore their backstories, providing insight into their motivations and struggles. This shift allows audiences to empathize with villains (恶棍), understanding that their actions may be rooted in pain or trauma. For example, in Disney's 'Maleficent', the titular character is reimagined as a misunderstood figure whose dark deeds are a response to betrayal and loss. This nuanced portrayal invites viewers to reconsider their definitions of good and evil.In conclusion, villains (恶棍) are essential elements of storytelling that enrich narratives and provoke thought. Whether they inspire fear, sympathy, or contemplation, these characters challenge heroes and audiences alike. By examining the complexities of villains (恶棍), we gain a deeper understanding of the themes of morality and conflict that permeate literature and film. Ultimately, the presence of a villain (恶棍) serves not only to entertain but also to reflect the intricacies of the human experience.

在文学和电影中，villains（恶棍）的概念在推动叙事发展中起着至关重要的作用。这些角色通常体现了与英雄的对立，创造了故事叙述所必需的冲突。一个精心设计的villain（恶棍）不仅挑战主角，还为故事增添了深度和复杂性。他们可以是令人畏惧的人物，唤起恐惧，或是悲剧角色，其动机引发观众的同情。莎士比亚的《奥赛罗》中的伊阿古是文学中最具标志性的villains（恶棍）之一。伊阿古的狡诈本性和操控策略突显了villain（恶棍）如何有效利用他人的弱点。他的行为将情节推向悲剧，展示了嫉妒和背叛的破坏力。这种复杂性使得伊阿古成为一个令人难忘的villain（恶棍），因为他并不是单纯出于邪恶而邪恶；他的动机源于个人的不满和复仇的渴望。在现代电影中，我们看到类似主题通过《黑暗骑士》中的小丑这一角色得到了探索。小丑代表了混乱和无政府状态，挑战社会的道德结构和蝙蝠侠追求正义的本质。他不可预测的本性和对人性哲学的思考迫使影片中的人物和观众面对有关道德的不安真相。小丑是一个典型的villain（恶棍），因为他体现了英雄理想的对立，使他们的冲突不仅是身体上的，而是意识形态上的。此外，villains（恶棍）往往作为社会恐惧和焦虑的反映。例如，在政治动荡时期，电影中的villains（恶棍）可能代表压迫政权或腐败领导者。这使观众能够通过虚构的视角参与现实世界的问题。像《瓦尔基里》中的V这样的角色说明了villains（恶棍）也可以被视为反英雄，挑战现状，反抗暴政。从这个意义上说，villain（恶棍）成为抵抗的象征，展示了善与恶之间模糊的界限。此外，villains（恶棍）的描绘随着时间的推移而演变。经典的villains（恶棍）通常是一维的，仅仅由贪婪或恶意驱动。然而，当代叙事往往探讨他们的背景故事，提供对其动机和挣扎的洞察。这种转变使观众能够同情villains（恶棍），理解他们的行为可能根植于痛苦或创伤。例如，在迪士尼的《玛丽菲森特》中，主角被重新塑造成一个被误解的人物，她的黑暗行为是对背叛和失落的回应。这种细腻的描绘邀请观众重新考虑他们对善与恶的定义。总之，villains（恶棍）是丰富叙事和激发思考的故事元素。无论他们激发恐惧、同情还是沉思，这些角色都挑战着英雄和观众。通过审视villains（恶棍）的复杂性，我们对贯穿文学和电影的道德和冲突主题有了更深入的理解。最终，villain（恶棍）的存在不仅仅是为了娱乐，也反映了人类经验的复杂性。