pictorialism

简明释义

英[pɪkˈtɔːrɪəlɪzəm]美[pɪkˈtɔrɪəlɪzəm]

生动的描写技巧，生动描写的运用

英英释义

单词用法

同义词

反义词

例句

1.Pictorialism lent character to the flamboyant baron's photographs while their light came from Whistler's painting.

写实主义赋予了爱炫耀的男爵的相片以特色，而他们的灵感来自于惠斯勒的绘画。

2.Photography was developed from pictorialism and elements of painting, such as composition of a picture and shade and shadow, were absorbed by photography.

同时绘画对摄影的风格流派的形成也有极大的影响，从绘画中吸收了许多元素，如构图、光影的表现等。

3.Photography was developed from pictorialism and elements of painting, such as composition of a picture and shade and shadow, were absorbed by photography.

同时绘画对摄影的风格流派的形成也有极大的影响，从绘画中吸收了许多元素，如构图、光影的表现等。

4.The art exhibit featured a section dedicated to pictorialism, showcasing photographs that emphasized artistic expression over realism.

这个艺术展览有一个专门展示图像主义的部分，展出了强调艺术表现而非现实主义的照片。

5.Critics often debated the merits of pictorialism versus straight photography.

评论家们常常争论图像主义与直摄影的优缺点。

6.The soft focus and dreamy quality of the images are characteristic of pictorialism.

图像的柔焦和梦幻般的质量是图像主义的特征。

7.In her latest book, the author explores the influence of pictorialism on modern photography.

在她的最新书中，作者探讨了图像主义对现代摄影的影响。

8.Many photographers in the early 20th century embraced pictorialism as a way to elevate photography to fine art.

20世纪初，许多摄影师接受了图像主义，以提升摄影艺术至美术的层次。

作文

The history of photography is vast and varied, with numerous movements that have shaped its evolution. One such movement is known as pictorialism, which emerged in the late 19th century as a reaction against the straightforward documentation of reality that characterized early photography. pictorialism is defined as a photographic style that emphasizes artistic expression and aesthetic beauty over mere representation. Photographers involved in this movement sought to elevate photography to the status of fine art, akin to painting and sculpture. They often employed techniques such as soft focus, manipulation of exposure, and creative printing processes to create images that were more evocative and subjective than objective depictions of the world.The pictorialism movement was driven by a desire to convey emotion and meaning through visual imagery. Artists like Alfred Stieglitz and Edward Steichen were prominent figures in this movement, advocating for the recognition of photography as a legitimate art form. They believed that a photograph could tell a story or evoke feelings, much like a painting. This belief led to the use of various artistic techniques, including the deliberate blurring of lines and the play of light and shadow, to create a dreamlike quality in their images.One of the key characteristics of pictorialism is its emphasis on composition and the arrangement of elements within the frame. Photographers would meticulously plan their shots, considering how each component contributed to the overall mood and message of the image. This attention to detail is reminiscent of the approaches taken by painters, who carefully compose their works to guide the viewer's eye and evoke specific emotions.Moreover, pictorialism also embraced the idea of symbolism. Many photographers used natural landscapes, still lifes, and human figures to symbolize broader themes such as love, loss, and the passage of time. These symbolic representations allowed viewers to engage with the photographs on a deeper level, prompting them to reflect on their own experiences and emotions.Despite its artistic merits, pictorialism eventually faced criticism from those who favored more realistic and documentary styles of photography. The advent of modernist photography in the early 20th century marked a shift away from the romanticized visions of pictorialism. Photographers began to focus on clarity, sharpness, and the unembellished capture of reality, leading to the rise of styles that emphasized technical precision over artistic interpretation.In conclusion, pictorialism represents a significant chapter in the history of photography, illustrating the ongoing dialogue between art and technology. While it may have waned in popularity with the rise of modernism, its influence can still be seen today in contemporary photography. Many modern photographers continue to explore the themes of emotion, composition, and symbolism that were central to the pictorialism movement. By understanding pictorialism, we gain insight into the artistic potential of photography and its ability to transcend mere documentation, inviting viewers to experience a world of imagination and creativity.

摄影的历史广泛而多样，许多运动塑造了它的发展。其中一个运动被称为图像主义，它在19世纪末应运而生，作为对早期摄影简单记录现实的反应。图像主义被定义为一种摄影风格，强调艺术表现和美学之美，而非单纯的再现。参与这一运动的摄影师们试图将摄影提升到与绘画和雕塑相同的高尚艺术地位。他们经常采用柔焦、曝光操控和创造性印刷等技巧，创造出比客观描绘世界更具感召力和主观性的图像。图像主义运动是由通过视觉图像传达情感和意义的愿望驱动的。阿尔弗雷德·斯蒂格利茨和爱德华·斯蒂肯等艺术家是这一运动的杰出人物，他们倡导摄影作为合法艺术形式的认可。他们相信，一张照片可以讲述故事或唤起感情，就像一幅画一样。这一信念促使他们使用各种艺术技巧，包括故意模糊线条和光影的运用，创造出梦幻般的图像质量。图像主义的一个关键特征是其对构图和框架内元素安排的重视。摄影师会精心规划拍摄，考虑每个组件如何对整体情绪和图像信息做出贡献。这种对细节的关注让人联想到画家的创作方式，他们仔细构图以引导观众的目光并唤起特定的情感。此外，图像主义还拥抱了象征主义的理念。许多摄影师使用自然风景、静物和人类形象来象征更广泛的主题，如爱、失落和时间的流逝。这些象征性表现使观众能够以更深层次的方式与照片产生共鸣，促使他们反思自己的经历和情感。尽管具有艺术价值，图像主义最终还是遭到了偏好更现实和纪实风格的人的批评。20世纪初现代主义摄影的出现标志着对浪漫化的图像主义愿景的转变。摄影师们开始专注于清晰度、锐利度以及对现实的无修饰捕捉，从而导致强调技术精准而非艺术诠释的风格的兴起。总之，图像主义代表了摄影历史中的重要篇章，展示了艺术与技术之间持续的对话。虽然随着现代主义的兴起，它可能在受欢迎程度上有所减弱，但其影响今天仍然可以在当代摄影中看到。许多现代摄影师继续探索图像主义运动中心主题的情感、构图和象征。通过理解图像主义，我们可以深入了解摄影的艺术潜力及其超越简单记录的能力，邀请观众体验一个充满想象力和创造力的世界。