old fustic

简明释义

黄颜木

英英释义

例句

1.During the workshop, we learned how to dye fabrics with old fustic to achieve vibrant colors.

在工作坊上，我们学习了如何用old fustic给织物染色，以获得鲜艳的颜色。

2.The historical document was preserved using old fustic as a natural dye.

这份历史文件是用old fustic作为天然染料保存的。

3.The fabric dyed with old fustic has a unique texture and color that stands out.

用old fustic染色的织物具有独特的质感和颜色，十分引人注目。

4.She chose old fustic for the textile project because it is eco-friendly and sustainable.

她选择了old fustic作为纺织项目，因为它环保且可持续。

5.The artist decided to use old fustic for its rich yellow hue in her latest painting.

艺术家决定在她最新的画作中使用old fustic，因为它丰富的黄色色调。

作文

In the world of natural dyes, few substances hold as much historical significance as old fustic. This yellow dye, derived from the wood of the Chlorophora tinctoria tree, has been used for centuries in various cultures for its vibrant color and ease of use. The term old fustic refers specifically to the older, more mature wood of the tree, which is believed to produce a richer and more intense hue compared to younger wood. The use of old fustic can be traced back to ancient civilizations, including the Egyptians and the indigenous peoples of the Americas, who recognized its value not only for dyeing textiles but also for its medicinal properties.The process of extracting dye from old fustic involves chopping the wood into small pieces and then boiling it in water. The resulting liquid is a deep yellow color, which can be used to dye fabrics such as cotton, wool, and silk. One of the remarkable aspects of old fustic is its ability to produce different shades depending on the mordant used and the fabric being dyed. For example, when combined with alum, old fustic yields a bright lemon yellow, while using iron as a mordant can create a more muted olive tone.As the textile industry evolved, the popularity of old fustic continued to grow, particularly during the 18th and 19th centuries. It became a staple dye in Europe, where it was widely used by weavers and dyers to create vibrant patterns and colors in fabrics. The introduction of synthetic dyes in the late 19th century led to a decline in the use of old fustic, as these new dyes offered a wider range of colors and were often cheaper and easier to produce.However, in recent years, there has been a resurgence of interest in natural dyes, including old fustic. Many artisans and designers are turning back to traditional methods of dyeing, seeking to create environmentally friendly and sustainable products. The unique qualities of old fustic, along with its rich history, make it an appealing choice for those looking to create one-of-a-kind textiles that tell a story.Furthermore, the revival of old fustic aligns with a growing movement towards sustainability in the fashion industry. As consumers become more aware of the environmental impact of fast fashion and synthetic dyes, many are seeking out brands that prioritize natural materials and processes. By using old fustic and other natural dyes, these brands not only reduce their ecological footprint but also support traditional craftsmanship and cultural heritage.In conclusion, old fustic is more than just a dye; it is a symbol of a rich history that connects us to our past. Its vibrant hues and sustainable nature make it a valuable resource in today’s textile industry. As we continue to explore the possibilities of natural dyes, old fustic will undoubtedly play a significant role in shaping the future of fashion and design. Whether used in high-end couture or everyday garments, the legacy of old fustic reminds us of the beauty and complexity of nature, and the importance of preserving traditional methods in our modern world.

在天然染料的世界里，几乎没有任何物质比old fustic（老黄木）具有更重要的历史意义。这种黄色染料来自于氯苯树（Chlorophora tinctoria）的木材，几个世纪以来，它在各种文化中因其鲜艳的颜色和易用性而被广泛使用。术语old fustic特指树木的老化木材，据信这种成熟的木材相比于年轻木材能够产生更丰富、更浓烈的色调。old fustic的使用可以追溯到古代文明，包括埃及人和美洲土著人民，他们不仅认识到这种染料在染色纺织品方面的价值，也意识到它的药用特性。从old fustic中提取染料的过程涉及将木材切成小块，然后在水中煮沸。得到的液体呈深黄色，可以用于染色棉、羊毛和丝绸等织物。old fustic的一个显著特点是，根据所使用的媒染剂和染色的织物，它能够产生不同的色调。例如，当与明矾结合时，old fustic会产生明亮的柠檬黄，而使用铁作为媒染剂则可以创造出更柔和的橄榄色。随着纺织工业的发展，old fustic的受欢迎程度持续增长，特别是在18世纪和19世纪。它成为欧洲的一种主流染料，被织工和染匠广泛用于创造鲜艳的图案和颜色。然而，19世纪末合成染料的出现导致了old fustic使用的下降，因为这些新染料提供了更广泛的颜色选择，并且通常更便宜、更易生产。然而，近年来，对天然染料，包括old fustic的兴趣重新回升。许多工匠和设计师开始回归传统的染色方法，寻求创造环保和可持续的产品。old fustic的独特特性以及其丰富的历史，使其成为那些希望创造独一无二的纺织品并讲述故事的人的吸引选择。此外，old fustic的复兴与时尚行业日益关注可持续发展的趋势相一致。随着消费者越来越意识到快时尚和合成染料对环境的影响，许多人开始寻找那些优先考虑天然材料和工艺的品牌。通过使用old fustic和其他天然染料，这些品牌不仅减少了生态足迹，还支持了传统工艺和文化遗产。总之，old fustic不仅仅是一种染料；它是连接我们与过去的丰富历史的象征。其鲜艳的色调和可持续的特性使其在当今的纺织行业中成为一种有价值的资源。随着我们继续探索天然染料的可能性，old fustic无疑将在塑造时尚和设计的未来中发挥重要作用。无论是在高端定制还是日常服装中，old fustic的遗产提醒我们自然的美丽与复杂，以及在现代世界中保护传统方法的重要性。